Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://ojs.letras.up.pt/index.php/int/article/view/4195 |
Resumo: | The article is about various representations of Naples in « The poor tavern » and « The maze of feelings » T.Ben Jelloun. Naples,through its nature full of contradictions, being both spiritual and satanic, becomes the reflection of writer’s inspirations and thoughts, that are in contrast. Ben Jelloun, just to create the Naples sphere, that is somewhere between violence and spirit, refers to artistic works of Ernest Pignon-Ernest. He goes further and uses the symbolic meaning of the maze, being inspired by representations of Jorge Louis Borges and James Joyce. In the diptych (1999) the maze symbolizes cruel underground desires of the town where its Minotaur is hidden. On the other hand, according to the antithesis logic, the same maze becomes a place of the characters’ spiritual pilgrimage searching the Ideal. Finally, creating the idea of Naples maze, Ben Jelloun realizes the theme of writing : the forks of the dark tunnel not only make real the author’s dilemmas but also contrast them with his own ideas and characters. However, they strongly emphasize the struggle between striving to perfection and the necessity to follow the reality (with all its dark sides). |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)The article is about various representations of Naples in « The poor tavern » and « The maze of feelings » T.Ben Jelloun. Naples,through its nature full of contradictions, being both spiritual and satanic, becomes the reflection of writer’s inspirations and thoughts, that are in contrast. Ben Jelloun, just to create the Naples sphere, that is somewhere between violence and spirit, refers to artistic works of Ernest Pignon-Ernest. He goes further and uses the symbolic meaning of the maze, being inspired by representations of Jorge Louis Borges and James Joyce. In the diptych (1999) the maze symbolizes cruel underground desires of the town where its Minotaur is hidden. On the other hand, according to the antithesis logic, the same maze becomes a place of the characters’ spiritual pilgrimage searching the Ideal. Finally, creating the idea of Naples maze, Ben Jelloun realizes the theme of writing : the forks of the dark tunnel not only make real the author’s dilemmas but also contrast them with his own ideas and characters. However, they strongly emphasize the struggle between striving to perfection and the necessity to follow the reality (with all its dark sides).FLUP2018-05-25info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://ojs.letras.up.pt/index.php/int/article/view/4195Intercâmbio: Revue d’Études Françaises=French Studies Journal; N.º 1 (2008): Intercâmbio; 91-1060873-366Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://ojs.letras.up.pt/index.php/int/article/view/4195https://ojs.letras.up.pt/index.php/int/article/view/4195/3935Direitos de Autor (c) 2018 Intercâmbio: Revue d’Études Françaises=French Studies Journalinfo:eu-repo/semantics/openAccessZdrada-Cok, Magdalena2023-02-04T07:51:58Zoai:ojs.letras.up.pt/ojs:article/4195Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:15:55.644761Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) |
title |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) |
spellingShingle |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) Zdrada-Cok, Magdalena |
title_short |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) |
title_full |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) |
title_fullStr |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) |
title_full_unstemmed |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) |
title_sort |
Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999) |
author |
Zdrada-Cok, Magdalena |
author_facet |
Zdrada-Cok, Magdalena |
author_role |
author |
dc.contributor.author.fl_str_mv |
Zdrada-Cok, Magdalena |
description |
The article is about various representations of Naples in « The poor tavern » and « The maze of feelings » T.Ben Jelloun. Naples,through its nature full of contradictions, being both spiritual and satanic, becomes the reflection of writer’s inspirations and thoughts, that are in contrast. Ben Jelloun, just to create the Naples sphere, that is somewhere between violence and spirit, refers to artistic works of Ernest Pignon-Ernest. He goes further and uses the symbolic meaning of the maze, being inspired by representations of Jorge Louis Borges and James Joyce. In the diptych (1999) the maze symbolizes cruel underground desires of the town where its Minotaur is hidden. On the other hand, according to the antithesis logic, the same maze becomes a place of the characters’ spiritual pilgrimage searching the Ideal. Finally, creating the idea of Naples maze, Ben Jelloun realizes the theme of writing : the forks of the dark tunnel not only make real the author’s dilemmas but also contrast them with his own ideas and characters. However, they strongly emphasize the struggle between striving to perfection and the necessity to follow the reality (with all its dark sides). |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-25 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.letras.up.pt/index.php/int/article/view/4195 |
url |
https://ojs.letras.up.pt/index.php/int/article/view/4195 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.letras.up.pt/index.php/int/article/view/4195 https://ojs.letras.up.pt/index.php/int/article/view/4195/3935 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2018 Intercâmbio: Revue d’Études Françaises=French Studies Journal info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2018 Intercâmbio: Revue d’Études Françaises=French Studies Journal |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
FLUP |
publisher.none.fl_str_mv |
FLUP |
dc.source.none.fl_str_mv |
Intercâmbio: Revue d’Études Françaises=French Studies Journal; N.º 1 (2008): Intercâmbio; 91-106 0873-366X reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
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1799130613825929216 |