Reconsidering Manifesta 10: big exhibition project as narrative
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.7559/citarj.v9i1.264 |
Resumo: | This article analyzes the exhibition project of Manifesta 10 (St. Petersburg, 2014) as a complex of narratives including media texts and artists’ myths and stories. Two main, mutually affecting themes of the Manifesta 10 narrative are defined as a dialog between classical and contemporary art and an idea of “total work of art” in the context of the theory of “Gesamtkunstwerk”. The basis of the theory was laid by R. Wagner, and it had later continued in contemporary cultural studies in relation to interactivity of contemporary art. Big exhibition projects transform the idea of “total work of art” into the concept of unity of different artistic elements (artistic methods, media, art spaces, mythologies, commentaries, critical texts) in the whole of the exhibition. The curator’s idea of dialog between classical art and contemporary artworks stresses the key role of the Hermitage in the project of Manifesta 10 and demonstrates benefits and disadvantages of an exhibition mega-project in a classical museum. The “big story” about the opposition of contemporary art and tradition consists of minor stories of particular projects in the exhibition. In this regard, the criteria of Manifesta 10’s critical reception and interpretation are considered. |
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Reconsidering Manifesta 10: big exhibition project as narrativeThis article analyzes the exhibition project of Manifesta 10 (St. Petersburg, 2014) as a complex of narratives including media texts and artists’ myths and stories. Two main, mutually affecting themes of the Manifesta 10 narrative are defined as a dialog between classical and contemporary art and an idea of “total work of art” in the context of the theory of “Gesamtkunstwerk”. The basis of the theory was laid by R. Wagner, and it had later continued in contemporary cultural studies in relation to interactivity of contemporary art. Big exhibition projects transform the idea of “total work of art” into the concept of unity of different artistic elements (artistic methods, media, art spaces, mythologies, commentaries, critical texts) in the whole of the exhibition. The curator’s idea of dialog between classical art and contemporary artworks stresses the key role of the Hermitage in the project of Manifesta 10 and demonstrates benefits and disadvantages of an exhibition mega-project in a classical museum. The “big story” about the opposition of contemporary art and tradition consists of minor stories of particular projects in the exhibition. In this regard, the criteria of Manifesta 10’s critical reception and interpretation are considered.Universidade Católica Portuguesa2017-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v9i1.264oai:ojs.revistas.ucp.pt:article/7276Journal of Science and Technology of the Arts; Vol 9 No 1 (2017); 17-27Journal of Science and Technology of the Arts; v. 9 n. 1 (2017); 17-272183-00881646-979810.34632/citarj.2017.9.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7276https://doi.org/10.7559/citarj.v9i1.264https://revistas.ucp.pt/index.php/jsta/article/view/7276/7069Copyright (c) 2017 Marina Biryukovahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBiryukova, Marina2022-09-22T16:19:20Zoai:ojs.revistas.ucp.pt:article/7276Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:01.872102Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Reconsidering Manifesta 10: big exhibition project as narrative |
title |
Reconsidering Manifesta 10: big exhibition project as narrative |
spellingShingle |
Reconsidering Manifesta 10: big exhibition project as narrative Biryukova, Marina |
title_short |
Reconsidering Manifesta 10: big exhibition project as narrative |
title_full |
Reconsidering Manifesta 10: big exhibition project as narrative |
title_fullStr |
Reconsidering Manifesta 10: big exhibition project as narrative |
title_full_unstemmed |
Reconsidering Manifesta 10: big exhibition project as narrative |
title_sort |
Reconsidering Manifesta 10: big exhibition project as narrative |
author |
Biryukova, Marina |
author_facet |
Biryukova, Marina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Biryukova, Marina |
description |
This article analyzes the exhibition project of Manifesta 10 (St. Petersburg, 2014) as a complex of narratives including media texts and artists’ myths and stories. Two main, mutually affecting themes of the Manifesta 10 narrative are defined as a dialog between classical and contemporary art and an idea of “total work of art” in the context of the theory of “Gesamtkunstwerk”. The basis of the theory was laid by R. Wagner, and it had later continued in contemporary cultural studies in relation to interactivity of contemporary art. Big exhibition projects transform the idea of “total work of art” into the concept of unity of different artistic elements (artistic methods, media, art spaces, mythologies, commentaries, critical texts) in the whole of the exhibition. The curator’s idea of dialog between classical art and contemporary artworks stresses the key role of the Hermitage in the project of Manifesta 10 and demonstrates benefits and disadvantages of an exhibition mega-project in a classical museum. The “big story” about the opposition of contemporary art and tradition consists of minor stories of particular projects in the exhibition. In this regard, the criteria of Manifesta 10’s critical reception and interpretation are considered. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-01-01T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.7559/citarj.v9i1.264 oai:ojs.revistas.ucp.pt:article/7276 |
url |
https://doi.org/10.7559/citarj.v9i1.264 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/7276 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/7276 https://doi.org/10.7559/citarj.v9i1.264 https://revistas.ucp.pt/index.php/jsta/article/view/7276/7069 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Marina Biryukova http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Marina Biryukova http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 9 No 1 (2017); 17-27 Journal of Science and Technology of the Arts; v. 9 n. 1 (2017); 17-27 2183-0088 1646-9798 10.34632/citarj.2017.9.1 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799130456872976384 |