Review of "Arte(s) Urbana(s)" book
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.48619/cap.v2i2.344 |
Resumo: | In writing this book, the authors sought the difficult balance between a work capable of interest the academic reader and sufficiently accessible, capable of attracting the reader curious about this phenomenon. It should be noted that despite the search for balance, the tendency to direct discourse in the academic sense clearly prevails. For example, citations in a foreign language are made in the original language (English and French) which would be good academic practice but without translation it would mean a distance from readers.The book is divided into two parts, the first part delimits concepts, the second part presents reference cases. It should be noted with regard to this organization that the fact that the second part of the book is called “Urban Art in the national context” is not completely correct because within it there is a sub-chapter on “Imbolic cases in international cities”. It is a well-structured introduction, which would not be worthy of notice if it were not the origin of some ideas that during the book are not actually fully implemented. Noteworthy is the stated “thesis”, “Urban Arts”, which is not re-visited and also worth mentioning is the lack of accessibility to the non-academic reader. Even because in the introduction they identify 2 objectives, that of discussing concepts and that of making history. With the particular exception of not being an exhaustive history, forcing the repeated mention that the references (to authors, texts, projects and others) are partial, leaving, however, the criterion of the choices to be clarified. |
id |
RCAP_9b2ddaeac036bdbca3b2450e16fe13b1 |
---|---|
oai_identifier_str |
oai:journals.ap2.pt:article/344 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Review of "Arte(s) Urbana(s)" bookRecensão do livro Arte(s) Urbana(s)In writing this book, the authors sought the difficult balance between a work capable of interest the academic reader and sufficiently accessible, capable of attracting the reader curious about this phenomenon. It should be noted that despite the search for balance, the tendency to direct discourse in the academic sense clearly prevails. For example, citations in a foreign language are made in the original language (English and French) which would be good academic practice but without translation it would mean a distance from readers.The book is divided into two parts, the first part delimits concepts, the second part presents reference cases. It should be noted with regard to this organization that the fact that the second part of the book is called “Urban Art in the national context” is not completely correct because within it there is a sub-chapter on “Imbolic cases in international cities”. It is a well-structured introduction, which would not be worthy of notice if it were not the origin of some ideas that during the book are not actually fully implemented. Noteworthy is the stated “thesis”, “Urban Arts”, which is not re-visited and also worth mentioning is the lack of accessibility to the non-academic reader. Even because in the introduction they identify 2 objectives, that of discussing concepts and that of making history. With the particular exception of not being an exhaustive history, forcing the repeated mention that the references (to authors, texts, projects and others) are partial, leaving, however, the criterion of the choices to be clarified.Na escrita deste livro os autores procuraram o difícil equilíbrio entre uma obra capaz de interessar o leitor académico e suficientemente acessível, capaz de atrair o leitor curioso por este fenómeno. De referir que apesar da procura de equilíbrio, a tendência de dirigir discurso no sentido académico prevalece claramente. Por exemplo as citações em língua estrangeira são feitas na língua original (inglês e francês) o que será uma boa prática académica mas que sem tradução implica um afastamento de leitores. O livro divide-se em duas partes, na primeira parte delimitam-se conceitos, na segunda parte apresentam-se casos de referência. De notar a propósito desta organização que o facto da segunda parte do livro, ser designada de “Arte Urbana no contexto nacional” não é completamente correcto pois no seu interior existe um sub-capitulo sobre “Casos emblemáticos em cidades internacionais”. Trata-se de uma introdução bem estruturada, que não seria digna de reparo se não fosse origem de algumas ideias que durante o livro na realidade não se cumprem na totalidade. De destacar a “tese” enunciada, “Artes Urbanas”, que não se re-visita e também de referir, a falta de acessibilidade ao leitor não académico. Mesmo porque na introdução de identificam 2 objectivos, o de discutir conceitos e o de fazer histórico. Com a ressalva particular de não ser um histórico exaustivo, obrigando à repetida menção que as referências (a autores, textos, projetos e demais) são parciais, ficando todavia por esclarecer o critério das escolhas.Urbancreativity.org2020-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/cap.v2i2.344oai:journals.ap2.pt:article/344CAP - Public Art Journal; Vol 2 No 2 (2020): Public Art Research, aims and networks; 146 - 154Cadernos de Arte Pública; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 154CAP - Cadernos de Arte Pública / Public Art Journal; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 1542184-6197reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/CAP/article/view/344https://doi.org/10.48619/cap.v2i2.344https://journals.ap2.pt/index.php/CAP/article/view/344/218Neves, Pedro Soaresinfo:eu-repo/semantics/openAccess2022-09-20T11:04:26Zoai:journals.ap2.pt:article/344Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:48:59.525577Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Review of "Arte(s) Urbana(s)" book Recensão do livro Arte(s) Urbana(s) |
title |
Review of "Arte(s) Urbana(s)" book |
spellingShingle |
Review of "Arte(s) Urbana(s)" book Neves, Pedro Soares |
title_short |
Review of "Arte(s) Urbana(s)" book |
title_full |
Review of "Arte(s) Urbana(s)" book |
title_fullStr |
Review of "Arte(s) Urbana(s)" book |
title_full_unstemmed |
Review of "Arte(s) Urbana(s)" book |
title_sort |
Review of "Arte(s) Urbana(s)" book |
author |
Neves, Pedro Soares |
author_facet |
Neves, Pedro Soares |
author_role |
author |
dc.contributor.author.fl_str_mv |
Neves, Pedro Soares |
description |
In writing this book, the authors sought the difficult balance between a work capable of interest the academic reader and sufficiently accessible, capable of attracting the reader curious about this phenomenon. It should be noted that despite the search for balance, the tendency to direct discourse in the academic sense clearly prevails. For example, citations in a foreign language are made in the original language (English and French) which would be good academic practice but without translation it would mean a distance from readers.The book is divided into two parts, the first part delimits concepts, the second part presents reference cases. It should be noted with regard to this organization that the fact that the second part of the book is called “Urban Art in the national context” is not completely correct because within it there is a sub-chapter on “Imbolic cases in international cities”. It is a well-structured introduction, which would not be worthy of notice if it were not the origin of some ideas that during the book are not actually fully implemented. Noteworthy is the stated “thesis”, “Urban Arts”, which is not re-visited and also worth mentioning is the lack of accessibility to the non-academic reader. Even because in the introduction they identify 2 objectives, that of discussing concepts and that of making history. With the particular exception of not being an exhaustive history, forcing the repeated mention that the references (to authors, texts, projects and others) are partial, leaving, however, the criterion of the choices to be clarified. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-30T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.48619/cap.v2i2.344 oai:journals.ap2.pt:article/344 |
url |
https://doi.org/10.48619/cap.v2i2.344 |
identifier_str_mv |
oai:journals.ap2.pt:article/344 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/CAP/article/view/344 https://doi.org/10.48619/cap.v2i2.344 https://journals.ap2.pt/index.php/CAP/article/view/344/218 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Urbancreativity.org |
publisher.none.fl_str_mv |
Urbancreativity.org |
dc.source.none.fl_str_mv |
CAP - Public Art Journal; Vol 2 No 2 (2020): Public Art Research, aims and networks; 146 - 154 Cadernos de Arte Pública; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 154 CAP - Cadernos de Arte Pública / Public Art Journal; v. 2 n. 2 (2020): Public Art Research, aims and networks; 146 - 154 2184-6197 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799130355623526400 |