Parede pele

Detalhes bibliográficos
Autor(a) principal: Freitas, Marcos Paulo Martins de
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/36318
Resumo: This article aims to present the work of Israeli artist living in Brazil Yiftah Peled. The work proposed here refers to the installation of 2011, (s / title) for the “Wall Project” at the Museum of Modern Art of São Paulo-MAM / SP. The installation took as his motto the participation of officials from various sectors of the museum institution, through images of his wrists, fragments of skins that were collected by the photographer, intending to bring to make the processes of contamination of architecture with the body and participation public, to take architecture as an integral part of corporeality. As a result, seen a poetics that urges the audience to stand as a participant in critical experiments revealing the role of the institution as a body that should carry into dialogue with your audience
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spelling Parede pelePeled, Yftah, 1964-ArtePerformanceInstalação (Arte)ArquitecturaCorpoThis article aims to present the work of Israeli artist living in Brazil Yiftah Peled. The work proposed here refers to the installation of 2011, (s / title) for the “Wall Project” at the Museum of Modern Art of São Paulo-MAM / SP. The installation took as his motto the participation of officials from various sectors of the museum institution, through images of his wrists, fragments of skins that were collected by the photographer, intending to bring to make the processes of contamination of architecture with the body and participation public, to take architecture as an integral part of corporeality. As a result, seen a poetics that urges the audience to stand as a participant in critical experiments revealing the role of the institution as a body that should carry into dialogue with your audienceUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-ArtesRepositório da Universidade de LisboaFreitas, Marcos Paulo Martins de2019-01-09T18:15:05Z2014-012014-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleimage/jpegapplication/pdfhttp://hdl.handle.net/10451/36318porIn: Croma. - Lisboa, 2013-. - Vol. 2, nº 3 (Jan./Jun. 2014), p. 231-239info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:32:54Zoai:repositorio.ul.pt:10451/36318Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:50:36.249272Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Parede pele
title Parede pele
spellingShingle Parede pele
Freitas, Marcos Paulo Martins de
Peled, Yftah, 1964-
Arte
Performance
Instalação (Arte)
Arquitectura
Corpo
title_short Parede pele
title_full Parede pele
title_fullStr Parede pele
title_full_unstemmed Parede pele
title_sort Parede pele
author Freitas, Marcos Paulo Martins de
author_facet Freitas, Marcos Paulo Martins de
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Freitas, Marcos Paulo Martins de
dc.subject.por.fl_str_mv Peled, Yftah, 1964-
Arte
Performance
Instalação (Arte)
Arquitectura
Corpo
topic Peled, Yftah, 1964-
Arte
Performance
Instalação (Arte)
Arquitectura
Corpo
description This article aims to present the work of Israeli artist living in Brazil Yiftah Peled. The work proposed here refers to the installation of 2011, (s / title) for the “Wall Project” at the Museum of Modern Art of São Paulo-MAM / SP. The installation took as his motto the participation of officials from various sectors of the museum institution, through images of his wrists, fragments of skins that were collected by the photographer, intending to bring to make the processes of contamination of architecture with the body and participation public, to take architecture as an integral part of corporeality. As a result, seen a poetics that urges the audience to stand as a participant in critical experiments revealing the role of the institution as a body that should carry into dialogue with your audience
publishDate 2014
dc.date.none.fl_str_mv 2014-01
2014-01-01T00:00:00Z
2019-01-09T18:15:05Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/36318
url http://hdl.handle.net/10451/36318
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv In: Croma. - Lisboa, 2013-. - Vol. 2, nº 3 (Jan./Jun. 2014), p. 231-239
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv image/jpeg
application/pdf
dc.publisher.none.fl_str_mv Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
publisher.none.fl_str_mv Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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