Review of "Arte(s) Urbana(s)" book

Detalhes bibliográficos
Autor(a) principal: Neves, Pedro Soares
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48619/cap.v2i2.344
Resumo: In writing this book, the authors sought the difficult balance between a work capable of interest the academic reader and sufficiently accessible, capable of attracting the reader curious about this phenomenon. It should be noted that despite the search for balance, the tendency to direct discourse in the academic sense clearly prevails. For example, citations in a foreign language are made in the original language (English and French) which would be good academic practice but without translation it would mean a distance from readers.The book is divided into two parts, the first part delimits concepts, the second part presents reference cases. It should be noted with regard to this organization that the fact that the second part of the book is called “Urban Art in the national context” is not completely correct because within it there is a sub-chapter on “Imbolic cases in international cities”. It is a well-structured introduction, which would not be worthy of notice if it were not the origin of some ideas that during the book are not actually fully implemented. Noteworthy is the stated “thesis”, “Urban Arts”, which is not re-visited and also worth mentioning is the lack of accessibility to the non-academic reader. Even because in the introduction they identify 2 objectives, that of discussing concepts and that of making history. With the particular exception of not being an exhaustive history, forcing the repeated mention that the references (to authors, texts, projects and others) are partial, leaving, however, the criterion of the choices to be clarified.
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spelling Review of "Arte(s) Urbana(s)" bookRecensão do livro Arte(s) Urbana(s)In writing this book, the authors sought the difficult balance between a work capable of interest the academic reader and sufficiently accessible, capable of attracting the reader curious about this phenomenon. It should be noted that despite the search for balance, the tendency to direct discourse in the academic sense clearly prevails. For example, citations in a foreign language are made in the original language (English and French) which would be good academic practice but without translation it would mean a distance from readers.The book is divided into two parts, the first part delimits concepts, the second part presents reference cases. It should be noted with regard to this organization that the fact that the second part of the book is called “Urban Art in the national context” is not completely correct because within it there is a sub-chapter on “Imbolic cases in international cities”. It is a well-structured introduction, which would not be worthy of notice if it were not the origin of some ideas that during the book are not actually fully implemented. Noteworthy is the stated “thesis”, “Urban Arts”, which is not re-visited and also worth mentioning is the lack of accessibility to the non-academic reader. Even because in the introduction they identify 2 objectives, that of discussing concepts and that of making history. With the particular exception of not being an exhaustive history, forcing the repeated mention that the references (to authors, texts, projects and others) are partial, leaving, however, the criterion of the choices to be clarified.Na escrita deste livro os autores procuraram o difícil equilíbrio entre uma obra capaz de interessar o leitor académico e suficientemente acessível, capaz de atrair o leitor curioso por este fenómeno. De referir que apesar da procura de equilíbrio, a tendência de dirigir discurso no sentido académico prevalece claramente. Por exemplo as citações em língua estrangeira são feitas na língua original (inglês e francês) o que será uma boa prática académica mas que sem tradução implica um afastamento de leitores. O livro divide-se em duas partes, na primeira parte delimitam-se conceitos, na segunda parte apresentam-se casos de referência. De notar a propósito desta organização que o facto da segunda parte do livro, ser designada de “Arte Urbana no contexto nacional” não é completamente correcto pois no seu interior existe um sub-capitulo sobre “Casos emblemáticos em cidades internacionais”. Trata-se de uma introdução bem estruturada, que não seria digna de reparo se não fosse origem de algumas ideias que durante o livro na realidade não se cumprem na totalidade. De destacar a “tese” enunciada,  “Artes Urbanas”, que não se re-visita e também de referir, a falta de acessibilidade ao leitor não académico. Mesmo porque na introdução de identificam 2 objectivos, o de discutir conceitos e o de fazer histórico. Com a ressalva particular de não ser um histórico exaustivo, obrigando à repetida menção que as referências (a autores, textos, projetos e demais) são parciais, ficando todavia por esclarecer o critério das escolhas.Urbancreativity.org2020-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/cap.v2i2.344oai:journals.ap2.pt:article/344CAP - Public Art Journal; Vol 2 No 2 (2020): Public Art Research, aims and networks; 146 - 154Cadernos de Arte Pública; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 154CAP - Cadernos de Arte Pública / Public Art Journal; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 1542184-6197reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/CAP/article/view/344https://doi.org/10.48619/cap.v2i2.344https://journals.ap2.pt/index.php/CAP/article/view/344/218Neves, Pedro Soaresinfo:eu-repo/semantics/openAccess2022-09-20T11:04:26Zoai:journals.ap2.pt:article/344Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:48:59.525577Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Review of "Arte(s) Urbana(s)" book
Recensão do livro Arte(s) Urbana(s)
title Review of "Arte(s) Urbana(s)" book
spellingShingle Review of "Arte(s) Urbana(s)" book
Neves, Pedro Soares
title_short Review of "Arte(s) Urbana(s)" book
title_full Review of "Arte(s) Urbana(s)" book
title_fullStr Review of "Arte(s) Urbana(s)" book
title_full_unstemmed Review of "Arte(s) Urbana(s)" book
title_sort Review of "Arte(s) Urbana(s)" book
author Neves, Pedro Soares
author_facet Neves, Pedro Soares
author_role author
dc.contributor.author.fl_str_mv Neves, Pedro Soares
description In writing this book, the authors sought the difficult balance between a work capable of interest the academic reader and sufficiently accessible, capable of attracting the reader curious about this phenomenon. It should be noted that despite the search for balance, the tendency to direct discourse in the academic sense clearly prevails. For example, citations in a foreign language are made in the original language (English and French) which would be good academic practice but without translation it would mean a distance from readers.The book is divided into two parts, the first part delimits concepts, the second part presents reference cases. It should be noted with regard to this organization that the fact that the second part of the book is called “Urban Art in the national context” is not completely correct because within it there is a sub-chapter on “Imbolic cases in international cities”. It is a well-structured introduction, which would not be worthy of notice if it were not the origin of some ideas that during the book are not actually fully implemented. Noteworthy is the stated “thesis”, “Urban Arts”, which is not re-visited and also worth mentioning is the lack of accessibility to the non-academic reader. Even because in the introduction they identify 2 objectives, that of discussing concepts and that of making history. With the particular exception of not being an exhaustive history, forcing the repeated mention that the references (to authors, texts, projects and others) are partial, leaving, however, the criterion of the choices to be clarified.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-30T00:00:00Z
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oai:journals.ap2.pt:article/344
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identifier_str_mv oai:journals.ap2.pt:article/344
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dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/CAP/article/view/344
https://doi.org/10.48619/cap.v2i2.344
https://journals.ap2.pt/index.php/CAP/article/view/344/218
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dc.publisher.none.fl_str_mv Urbancreativity.org
publisher.none.fl_str_mv Urbancreativity.org
dc.source.none.fl_str_mv CAP - Public Art Journal; Vol 2 No 2 (2020): Public Art Research, aims and networks; 146 - 154
Cadernos de Arte Pública; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 154
CAP - Cadernos de Arte Pública / Public Art Journal; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 154
2184-6197
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