Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.

Detalhes bibliográficos
Autor(a) principal: Pedrosa, Ana Bárbara
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.19/1225
Resumo: The aim of this study is to analyse the project (Beckett on Film) that adapted Happy Days, one of Beckett’s plays, written between 8th October 1960 and 14th May 1961 to the screen. A special attention is given to the strong visual features and to the simultaneous human and unreal nature of Beckett’s characters. Finally, it is given a perception on the Beckettian worldwide panorama, which now includes a project on film that made Beckett’s wishes of not having variances from what he created prevail.
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spelling Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.BeckettTheatreCinemaHappy daysAbsurdnessThe aim of this study is to analyse the project (Beckett on Film) that adapted Happy Days, one of Beckett’s plays, written between 8th October 1960 and 14th May 1961 to the screen. A special attention is given to the strong visual features and to the simultaneous human and unreal nature of Beckett’s characters. Finally, it is given a perception on the Beckettian worldwide panorama, which now includes a project on film that made Beckett’s wishes of not having variances from what he created prevail.Instituto Politécnico de ViseuRepositório Científico do Instituto Politécnico de ViseuPedrosa, Ana Bárbara2012-10-10T11:30:02Z2011-122011-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.19/1225engPedrosa, Ana Bárbara (2011). Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art. Millenium, 41 (julho/dezembro). Pp. 37‐46info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-16T15:24:42Zoai:repositorio.ipv.pt:10400.19/1225Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:40:34.284435Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
title Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
spellingShingle Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
Pedrosa, Ana Bárbara
Beckett
Theatre
Cinema
Happy days
Absurdness
title_short Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
title_full Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
title_fullStr Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
title_full_unstemmed Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
title_sort Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
author Pedrosa, Ana Bárbara
author_facet Pedrosa, Ana Bárbara
author_role author
dc.contributor.none.fl_str_mv Repositório Científico do Instituto Politécnico de Viseu
dc.contributor.author.fl_str_mv Pedrosa, Ana Bárbara
dc.subject.por.fl_str_mv Beckett
Theatre
Cinema
Happy days
Absurdness
topic Beckett
Theatre
Cinema
Happy days
Absurdness
description The aim of this study is to analyse the project (Beckett on Film) that adapted Happy Days, one of Beckett’s plays, written between 8th October 1960 and 14th May 1961 to the screen. A special attention is given to the strong visual features and to the simultaneous human and unreal nature of Beckett’s characters. Finally, it is given a perception on the Beckettian worldwide panorama, which now includes a project on film that made Beckett’s wishes of not having variances from what he created prevail.
publishDate 2011
dc.date.none.fl_str_mv 2011-12
2011-12-01T00:00:00Z
2012-10-10T11:30:02Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.19/1225
url http://hdl.handle.net/10400.19/1225
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Pedrosa, Ana Bárbara (2011). Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art. Millenium, 41 (julho/dezembro). Pp. 37‐46
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Instituto Politécnico de Viseu
publisher.none.fl_str_mv Instituto Politécnico de Viseu
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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