Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction

Detalhes bibliográficos
Autor(a) principal: Foley, Marta Carvalho
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.22/24396
Resumo: The present work proposes a reflection about my individual creative process of developing a live electroacoustic double bass performance with an interactive and semimalleable storyline narrative, influenced by the public decision-wise. In this reflection I intend not only to describe my process while creating the piece “Oh, Where we shall go…”, where I worked on concepts such as the experimental principal of investigation/action, improvisational composition and the notation that originates from it, communal work sessions as potentiators for creativity, electroacoustic exploration with double bass, as well as the technological necessities and solutions that came with these concepts. “Oh, Where we shall go…” stands to be premiered in November 2023 as an end point of the creative process around it.
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spelling Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interactionCreative processCompositionDouble bassElectroacoustic performanceGamified performanceInteractivityProcesso criativoComposiçãoContrabaixoPerformance eletroacústicaPerformance gamificadaInteratividadeThe present work proposes a reflection about my individual creative process of developing a live electroacoustic double bass performance with an interactive and semimalleable storyline narrative, influenced by the public decision-wise. In this reflection I intend not only to describe my process while creating the piece “Oh, Where we shall go…”, where I worked on concepts such as the experimental principal of investigation/action, improvisational composition and the notation that originates from it, communal work sessions as potentiators for creativity, electroacoustic exploration with double bass, as well as the technological necessities and solutions that came with these concepts. “Oh, Where we shall go…” stands to be premiered in November 2023 as an end point of the creative process around it.Este projeto propõe uma reflexão acerca do meu processo criativo relativamente ao desenvolvimento de uma performance eletroacústica ao vivo de contrabaixo, com um enredo narrativo interativo e semi-maleável, influenciado pela votação do público. Nesta reflexão pretendo não só descrever o meu processo de criação da peça “Oh, Where we shall go…”, onde trabalhei conceitos como o princípio experimental da investigação/ação, composição improvisada e a notação que dela deriva, sessões de trabalho como potenciadores da criatividade e exploração eletroacústica com contrabaixo, como também as necessidades e soluções tecnológicas que acompanharam estes conceitos. A peça “Oh, Where we shall go…” será estreada em novembro de 2023 como ponto final do meu processo criativo.Pereira, Bruno Alexandre BernardinoSantos, Pedro Emanuel OliveiraRepositório Científico do Instituto Politécnico do PortoFoley, Marta Carvalho2024-01-04T16:56:35Z2023-11-302023-11-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.22/24396TID:203441001enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-10T01:50:07Zoai:recipp.ipp.pt:10400.22/24396Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:31:09.560924Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
title Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
spellingShingle Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
Foley, Marta Carvalho
Creative process
Composition
Double bass
Electroacoustic performance
Gamified performance
Interactivity
Processo criativo
Composição
Contrabaixo
Performance eletroacústica
Performance gamificada
Interatividade
title_short Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
title_full Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
title_fullStr Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
title_full_unstemmed Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
title_sort Oh, Where we shall go… - semi-improvised performance involving modified double bass with gamified public interaction
author Foley, Marta Carvalho
author_facet Foley, Marta Carvalho
author_role author
dc.contributor.none.fl_str_mv Pereira, Bruno Alexandre Bernardino
Santos, Pedro Emanuel Oliveira
Repositório Científico do Instituto Politécnico do Porto
dc.contributor.author.fl_str_mv Foley, Marta Carvalho
dc.subject.por.fl_str_mv Creative process
Composition
Double bass
Electroacoustic performance
Gamified performance
Interactivity
Processo criativo
Composição
Contrabaixo
Performance eletroacústica
Performance gamificada
Interatividade
topic Creative process
Composition
Double bass
Electroacoustic performance
Gamified performance
Interactivity
Processo criativo
Composição
Contrabaixo
Performance eletroacústica
Performance gamificada
Interatividade
description The present work proposes a reflection about my individual creative process of developing a live electroacoustic double bass performance with an interactive and semimalleable storyline narrative, influenced by the public decision-wise. In this reflection I intend not only to describe my process while creating the piece “Oh, Where we shall go…”, where I worked on concepts such as the experimental principal of investigation/action, improvisational composition and the notation that originates from it, communal work sessions as potentiators for creativity, electroacoustic exploration with double bass, as well as the technological necessities and solutions that came with these concepts. “Oh, Where we shall go…” stands to be premiered in November 2023 as an end point of the creative process around it.
publishDate 2023
dc.date.none.fl_str_mv 2023-11-30
2023-11-30T00:00:00Z
2024-01-04T16:56:35Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.22/24396
TID:203441001
url http://hdl.handle.net/10400.22/24396
identifier_str_mv TID:203441001
dc.language.iso.fl_str_mv eng
language eng
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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