Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)

Detalhes bibliográficos
Autor(a) principal: Zdrada-Cok, Magdalena
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://ojs.letras.up.pt/index.php/int/article/view/4195
Resumo: The article is about various representations of Naples in « The poor tavern » and « The maze of feelings » T.Ben Jelloun. Naples,through its nature full of contradictions, being both spiritual and satanic, becomes the reflection of writer’s inspirations and thoughts, that are in contrast. Ben Jelloun, just to create the Naples sphere, that is somewhere between violence and spirit, refers to artistic works of Ernest Pignon-Ernest. He goes further and uses the symbolic meaning of the maze, being inspired by representations of Jorge Louis Borges and James Joyce. In the diptych (1999) the maze symbolizes cruel underground desires of the town where its Minotaur is hidden. On the other hand, according to the antithesis logic, the same maze becomes a place of the characters’ spiritual pilgrimage searching the Ideal. Finally, creating the idea of Naples maze, Ben Jelloun realizes the theme of writing : the forks of the dark tunnel not only make real the author’s dilemmas but also contrast them with his own ideas and characters. However, they strongly emphasize the struggle between striving to perfection and the necessity to follow the reality (with all its dark sides).
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spelling Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)The article is about various representations of Naples in « The poor tavern » and « The maze of feelings » T.Ben Jelloun. Naples,through its nature full of contradictions, being both spiritual and satanic, becomes the reflection of writer’s inspirations and thoughts, that are in contrast. Ben Jelloun, just to create the Naples sphere, that is somewhere between violence and spirit, refers to artistic works of Ernest Pignon-Ernest. He goes further and uses the symbolic meaning of the maze, being inspired by representations of Jorge Louis Borges and James Joyce. In the diptych (1999) the maze symbolizes cruel underground desires of the town where its Minotaur is hidden. On the other hand, according to the antithesis logic, the same maze becomes a place of the characters’ spiritual pilgrimage searching the Ideal. Finally, creating the idea of Naples maze, Ben Jelloun realizes the theme of writing : the forks of the dark tunnel not only make real the author’s dilemmas but also contrast them with his own ideas and characters. However, they strongly emphasize the struggle between striving to perfection and the necessity to follow the reality (with all its dark sides).FLUP2018-05-25info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://ojs.letras.up.pt/index.php/int/article/view/4195Intercâmbio: Revue d’Études Françaises=French Studies Journal; N.º 1 (2008): Intercâmbio; 91-1060873-366Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://ojs.letras.up.pt/index.php/int/article/view/4195https://ojs.letras.up.pt/index.php/int/article/view/4195/3935Direitos de Autor (c) 2018 Intercâmbio: Revue d’Études Françaises=French Studies Journalinfo:eu-repo/semantics/openAccessZdrada-Cok, Magdalena2023-02-04T07:51:58Zoai:ojs.letras.up.pt/ojs:article/4195Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:15:55.644761Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
title Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
spellingShingle Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
Zdrada-Cok, Magdalena
title_short Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
title_full Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
title_fullStr Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
title_full_unstemmed Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
title_sort Les représentations de Naples dans l'écriture de Tahar Ben Jelloun (1992-1999)
author Zdrada-Cok, Magdalena
author_facet Zdrada-Cok, Magdalena
author_role author
dc.contributor.author.fl_str_mv Zdrada-Cok, Magdalena
description The article is about various representations of Naples in « The poor tavern » and « The maze of feelings » T.Ben Jelloun. Naples,through its nature full of contradictions, being both spiritual and satanic, becomes the reflection of writer’s inspirations and thoughts, that are in contrast. Ben Jelloun, just to create the Naples sphere, that is somewhere between violence and spirit, refers to artistic works of Ernest Pignon-Ernest. He goes further and uses the symbolic meaning of the maze, being inspired by representations of Jorge Louis Borges and James Joyce. In the diptych (1999) the maze symbolizes cruel underground desires of the town where its Minotaur is hidden. On the other hand, according to the antithesis logic, the same maze becomes a place of the characters’ spiritual pilgrimage searching the Ideal. Finally, creating the idea of Naples maze, Ben Jelloun realizes the theme of writing : the forks of the dark tunnel not only make real the author’s dilemmas but also contrast them with his own ideas and characters. However, they strongly emphasize the struggle between striving to perfection and the necessity to follow the reality (with all its dark sides).
publishDate 2018
dc.date.none.fl_str_mv 2018-05-25
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.letras.up.pt/index.php/int/article/view/4195
https://ojs.letras.up.pt/index.php/int/article/view/4195/3935
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2018 Intercâmbio: Revue d’Études Françaises=French Studies Journal
info:eu-repo/semantics/openAccess
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publisher.none.fl_str_mv FLUP
dc.source.none.fl_str_mv Intercâmbio: Revue d’Études Françaises=French Studies Journal; N.º 1 (2008): Intercâmbio; 91-106
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