The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)

Detalhes bibliográficos
Autor(a) principal: Janeiro,Helena Pinto
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004
Resumo: This article seeks to contribute to the historiographical debate on First World War propaganda in Portugal. The fact that it was precisely during this war that the first official body concerned with film production appeared (the Photographic and Cinematographic Section of the Army, SFCE) is a strong indication that the First Republic kept pace with the most innovatory aspects of this conflict in the various belligerent countries. In fact, it was precisely at this time that official bodies devoted to cinema appeared in countries such as Great Britain, France and Germany. We start by studying the pioneering experiment in film which made the people in arms the protagonists in the people’s entertainment, in the context of a military and propaganda exercise conducted by the Minister of War, Norton de Matos, in the summer of 1916. The success of this first film was so great that the captain who produced it was asked to set up the SFCE, in time to film the embarkation of the first troops for France, in January 1917. As well as clarifying the origins, objectives and more institutional aspects of the SFCE, which previously had remained obscure, the article presents data about the exhibition and the public reception of films produced by this unit.
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spelling The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)World War IRepublicWar CulturePropagandaCinemaPortugalThis article seeks to contribute to the historiographical debate on First World War propaganda in Portugal. The fact that it was precisely during this war that the first official body concerned with film production appeared (the Photographic and Cinematographic Section of the Army, SFCE) is a strong indication that the First Republic kept pace with the most innovatory aspects of this conflict in the various belligerent countries. In fact, it was precisely at this time that official bodies devoted to cinema appeared in countries such as Great Britain, France and Germany. We start by studying the pioneering experiment in film which made the people in arms the protagonists in the people’s entertainment, in the context of a military and propaganda exercise conducted by the Minister of War, Norton de Matos, in the summer of 1916. The success of this first film was so great that the captain who produced it was asked to set up the SFCE, in time to film the embarkation of the first troops for France, in January 1917. As well as clarifying the origins, objectives and more institutional aspects of the SFCE, which previously had remained obscure, the article presents data about the exhibition and the public reception of films produced by this unit.Universidade do PortoBrown University2013-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004e-Journal of Portuguese History v.11 n.2 2013reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322013000200004Janeiro,Helena Pintoinfo:eu-repo/semantics/openAccess2024-02-06T17:17:33Zoai:scielo:S1645-64322013000200004Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:26:06.176158Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
title The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
spellingShingle The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
Janeiro,Helena Pinto
World War I
Republic
War Culture
Propaganda
Cinema
Portugal
title_short The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
title_full The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
title_fullStr The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
title_full_unstemmed The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
title_sort The People in Arms in the People’s Entertainment: Cinema and Political Propaganda in Portugal (1916-1917)
author Janeiro,Helena Pinto
author_facet Janeiro,Helena Pinto
author_role author
dc.contributor.author.fl_str_mv Janeiro,Helena Pinto
dc.subject.por.fl_str_mv World War I
Republic
War Culture
Propaganda
Cinema
Portugal
topic World War I
Republic
War Culture
Propaganda
Cinema
Portugal
description This article seeks to contribute to the historiographical debate on First World War propaganda in Portugal. The fact that it was precisely during this war that the first official body concerned with film production appeared (the Photographic and Cinematographic Section of the Army, SFCE) is a strong indication that the First Republic kept pace with the most innovatory aspects of this conflict in the various belligerent countries. In fact, it was precisely at this time that official bodies devoted to cinema appeared in countries such as Great Britain, France and Germany. We start by studying the pioneering experiment in film which made the people in arms the protagonists in the people’s entertainment, in the context of a military and propaganda exercise conducted by the Minister of War, Norton de Matos, in the summer of 1916. The success of this first film was so great that the captain who produced it was asked to set up the SFCE, in time to film the embarkation of the first troops for France, in January 1917. As well as clarifying the origins, objectives and more institutional aspects of the SFCE, which previously had remained obscure, the article presents data about the exhibition and the public reception of films produced by this unit.
publishDate 2013
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dc.publisher.none.fl_str_mv Universidade do Porto
Brown University
publisher.none.fl_str_mv Universidade do Porto
Brown University
dc.source.none.fl_str_mv e-Journal of Portuguese History v.11 n.2 2013
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