Photography and Writing, or the Intimacy of the Image

Detalhes bibliográficos
Autor(a) principal: Duarte, Miguel Mesquita
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/96648
Resumo: UID/PAM/00417/2019
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spelling Photography and Writing, or the Intimacy of the ImageA Dialogic Encounter between Barthes’s Camera Lucida and Blanchot’s Philosophy of othernessCultural StudiesCommunicationVisual Arts and Performing ArtsUID/PAM/00417/2019This article was prompted by James Elkins’s argument — developed in his book, What Photography Is, from 2011 — that there is no actual relationship between Roland Barthes’s theory of photography and Maurice Blanchot’s philosophy. Drawing on considerations of an historical, philosophical, and literary nature, the article argues for the importance of a dialogic encounter between Barthes and Blanchot, demonstrating that the interconnection between the concepts of intimacy, image, and writing, appears as a crucial aspect in the theory of both authors. At the same time, by contesting Elkins’s wider criticism of Barthes’s Camera Lucida (1982), the article aims to develop better-informed theoretical understandings of Barthes’s thoughts on photography. The final section of the article attempts to map promising points of connection between Barthes, Blanchot, and Proust, in order to reassess the notion of punctum in its broader relation with the concepts of time and death.Instituto de História da Arte (IHA)RUNDuarte, Miguel Mesquita2022-02-11T01:30:35Z2019-09-022019-09-02T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article19application/pdfhttp://hdl.handle.net/10362/96648eng1754-0763PURE: 16707554https://doi.org/10.1080/17540763.2019.1627392info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:44:14Zoai:run.unl.pt:10362/96648Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:38:37.492506Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Photography and Writing, or the Intimacy of the Image
A Dialogic Encounter between Barthes’s Camera Lucida and Blanchot’s Philosophy of otherness
title Photography and Writing, or the Intimacy of the Image
spellingShingle Photography and Writing, or the Intimacy of the Image
Duarte, Miguel Mesquita
Cultural Studies
Communication
Visual Arts and Performing Arts
title_short Photography and Writing, or the Intimacy of the Image
title_full Photography and Writing, or the Intimacy of the Image
title_fullStr Photography and Writing, or the Intimacy of the Image
title_full_unstemmed Photography and Writing, or the Intimacy of the Image
title_sort Photography and Writing, or the Intimacy of the Image
author Duarte, Miguel Mesquita
author_facet Duarte, Miguel Mesquita
author_role author
dc.contributor.none.fl_str_mv Instituto de História da Arte (IHA)
RUN
dc.contributor.author.fl_str_mv Duarte, Miguel Mesquita
dc.subject.por.fl_str_mv Cultural Studies
Communication
Visual Arts and Performing Arts
topic Cultural Studies
Communication
Visual Arts and Performing Arts
description UID/PAM/00417/2019
publishDate 2019
dc.date.none.fl_str_mv 2019-09-02
2019-09-02T00:00:00Z
2022-02-11T01:30:35Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/96648
url http://hdl.handle.net/10362/96648
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 1754-0763
PURE: 16707554
https://doi.org/10.1080/17540763.2019.1627392
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