Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre

Detalhes bibliográficos
Autor(a) principal: Guerra, Paula
Data de Publicação: 2017
Outros Autores: Bittencourt, Luiza, Lage , Rafael, Gelain, Gabriela
Tipo de documento: Livro
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://repositorio-aberto.up.pt/handle/10216/105198
Resumo: This article aims to (i) examine the environment of female invisibility inmusic and the rise of women in rock; (ii) check the history of Riot grrrl movementand of the Girls Rock Camps; understand its goals and motivations; identify the keyplayers involved in the production of the Porto Alegre edition and analyse thearticulation, production and dissemination strategies; (iii) investigate the use ofcollective intelligence and the Do It Yourself ethos in the transmission of knowledgeabout musical technologies during the event, as well as for the organisation thereof,through the use of digital technologies throughout the stages of production anddissemination of the Girls Rock Camp Porto Alegre; and (iv) in the end, examinethe relationship between participation in the Girls Rock Camp Porto Alegre and theconstruction of a rocker identity in girls.
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spelling Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto AlegreCiências SociaisSocial sciencesThis article aims to (i) examine the environment of female invisibility inmusic and the rise of women in rock; (ii) check the history of Riot grrrl movementand of the Girls Rock Camps; understand its goals and motivations; identify the keyplayers involved in the production of the Porto Alegre edition and analyse thearticulation, production and dissemination strategies; (iii) investigate the use ofcollective intelligence and the Do It Yourself ethos in the transmission of knowledgeabout musical technologies during the event, as well as for the organisation thereof,through the use of digital technologies throughout the stages of production anddissemination of the Girls Rock Camp Porto Alegre; and (iv) in the end, examinethe relationship between participation in the Girls Rock Camp Porto Alegre and theconstruction of a rocker identity in girls.20172017-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://repositorio-aberto.up.pt/handle/10216/105198porGuerra, PaulaBittencourt, LuizaLage , RafaelGelain, Gabrielainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:08:26Zoai:repositorio-aberto.up.pt:10216/105198Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:34:22.321244Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
title Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
spellingShingle Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
Guerra, Paula
Ciências Sociais
Social sciences
title_short Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
title_full Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
title_fullStr Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
title_full_unstemmed Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
title_sort Tecnologias musicais, materialidades artísticas e ativismo feminino: o caso do Girls Rock Camp Porto Alegre = Musical technologies, artistic materialities and female activism: the case of Girls Rock Camp Porto Alegre
author Guerra, Paula
author_facet Guerra, Paula
Bittencourt, Luiza
Lage , Rafael
Gelain, Gabriela
author_role author
author2 Bittencourt, Luiza
Lage , Rafael
Gelain, Gabriela
author2_role author
author
author
dc.contributor.author.fl_str_mv Guerra, Paula
Bittencourt, Luiza
Lage , Rafael
Gelain, Gabriela
dc.subject.por.fl_str_mv Ciências Sociais
Social sciences
topic Ciências Sociais
Social sciences
description This article aims to (i) examine the environment of female invisibility inmusic and the rise of women in rock; (ii) check the history of Riot grrrl movementand of the Girls Rock Camps; understand its goals and motivations; identify the keyplayers involved in the production of the Porto Alegre edition and analyse thearticulation, production and dissemination strategies; (iii) investigate the use ofcollective intelligence and the Do It Yourself ethos in the transmission of knowledgeabout musical technologies during the event, as well as for the organisation thereof,through the use of digital technologies throughout the stages of production anddissemination of the Girls Rock Camp Porto Alegre; and (iv) in the end, examinethe relationship between participation in the Girls Rock Camp Porto Alegre and theconstruction of a rocker identity in girls.
publishDate 2017
dc.date.none.fl_str_mv 2017
2017-01-01T00:00:00Z
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