The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/23253 |
Resumo: | Music is a product undergoing a never-ending change in terms of commercialization. Thus, being competitive in this industry is crucial and knowledge empowers one to be one step ahead in the rare. This dissertation’s purpose is to expose how different online music vehicles influence consumers’ purchase intent towards music. The author collected quantitative data through an online survey to study the relationship among constructs. The participants of this experience where exposed to two different songs on a random basis on Youtube or Spotify, also randomly. After this exposition, they were questioned about the occurrence itself and about the impact it had on their willingness to relisten and to acquire the song. In this questionnaire, respondents rated several statements on each construct. This was followed by the examination of the data through a regression analysis while operating PROCESS; moreover, including a comparative means analysis computing the independent sample t-test. Contrastingly to what was mentioned in literature, online music vehicles were found to have a significant impact on purchase intention, when this relationship is moderated by the need to re-experience a song and by the consumer’s experiential response independently; both moderation effects analyzed simultaneously or individually. Furthermore, there is not a significant difference on the impact of each vehicle on purchase intent, compared to each other. In a nutshell, within the Portuguese market, online music vehicles have a great impact on purchase intention, when the consumers need to re-experience a song again and when they strongly experienced listening to the same song. |
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The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experienceDomínio/Área Científica::Ciências Sociais::Economia e GestãoMusic is a product undergoing a never-ending change in terms of commercialization. Thus, being competitive in this industry is crucial and knowledge empowers one to be one step ahead in the rare. This dissertation’s purpose is to expose how different online music vehicles influence consumers’ purchase intent towards music. The author collected quantitative data through an online survey to study the relationship among constructs. The participants of this experience where exposed to two different songs on a random basis on Youtube or Spotify, also randomly. After this exposition, they were questioned about the occurrence itself and about the impact it had on their willingness to relisten and to acquire the song. In this questionnaire, respondents rated several statements on each construct. This was followed by the examination of the data through a regression analysis while operating PROCESS; moreover, including a comparative means analysis computing the independent sample t-test. Contrastingly to what was mentioned in literature, online music vehicles were found to have a significant impact on purchase intention, when this relationship is moderated by the need to re-experience a song and by the consumer’s experiential response independently; both moderation effects analyzed simultaneously or individually. Furthermore, there is not a significant difference on the impact of each vehicle on purchase intent, compared to each other. In a nutshell, within the Portuguese market, online music vehicles have a great impact on purchase intention, when the consumers need to re-experience a song again and when they strongly experienced listening to the same song.Música é um produto exposto a mudanças constantes no que remete à sua comercialização. Consequentemente, é crucial ser competitivo nesta indústria e o conhecimento permite que isso seja possível. O objectivo desta dissertação é estudar o impacto que diferentes veículos de consumo de música online causam na intenção de compra do consumidor. Foram recolhidos dados quantitativos através de um questionário online para estudar a relação entre os constructos. Os participantes foram expostos a duas músicas aleatoriamente numa das plataformas escolhidas, Youtube ou Spotify, designadas de forma aleatória. Em seguida, foram questionados sobre o ocorrido e sobre o impacto na intenção de voltar a ouvir e comprar essa música, classificando algumas afirmações de acordo com o seu nível de concordância. Seguidamente, estudaram-se os dados adquiridos através de uma analise de regressão efectuada no programa SPSS - PROCESS; adicionalmente, fez-se uma analise comparativa de médias executando um t-Test para amostras independentes. Contrastando o que foi mencionado na literatura, de modo geral concluiu-se que os veículos de música online tem um impacto significativo na intenção de compra, quando esta relação é moderada pela necessidade de re-experienciar uma música e pela reação experiencial do consumidor de forma independente; tanto analisando os efeitos moderadores simultaneamente ou individualmente. Verificou-se também que não existe diferenças significativas entre o impacto dos dois veículos na intenção de compra. Concluindo, no mercado português, os veículos online têm um impacto revelador na intenção de compra, quando existe uma necessidade de re-experienciar uma música e/ou quando experienciaram fortemente essa música.Romeiro, Paulo Alexandre Mendes RamosBastos, WilsonVeritati - Repositório Institucional da Universidade Católica PortuguesaRibeiro, Inês Pires Flora2017-10-27T09:34:40Z2017-10-1320172017-10-13T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.14/23253TID:201748851enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:29:18Zoai:repositorio.ucp.pt:10400.14/23253Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:19:09.653321Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience |
title |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience |
spellingShingle |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience Ribeiro, Inês Pires Flora Domínio/Área Científica::Ciências Sociais::Economia e Gestão |
title_short |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience |
title_full |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience |
title_fullStr |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience |
title_full_unstemmed |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience |
title_sort |
The impact of online music vehicles on consumer’s purchase intent : moderation effect of the listener’s experiential response and the need to re-experience |
author |
Ribeiro, Inês Pires Flora |
author_facet |
Ribeiro, Inês Pires Flora |
author_role |
author |
dc.contributor.none.fl_str_mv |
Romeiro, Paulo Alexandre Mendes Ramos Bastos, Wilson Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Ribeiro, Inês Pires Flora |
dc.subject.por.fl_str_mv |
Domínio/Área Científica::Ciências Sociais::Economia e Gestão |
topic |
Domínio/Área Científica::Ciências Sociais::Economia e Gestão |
description |
Music is a product undergoing a never-ending change in terms of commercialization. Thus, being competitive in this industry is crucial and knowledge empowers one to be one step ahead in the rare. This dissertation’s purpose is to expose how different online music vehicles influence consumers’ purchase intent towards music. The author collected quantitative data through an online survey to study the relationship among constructs. The participants of this experience where exposed to two different songs on a random basis on Youtube or Spotify, also randomly. After this exposition, they were questioned about the occurrence itself and about the impact it had on their willingness to relisten and to acquire the song. In this questionnaire, respondents rated several statements on each construct. This was followed by the examination of the data through a regression analysis while operating PROCESS; moreover, including a comparative means analysis computing the independent sample t-test. Contrastingly to what was mentioned in literature, online music vehicles were found to have a significant impact on purchase intention, when this relationship is moderated by the need to re-experience a song and by the consumer’s experiential response independently; both moderation effects analyzed simultaneously or individually. Furthermore, there is not a significant difference on the impact of each vehicle on purchase intent, compared to each other. In a nutshell, within the Portuguese market, online music vehicles have a great impact on purchase intention, when the consumers need to re-experience a song again and when they strongly experienced listening to the same song. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-10-27T09:34:40Z 2017-10-13 2017 2017-10-13T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.14/23253 TID:201748851 |
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http://hdl.handle.net/10400.14/23253 |
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TID:201748851 |
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eng |
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eng |
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openAccess |
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application/pdf |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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