Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Outros Autores: | , , , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10174/21261 https://doi.org/10.1002/col.22027 |
Resumo: | This article is an outcome of the study, deci-sions, and restoration work undertaken during the inte-grated conservation project of the 16th century paintingsof Funchal’s Cathedral main chapel’s altarpiece, inMadeira Island, Portugal. After diagnostic research hasallowed a complete understanding of the original mate-rial of the 12 Portuguese–Flemish paintings, it has beenrevealed the presence of other superimposed layers,whether actual overpaints or the accumulation of materi-als occurring in time over the old ones. Identificationtogether with the cleaning and removal of these coatingswas a delicate and a complex process. Conservatorsalready suspected the existence of overpaints in somepaintings, a close observation of the painted surfaceshowed differences in terms of color, texture, and execu-tion technique in specific areas. Chemical and strati-graphical research together with radiography andhistorical research on primary documental sources pro-vided important clues about the paintings of the previousinterventions and relevant and crucial information for thedecision making |
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Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiecerestorationconservationpaintingoverpaintcleaningThis article is an outcome of the study, deci-sions, and restoration work undertaken during the inte-grated conservation project of the 16th century paintingsof Funchal’s Cathedral main chapel’s altarpiece, inMadeira Island, Portugal. After diagnostic research hasallowed a complete understanding of the original mate-rial of the 12 Portuguese–Flemish paintings, it has beenrevealed the presence of other superimposed layers,whether actual overpaints or the accumulation of materi-als occurring in time over the old ones. Identificationtogether with the cleaning and removal of these coatingswas a delicate and a complex process. Conservatorsalready suspected the existence of overpaints in somepaintings, a close observation of the painted surfaceshowed differences in terms of color, texture, and execu-tion technique in specific areas. Chemical and strati-graphical research together with radiography andhistorical research on primary documental sources pro-vided important clues about the paintings of the previousinterventions and relevant and crucial information for thedecision makingWiley2017-08-09T13:25:45Z2017-08-092016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/21261http://hdl.handle.net/10174/21261https://doi.org/10.1002/col.22027porS. Gomes, C. Ferreira, G. Nascimento, L. Piorro, A. Cardoso, A. Candeias, M. Lorena (2016) Identification and removal of non original layers in the 16th century paintings of Funchal's Cathedral altarpiece. Color Research and Application, 41, 283-288. DOI: 10.1002/col.22027ndndndndndcandeias@uevora.ptnd266Gomes, SFerreira, CNascimento, GPiorro, LCardoso, ACandeias, ALorena, Minfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:10:56Zoai:dspace.uevora.pt:10174/21261Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:12:11.263810Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece |
title |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece |
spellingShingle |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece Gomes, S restoration conservation painting overpaint cleaning |
title_short |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece |
title_full |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece |
title_fullStr |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece |
title_full_unstemmed |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece |
title_sort |
Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece |
author |
Gomes, S |
author_facet |
Gomes, S Ferreira, C Nascimento, G Piorro, L Cardoso, A Candeias, A Lorena, M |
author_role |
author |
author2 |
Ferreira, C Nascimento, G Piorro, L Cardoso, A Candeias, A Lorena, M |
author2_role |
author author author author author author |
dc.contributor.author.fl_str_mv |
Gomes, S Ferreira, C Nascimento, G Piorro, L Cardoso, A Candeias, A Lorena, M |
dc.subject.por.fl_str_mv |
restoration conservation painting overpaint cleaning |
topic |
restoration conservation painting overpaint cleaning |
description |
This article is an outcome of the study, deci-sions, and restoration work undertaken during the inte-grated conservation project of the 16th century paintingsof Funchal’s Cathedral main chapel’s altarpiece, inMadeira Island, Portugal. After diagnostic research hasallowed a complete understanding of the original mate-rial of the 12 Portuguese–Flemish paintings, it has beenrevealed the presence of other superimposed layers,whether actual overpaints or the accumulation of materi-als occurring in time over the old ones. Identificationtogether with the cleaning and removal of these coatingswas a delicate and a complex process. Conservatorsalready suspected the existence of overpaints in somepaintings, a close observation of the painted surfaceshowed differences in terms of color, texture, and execu-tion technique in specific areas. Chemical and strati-graphical research together with radiography andhistorical research on primary documental sources pro-vided important clues about the paintings of the previousinterventions and relevant and crucial information for thedecision making |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-01-01T00:00:00Z 2017-08-09T13:25:45Z 2017-08-09 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10174/21261 http://hdl.handle.net/10174/21261 https://doi.org/10.1002/col.22027 |
url |
http://hdl.handle.net/10174/21261 https://doi.org/10.1002/col.22027 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
S. Gomes, C. Ferreira, G. Nascimento, L. Piorro, A. Cardoso, A. Candeias, M. Lorena (2016) Identification and removal of non original layers in the 16th century paintings of Funchal's Cathedral altarpiece. Color Research and Application, 41, 283-288. DOI: 10.1002/col.22027 nd nd nd nd nd candeias@uevora.pt nd 266 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Wiley |
publisher.none.fl_str_mv |
Wiley |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
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1799136604007170048 |