Dançamos? O Baile de Ettore Scola: traçando história através da dança
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.22/10667 |
Resumo: | The social sciences no longer question what science does to art but instead what art brings into human knowledge. This notion leads to the analysis of artistic production, assuming that art helps to perceive the world and to anticipate future logic. In this sense, art reveals itself as a site par excellence for the uptake of social meanings and subtext produced. The cinema, as an artistic language, has the power to become eternal through the invasion of all aspects of human existence. The relationship between social movements and their inscription in the daily-life-body have, on film, a screen that in an enlarged way creates an indispensable language for the construction of sociability. Having this notion in mind we intend with this paper to discuss the film Le Bal by Ettore Scola (1983) taking in account its production of meanings. Through a choreographic narrative, this film describes the European society from the 30s to the 80s of the XXth century. The characters are brought together in a dance hall, assuming the body as the sign of interaction. Our main aim with the analysis of this film is to reflect art as a projection of social movements and consequently research the individual models of interpretation as creative devising. Although film interpretations have, already, a given direction, one can find unlimited variations for the same set of situations. Thus, a film is not limited to predetermined direction; there are always possibilities for new meanings and interpretations. |
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Dançamos? O Baile de Ettore Scola: traçando história através da dançaFilm analysisDramaturgyPerformance analysisDanceAestheticsSociology of the bodyThe social sciences no longer question what science does to art but instead what art brings into human knowledge. This notion leads to the analysis of artistic production, assuming that art helps to perceive the world and to anticipate future logic. In this sense, art reveals itself as a site par excellence for the uptake of social meanings and subtext produced. The cinema, as an artistic language, has the power to become eternal through the invasion of all aspects of human existence. The relationship between social movements and their inscription in the daily-life-body have, on film, a screen that in an enlarged way creates an indispensable language for the construction of sociability. Having this notion in mind we intend with this paper to discuss the film Le Bal by Ettore Scola (1983) taking in account its production of meanings. Through a choreographic narrative, this film describes the European society from the 30s to the 80s of the XXth century. The characters are brought together in a dance hall, assuming the body as the sign of interaction. Our main aim with the analysis of this film is to reflect art as a projection of social movements and consequently research the individual models of interpretation as creative devising. Although film interpretations have, already, a given direction, one can find unlimited variations for the same set of situations. Thus, a film is not limited to predetermined direction; there are always possibilities for new meanings and interpretations.Cineclube de Avanca/Universidade de AveiroRepositório Científico do Instituto Politécnico do PortoMarisa, CláudiaTudela, Nuno2017-12-27T16:07:25Z20142014-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.22/10667por978-989-96858-4-0metadata only accessinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-13T12:52:12Zoai:recipp.ipp.pt:10400.22/10667Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:31:04.296355Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Dançamos? O Baile de Ettore Scola: traçando história através da dança |
title |
Dançamos? O Baile de Ettore Scola: traçando história através da dança |
spellingShingle |
Dançamos? O Baile de Ettore Scola: traçando história através da dança Marisa, Cláudia Film analysis Dramaturgy Performance analysis Dance Aesthetics Sociology of the body |
title_short |
Dançamos? O Baile de Ettore Scola: traçando história através da dança |
title_full |
Dançamos? O Baile de Ettore Scola: traçando história através da dança |
title_fullStr |
Dançamos? O Baile de Ettore Scola: traçando história através da dança |
title_full_unstemmed |
Dançamos? O Baile de Ettore Scola: traçando história através da dança |
title_sort |
Dançamos? O Baile de Ettore Scola: traçando história através da dança |
author |
Marisa, Cláudia |
author_facet |
Marisa, Cláudia Tudela, Nuno |
author_role |
author |
author2 |
Tudela, Nuno |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Científico do Instituto Politécnico do Porto |
dc.contributor.author.fl_str_mv |
Marisa, Cláudia Tudela, Nuno |
dc.subject.por.fl_str_mv |
Film analysis Dramaturgy Performance analysis Dance Aesthetics Sociology of the body |
topic |
Film analysis Dramaturgy Performance analysis Dance Aesthetics Sociology of the body |
description |
The social sciences no longer question what science does to art but instead what art brings into human knowledge. This notion leads to the analysis of artistic production, assuming that art helps to perceive the world and to anticipate future logic. In this sense, art reveals itself as a site par excellence for the uptake of social meanings and subtext produced. The cinema, as an artistic language, has the power to become eternal through the invasion of all aspects of human existence. The relationship between social movements and their inscription in the daily-life-body have, on film, a screen that in an enlarged way creates an indispensable language for the construction of sociability. Having this notion in mind we intend with this paper to discuss the film Le Bal by Ettore Scola (1983) taking in account its production of meanings. Through a choreographic narrative, this film describes the European society from the 30s to the 80s of the XXth century. The characters are brought together in a dance hall, assuming the body as the sign of interaction. Our main aim with the analysis of this film is to reflect art as a projection of social movements and consequently research the individual models of interpretation as creative devising. Although film interpretations have, already, a given direction, one can find unlimited variations for the same set of situations. Thus, a film is not limited to predetermined direction; there are always possibilities for new meanings and interpretations. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014 2014-01-01T00:00:00Z 2017-12-27T16:07:25Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.22/10667 |
url |
http://hdl.handle.net/10400.22/10667 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
978-989-96858-4-0 |
dc.rights.driver.fl_str_mv |
metadata only access info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
metadata only access |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Cineclube de Avanca/Universidade de Aveiro |
publisher.none.fl_str_mv |
Cineclube de Avanca/Universidade de Aveiro |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799131406444527616 |