A ética da performance musical
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/impar.v2i2.2296 |
Resumo: | This paper proposes a reflection on the ethical dimension of musical performance. In this sense, ethics is taken as the practice of a set of values that constitutes an ethos. After Aristotelian postulates, it will be punctuated the unfolding that the philosopher gave to the rhetorical ethos, that are object of reflection here within the musical discourse. Ethics is, therefore, the study and the action of constituting an ethos, more than a science of pointing out right and wrong in absolute senses. This overcoming makes Ethics less as a moral standard and more a relationship of responsibilities, giving space to the proposition of levels of responsibility, subsidized by the thought of Kierkegaard. Finally, means are proposed to put these values into practice in a manner appropriate to the established assumptions, residing in the concept of musical gesture a synthesis of these singularities, here taken by the term of Greek origin phronesis. |
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A ética da performance musicalThis paper proposes a reflection on the ethical dimension of musical performance. In this sense, ethics is taken as the practice of a set of values that constitutes an ethos. After Aristotelian postulates, it will be punctuated the unfolding that the philosopher gave to the rhetorical ethos, that are object of reflection here within the musical discourse. Ethics is, therefore, the study and the action of constituting an ethos, more than a science of pointing out right and wrong in absolute senses. This overcoming makes Ethics less as a moral standard and more a relationship of responsibilities, giving space to the proposition of levels of responsibility, subsidized by the thought of Kierkegaard. Finally, means are proposed to put these values into practice in a manner appropriate to the established assumptions, residing in the concept of musical gesture a synthesis of these singularities, here taken by the term of Greek origin phronesis.Este artigo propõe uma reflexão sobre a dimensão ética da performance musical. Nesse sentido, a ética é tomada enquanto a prática de um conjunto de valores que constitui um ethos. Partindo dos postulados aristotélicos, serão pontuados os desdobramentos que o filósofo deu ao ethos retórico, que são objeto de reflexão aqui dentro do discurso musical. A ética é, portanto, o estudo e a ação de se constituir um ethos, mais do que uma ciência de se apontar o certo e o errado em sentidos absolutos. Essa superação faz com que a Ética seja entendida menos como uma moral e mais como uma relação de responsabilidades, dando espaço à proposição de níveis de responsabilidade, subsidiados pelo pensamento de Kierkegaard. Por fim, são propostos meios de se colocar em prática esses valores de maneira adequada aos pressupostos estabelecidos, residindo no conceito de gesto musical uma síntese desses particulares, aqui tomados pelo termo de origem grega frônese.UA Editora2018-04-17T00:00:00Zjournal articlejournal articlejournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34624/impar.v2i2.2296oai:proa.ua.pt:article/2296ÍMPAR: Online Journal for Artistic Research; Vol 2 No 2 (2018); 59-67ÍMPAR: Online Journal for Artistic Research; Vol. 2 Núm. 2 (2018); 59-67ÍMPAR: Online Journal for Artistic Research; Vol. 2 No 2 (2018); 59-67ÍMPAR: Online Journal for Artistic Research; vol. 2 n.º 2 (2018); 59-672184-1993reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/impar/article/view/2296https://doi.org/10.34624/impar.v2i2.2296https://proa.ua.pt/index.php/impar/article/view/2296/1807https://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessTeixeira, WilliamFerraz, Silvio2022-09-05T15:22:16Zoai:proa.ua.pt:article/2296Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:13:41.860013Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
A ética da performance musical |
title |
A ética da performance musical |
spellingShingle |
A ética da performance musical Teixeira, William |
title_short |
A ética da performance musical |
title_full |
A ética da performance musical |
title_fullStr |
A ética da performance musical |
title_full_unstemmed |
A ética da performance musical |
title_sort |
A ética da performance musical |
author |
Teixeira, William |
author_facet |
Teixeira, William Ferraz, Silvio |
author_role |
author |
author2 |
Ferraz, Silvio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Teixeira, William Ferraz, Silvio |
description |
This paper proposes a reflection on the ethical dimension of musical performance. In this sense, ethics is taken as the practice of a set of values that constitutes an ethos. After Aristotelian postulates, it will be punctuated the unfolding that the philosopher gave to the rhetorical ethos, that are object of reflection here within the musical discourse. Ethics is, therefore, the study and the action of constituting an ethos, more than a science of pointing out right and wrong in absolute senses. This overcoming makes Ethics less as a moral standard and more a relationship of responsibilities, giving space to the proposition of levels of responsibility, subsidized by the thought of Kierkegaard. Finally, means are proposed to put these values into practice in a manner appropriate to the established assumptions, residing in the concept of musical gesture a synthesis of these singularities, here taken by the term of Greek origin phronesis. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-04-17T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article journal article journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34624/impar.v2i2.2296 oai:proa.ua.pt:article/2296 |
url |
https://doi.org/10.34624/impar.v2i2.2296 |
identifier_str_mv |
oai:proa.ua.pt:article/2296 |
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por |
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por |
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https://proa.ua.pt/index.php/impar/article/view/2296 https://doi.org/10.34624/impar.v2i2.2296 https://proa.ua.pt/index.php/impar/article/view/2296/1807 |
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https://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess |
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https://creativecommons.org/licenses/by/4.0/ |
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openAccess |
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UA Editora |
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UA Editora |
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ÍMPAR: Online Journal for Artistic Research; Vol 2 No 2 (2018); 59-67 ÍMPAR: Online Journal for Artistic Research; Vol. 2 Núm. 2 (2018); 59-67 ÍMPAR: Online Journal for Artistic Research; Vol. 2 No 2 (2018); 59-67 ÍMPAR: Online Journal for Artistic Research; vol. 2 n.º 2 (2018); 59-67 2184-1993 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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