Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/41223 |
Resumo: | The paper explores photography retouching, particularly its use in dry plate stereoscopic negatives. The materials and techniques used and their relationship with the retouching practice in non-stereoscopic photography are discussed. This research focuses on the Portuguese photographer Aurélio da Paz dos Reis's collection of negatives, and how he used retouching for the composition of his stereoscopic portraits. These are studio-like portraits, and today they are a reminder of the artistic society, with whom the photographer had a close relationship and other celebrities. Better known for event and general outdoor photography, this paper presents a contribution to the characterization of a less studied type of photography by this author. Also, these portraits witness the photographic techniques of their time and how the photographic portrait and retouching always had a special place in the history of photography. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archiveStereoscopyRetouchingDry plate negativesAurélio da Paz dos ReisPortraitThe paper explores photography retouching, particularly its use in dry plate stereoscopic negatives. The materials and techniques used and their relationship with the retouching practice in non-stereoscopic photography are discussed. This research focuses on the Portuguese photographer Aurélio da Paz dos Reis's collection of negatives, and how he used retouching for the composition of his stereoscopic portraits. These are studio-like portraits, and today they are a reminder of the artistic society, with whom the photographer had a close relationship and other celebrities. Better known for event and general outdoor photography, this paper presents a contribution to the characterization of a less studied type of photography by this author. Also, these portraits witness the photographic techniques of their time and how the photographic portrait and retouching always had a special place in the history of photography.Institución Fernando el CatólicoVeritati - Repositório Institucional da Universidade Católica PortuguesaPereira, Catarina CortesCastro, LauraBarata, CarolinaSan Andrés, Margarita2023-05-25T11:46:09Z20222022-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/41223eng9788499116518info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:46:46Zoai:repositorio.ucp.pt:10400.14/41223Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:33:51.619306Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive |
title |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive |
spellingShingle |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive Pereira, Catarina Cortes Stereoscopy Retouching Dry plate negatives Aurélio da Paz dos Reis Portrait |
title_short |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive |
title_full |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive |
title_fullStr |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive |
title_full_unstemmed |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive |
title_sort |
Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive |
author |
Pereira, Catarina Cortes |
author_facet |
Pereira, Catarina Cortes Castro, Laura Barata, Carolina San Andrés, Margarita |
author_role |
author |
author2 |
Castro, Laura Barata, Carolina San Andrés, Margarita |
author2_role |
author author author |
dc.contributor.none.fl_str_mv |
Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Pereira, Catarina Cortes Castro, Laura Barata, Carolina San Andrés, Margarita |
dc.subject.por.fl_str_mv |
Stereoscopy Retouching Dry plate negatives Aurélio da Paz dos Reis Portrait |
topic |
Stereoscopy Retouching Dry plate negatives Aurélio da Paz dos Reis Portrait |
description |
The paper explores photography retouching, particularly its use in dry plate stereoscopic negatives. The materials and techniques used and their relationship with the retouching practice in non-stereoscopic photography are discussed. This research focuses on the Portuguese photographer Aurélio da Paz dos Reis's collection of negatives, and how he used retouching for the composition of his stereoscopic portraits. These are studio-like portraits, and today they are a reminder of the artistic society, with whom the photographer had a close relationship and other celebrities. Better known for event and general outdoor photography, this paper presents a contribution to the characterization of a less studied type of photography by this author. Also, these portraits witness the photographic techniques of their time and how the photographic portrait and retouching always had a special place in the history of photography. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022 2022-01-01T00:00:00Z 2023-05-25T11:46:09Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.14/41223 |
url |
http://hdl.handle.net/10400.14/41223 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
9788499116518 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Institución Fernando el Católico |
publisher.none.fl_str_mv |
Institución Fernando el Católico |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799132065394851840 |