Parede pele
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/36318 |
Resumo: | This article aims to present the work of Israeli artist living in Brazil Yiftah Peled. The work proposed here refers to the installation of 2011, (s / title) for the “Wall Project” at the Museum of Modern Art of São Paulo-MAM / SP. The installation took as his motto the participation of officials from various sectors of the museum institution, through images of his wrists, fragments of skins that were collected by the photographer, intending to bring to make the processes of contamination of architecture with the body and participation public, to take architecture as an integral part of corporeality. As a result, seen a poetics that urges the audience to stand as a participant in critical experiments revealing the role of the institution as a body that should carry into dialogue with your audience |
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Parede pelePeled, Yftah, 1964-ArtePerformanceInstalação (Arte)ArquitecturaCorpoThis article aims to present the work of Israeli artist living in Brazil Yiftah Peled. The work proposed here refers to the installation of 2011, (s / title) for the “Wall Project” at the Museum of Modern Art of São Paulo-MAM / SP. The installation took as his motto the participation of officials from various sectors of the museum institution, through images of his wrists, fragments of skins that were collected by the photographer, intending to bring to make the processes of contamination of architecture with the body and participation public, to take architecture as an integral part of corporeality. As a result, seen a poetics that urges the audience to stand as a participant in critical experiments revealing the role of the institution as a body that should carry into dialogue with your audienceUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-ArtesRepositório da Universidade de LisboaFreitas, Marcos Paulo Martins de2019-01-09T18:15:05Z2014-012014-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleimage/jpegapplication/pdfhttp://hdl.handle.net/10451/36318porIn: Croma. - Lisboa, 2013-. - Vol. 2, nº 3 (Jan./Jun. 2014), p. 231-239info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:32:54Zoai:repositorio.ul.pt:10451/36318Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:50:36.249272Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Parede pele |
title |
Parede pele |
spellingShingle |
Parede pele Freitas, Marcos Paulo Martins de Peled, Yftah, 1964- Arte Performance Instalação (Arte) Arquitectura Corpo |
title_short |
Parede pele |
title_full |
Parede pele |
title_fullStr |
Parede pele |
title_full_unstemmed |
Parede pele |
title_sort |
Parede pele |
author |
Freitas, Marcos Paulo Martins de |
author_facet |
Freitas, Marcos Paulo Martins de |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Freitas, Marcos Paulo Martins de |
dc.subject.por.fl_str_mv |
Peled, Yftah, 1964- Arte Performance Instalação (Arte) Arquitectura Corpo |
topic |
Peled, Yftah, 1964- Arte Performance Instalação (Arte) Arquitectura Corpo |
description |
This article aims to present the work of Israeli artist living in Brazil Yiftah Peled. The work proposed here refers to the installation of 2011, (s / title) for the “Wall Project” at the Museum of Modern Art of São Paulo-MAM / SP. The installation took as his motto the participation of officials from various sectors of the museum institution, through images of his wrists, fragments of skins that were collected by the photographer, intending to bring to make the processes of contamination of architecture with the body and participation public, to take architecture as an integral part of corporeality. As a result, seen a poetics that urges the audience to stand as a participant in critical experiments revealing the role of the institution as a body that should carry into dialogue with your audience |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-01 2014-01-01T00:00:00Z 2019-01-09T18:15:05Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/36318 |
url |
http://hdl.handle.net/10451/36318 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
In: Croma. - Lisboa, 2013-. - Vol. 2, nº 3 (Jan./Jun. 2014), p. 231-239 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
image/jpeg application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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