The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004 |
Resumo: | This article seeks to contribute to the historiographical debate on First World War propaganda in Portugal. The fact that it was precisely during this war that the first official body concerned with film production appeared (the Photographic and Cinematographic Section of the Army, SFCE) is a strong indication that the First Republic kept pace with the most innovatory aspects of this conflict in the various belligerent countries. In fact, it was precisely at this time that official bodies devoted to cinema appeared in countries such as Great Britain, France and Germany. We start by studying the pioneering experiment in film which made the people in arms the protagonists in the peoples entertainment, in the context of a military and propaganda exercise conducted by the Minister of War, Norton de Matos, in the summer of 1916. The success of this first film was so great that the captain who produced it was asked to set up the SFCE, in time to film the embarkation of the first troops for France, in January 1917. As well as clarifying the origins, objectives and more institutional aspects of the SFCE, which previously had remained obscure, the article presents data about the exhibition and the public reception of films produced by this unit. |
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The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)World War IRepublicWar CulturePropagandaCinemaPortugalThis article seeks to contribute to the historiographical debate on First World War propaganda in Portugal. The fact that it was precisely during this war that the first official body concerned with film production appeared (the Photographic and Cinematographic Section of the Army, SFCE) is a strong indication that the First Republic kept pace with the most innovatory aspects of this conflict in the various belligerent countries. In fact, it was precisely at this time that official bodies devoted to cinema appeared in countries such as Great Britain, France and Germany. We start by studying the pioneering experiment in film which made the people in arms the protagonists in the peoples entertainment, in the context of a military and propaganda exercise conducted by the Minister of War, Norton de Matos, in the summer of 1916. The success of this first film was so great that the captain who produced it was asked to set up the SFCE, in time to film the embarkation of the first troops for France, in January 1917. As well as clarifying the origins, objectives and more institutional aspects of the SFCE, which previously had remained obscure, the article presents data about the exhibition and the public reception of films produced by this unit.Universidade do PortoBrown University2013-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004e-Journal of Portuguese History v.11 n.2 2013reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004Janeiro,Helena Pintoinfo:eu-repo/semantics/openAccess2024-02-06T17:17:33Zoai:scielo:S1645-64322013000200004Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:26:06.176158Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) |
title |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) |
spellingShingle |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) Janeiro,Helena Pinto World War I Republic War Culture Propaganda Cinema Portugal |
title_short |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) |
title_full |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) |
title_fullStr |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) |
title_full_unstemmed |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) |
title_sort |
The People in Arms in the Peoples Entertainment: Cinema and Political Propaganda in Portugal (1916-1917) |
author |
Janeiro,Helena Pinto |
author_facet |
Janeiro,Helena Pinto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Janeiro,Helena Pinto |
dc.subject.por.fl_str_mv |
World War I Republic War Culture Propaganda Cinema Portugal |
topic |
World War I Republic War Culture Propaganda Cinema Portugal |
description |
This article seeks to contribute to the historiographical debate on First World War propaganda in Portugal. The fact that it was precisely during this war that the first official body concerned with film production appeared (the Photographic and Cinematographic Section of the Army, SFCE) is a strong indication that the First Republic kept pace with the most innovatory aspects of this conflict in the various belligerent countries. In fact, it was precisely at this time that official bodies devoted to cinema appeared in countries such as Great Britain, France and Germany. We start by studying the pioneering experiment in film which made the people in arms the protagonists in the peoples entertainment, in the context of a military and propaganda exercise conducted by the Minister of War, Norton de Matos, in the summer of 1916. The success of this first film was so great that the captain who produced it was asked to set up the SFCE, in time to film the embarkation of the first troops for France, in January 1917. As well as clarifying the origins, objectives and more institutional aspects of the SFCE, which previously had remained obscure, the article presents data about the exhibition and the public reception of films produced by this unit. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-01-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004 |
url |
http://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
http://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html |
dc.publisher.none.fl_str_mv |
Universidade do Porto Brown University |
publisher.none.fl_str_mv |
Universidade do Porto Brown University |
dc.source.none.fl_str_mv |
e-Journal of Portuguese History v.11 n.2 2013 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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