Humor and Women in the Portuguese Context

Detalhes bibliográficos
Autor(a) principal: de Sousa Rua Santos Costa, Inês
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.58050/comunicando.v12i2.339
Resumo: The relationship established between Humor and Women has been, throughout human history, troubled. Like other aspects of daily life, women have long been denied the ability to be funny. On the other hand, the vehicles through which humor was produced were for a long time linked to traditional media, having recently spilled over into digital media. In this sense, the research question that guided this study arises: how do women who produce humor live this experience according to their gender and, secondarily, how do digital media influence this component? To this end, using methodologically the Critical Thematic Analysis, as defined by Lawless e Chen (2019), interviews carried out with 12 Portuguese women comedians were analyzed. The results showed that the participants consider that there is a historical and social context associated with their gender that has repercussions on how humor produced by women is still seen in Portugal, differentiating, for this reason, from the experiences of their male peers. In this sense, although they show that the fact that they are women influences the humor they produce, they seek to mark their individuality and denote that humor derives from the personal experiences that each lives. Furthermore, social networks were highlighted by the interviewees as a way of gaining notoriety to attract audiences to live shows, also contributing to the existence of more women producing humor.
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spelling Humor and Women in the Portuguese ContextHumor y Mujeres en el Contexto PortuguésHumor e Mulheres no Contexto PortuguêsHumorWomenStand Up ComedyDigital MediaHumorMulheresComédia Stand UpMedia DigitaisHumorMujerComedia Stand UpMedios DigitalesThe relationship established between Humor and Women has been, throughout human history, troubled. Like other aspects of daily life, women have long been denied the ability to be funny. On the other hand, the vehicles through which humor was produced were for a long time linked to traditional media, having recently spilled over into digital media. In this sense, the research question that guided this study arises: how do women who produce humor live this experience according to their gender and, secondarily, how do digital media influence this component? To this end, using methodologically the Critical Thematic Analysis, as defined by Lawless e Chen (2019), interviews carried out with 12 Portuguese women comedians were analyzed. The results showed that the participants consider that there is a historical and social context associated with their gender that has repercussions on how humor produced by women is still seen in Portugal, differentiating, for this reason, from the experiences of their male peers. In this sense, although they show that the fact that they are women influences the humor they produce, they seek to mark their individuality and denote that humor derives from the personal experiences that each lives. Furthermore, social networks were highlighted by the interviewees as a way of gaining notoriety to attract audiences to live shows, also contributing to the existence of more women producing humor.La relación que se establece entre el Humor y la Mujer ha sido conflictiva a lo largo de la historia de la humanidad. Al igual que con otros aspectos de la vida cotidiana, a las mujeres se les ha negado durante mucho tiempo la capacidad de ser graciosas. Por otro lado, los vehículos a través de los cuales se producía el humor estuvieron durante mucho tiempo vinculados a los medios tradicionales, habiéndose desbordado recientemente a los medios digitales. En este sentido, surge la pregunta de investigación que guió este estudio: ¿cómo viven las mujeres productoras de humor esta experiencia en función de su género y, en segundo lugar, cómo influyen los medios digitales en este componente? Para ello, recurriendo metodológicamente al Análisis Temático Crítico, tal como lo definen Lawless y Chen (2019), se analizaron entrevistas realizadas a 12 comediantes portuguesas. Los resultados mostraron que las participantes consideran que existe un contexto histórico y social asociado a su género que repercute en la forma en que el humor producido por mujeres es visto en Portugal, diferenciándose así de las experiencias de sus pares masculinos. En este sentido, si bien muestran que ser mujer influye en el humor que producen, buscaron marcar su individualidad y denotar que el humor deriva de las vivencias personales que vive cada individuo. Además, las redes sociales fueron destacadas por las entrevistadas como una forma de ganar notoriedad para atraer público a los espectáculos en vivo, contribuyendo también a la existencia de más mujeres productoras de humor.A relação estabelecida entre o Humor e Mulheres tem sido, ao longo da história da humanidade, conturbada. À semelhança de outros aspetos da vida quotidiana, por muito tempo foi negada às mulheres a capacidade de serem engraçadas. Por outro lado, os veículos pelos quais se produzia humor esteve durante muito ligado aos media tradicionais, tendo recentemente extravasado para os media digitais. Neste sentido, surge a questão de investigação que norteou este estudo: como é que as mulheres que produzem humor vivenciam essa experiência em função do seu género e, secundariamente, de que modo os media digitais têm influência nessa componente? Para tal, recorrendo-se metodologicamente à Análise Temática Crítica, como definida por Lawless e Chen (2019), foram analisadas entrevistas realizadas a 12 mulheres humoristas portuguesas. Os resultados mostraram que as participantes consideram que existe um contexto histórico e social associado ao seu género que tem reflexos na forma como o humor produzido por mulheres ainda é visto em Portugal, diferenciando-se, por isso, das experiências dos seus pares masculinos. Neste sentido, embora evidenciem que o facto de serem mulheres influencia o humor que produzem, procuraram marcar a sua individualidade e denotar que o humor derivada das experiências pessoais que cada indivíduo vivencia. Além disso, as redes sociais foram destacadas, pelas entrevistadas, como uma forma de ganhar notoriedade para atrair público para espetáculos ao vivo, contribuindo também para a existência de mais mulheres a produzir humor.Sopcom2023-10-16info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.58050/comunicando.v12i2.339https://doi.org/10.58050/comunicando.v12i2.339Revista Comunicando; Vol. 12 No. 2 (2023): July — December (continuous edition) ; e023016Revista Comunicando; Vol. 12 Núm. 2 (2023): Julio — Diciembre (edición continua) ; e023016Revista Comunicando; Vol. 12 N.º 2 (2023): Julho — Dezembro (edição contínua); e0230162182-4037reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339/281https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339/282https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339/283Direitos de Autor (c) 2023 Inês de Sousa Rua Santos Costainfo:eu-repo/semantics/openAccessde Sousa Rua Santos Costa, Inês2024-03-16T08:29:15Zoai:revistacomunicando.sopcom.pt:article/339Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T04:01:37.591739Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Humor and Women in the Portuguese Context
Humor y Mujeres en el Contexto Portugués
Humor e Mulheres no Contexto Português
title Humor and Women in the Portuguese Context
spellingShingle Humor and Women in the Portuguese Context
de Sousa Rua Santos Costa, Inês
Humor
Women
Stand Up Comedy
Digital Media
Humor
Mulheres
Comédia Stand Up
Media Digitais
Humor
Mujer
Comedia Stand Up
Medios Digitales
title_short Humor and Women in the Portuguese Context
title_full Humor and Women in the Portuguese Context
title_fullStr Humor and Women in the Portuguese Context
title_full_unstemmed Humor and Women in the Portuguese Context
title_sort Humor and Women in the Portuguese Context
author de Sousa Rua Santos Costa, Inês
author_facet de Sousa Rua Santos Costa, Inês
author_role author
dc.contributor.author.fl_str_mv de Sousa Rua Santos Costa, Inês
dc.subject.por.fl_str_mv Humor
Women
Stand Up Comedy
Digital Media
Humor
Mulheres
Comédia Stand Up
Media Digitais
Humor
Mujer
Comedia Stand Up
Medios Digitales
topic Humor
Women
Stand Up Comedy
Digital Media
Humor
Mulheres
Comédia Stand Up
Media Digitais
Humor
Mujer
Comedia Stand Up
Medios Digitales
description The relationship established between Humor and Women has been, throughout human history, troubled. Like other aspects of daily life, women have long been denied the ability to be funny. On the other hand, the vehicles through which humor was produced were for a long time linked to traditional media, having recently spilled over into digital media. In this sense, the research question that guided this study arises: how do women who produce humor live this experience according to their gender and, secondarily, how do digital media influence this component? To this end, using methodologically the Critical Thematic Analysis, as defined by Lawless e Chen (2019), interviews carried out with 12 Portuguese women comedians were analyzed. The results showed that the participants consider that there is a historical and social context associated with their gender that has repercussions on how humor produced by women is still seen in Portugal, differentiating, for this reason, from the experiences of their male peers. In this sense, although they show that the fact that they are women influences the humor they produce, they seek to mark their individuality and denote that humor derives from the personal experiences that each lives. Furthermore, social networks were highlighted by the interviewees as a way of gaining notoriety to attract audiences to live shows, also contributing to the existence of more women producing humor.
publishDate 2023
dc.date.none.fl_str_mv 2023-10-16
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.58050/comunicando.v12i2.339
https://doi.org/10.58050/comunicando.v12i2.339
url https://doi.org/10.58050/comunicando.v12i2.339
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339
https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339/281
https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339/282
https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/339/283
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 Inês de Sousa Rua Santos Costa
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 Inês de Sousa Rua Santos Costa
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Sopcom
publisher.none.fl_str_mv Sopcom
dc.source.none.fl_str_mv Revista Comunicando; Vol. 12 No. 2 (2023): July — December (continuous edition) ; e023016
Revista Comunicando; Vol. 12 Núm. 2 (2023): Julio — Diciembre (edición continua) ; e023016
Revista Comunicando; Vol. 12 N.º 2 (2023): Julho — Dezembro (edição contínua); e023016
2182-4037
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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