A ética da performance musical

Detalhes bibliográficos
Autor(a) principal: Teixeira, William
Data de Publicação: 2018
Outros Autores: Ferraz, Silvio
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/impar.v2i2.2296
Resumo: This paper proposes a reflection on the ethical dimension of musical performance. In this sense, ethics is taken as the practice of a set of values that constitutes an ethos. After Aristotelian postulates, it will be punctuated the unfolding that the philosopher gave to the rhetorical ethos, that are object of reflection here within the musical discourse. Ethics is, therefore, the study and the action of constituting an ethos, more than a science of pointing out right and wrong in absolute senses. This overcoming makes Ethics less as a moral standard and more a relationship of responsibilities, giving space to the proposition of levels of responsibility, subsidized by the thought of Kierkegaard. Finally, means are proposed to put these values into practice in a manner appropriate to the established assumptions, residing in the concept of musical gesture a synthesis of these singularities, here taken by the term of Greek origin phronesis.
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spelling A ética da performance musicalThis paper proposes a reflection on the ethical dimension of musical performance. In this sense, ethics is taken as the practice of a set of values that constitutes an ethos. After Aristotelian postulates, it will be punctuated the unfolding that the philosopher gave to the rhetorical ethos, that are object of reflection here within the musical discourse. Ethics is, therefore, the study and the action of constituting an ethos, more than a science of pointing out right and wrong in absolute senses. This overcoming makes Ethics less as a moral standard and more a relationship of responsibilities, giving space to the proposition of levels of responsibility, subsidized by the thought of Kierkegaard. Finally, means are proposed to put these values into practice in a manner appropriate to the established assumptions, residing in the concept of musical gesture a synthesis of these singularities, here taken by the term of Greek origin phronesis.Este artigo propõe uma reflexão sobre a dimensão ética da performance musical. Nesse sentido, a ética é tomada enquanto a prática de um conjunto de valores que constitui um ethos. Partindo dos postulados aristotélicos, serão pontuados os desdobramentos que o filósofo deu ao ethos retórico, que são objeto de reflexão aqui dentro do discurso musical. A ética é, portanto, o estudo e a ação de se constituir um ethos, mais do que uma ciência de se apontar o certo e o errado em sentidos absolutos. Essa superação faz com que a Ética seja entendida menos como uma moral e mais como uma relação de responsabilidades, dando espaço à proposição de níveis de responsabilidade, subsidiados pelo pensamento de Kierkegaard. Por fim, são propostos meios de se colocar em prática esses valores de maneira adequada aos pressupostos estabelecidos, residindo no conceito de gesto musical uma síntese desses particulares, aqui tomados pelo termo de origem grega frônese.UA Editora2018-04-17T00:00:00Zjournal articlejournal articlejournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34624/impar.v2i2.2296oai:proa.ua.pt:article/2296ÍMPAR: Online Journal for Artistic Research; Vol 2 No 2 (2018); 59-67ÍMPAR: Online Journal for Artistic Research; Vol. 2 Núm. 2 (2018); 59-67ÍMPAR: Online Journal for Artistic Research; Vol. 2 No 2 (2018); 59-67ÍMPAR: Online Journal for Artistic Research; vol. 2 n.º 2 (2018); 59-672184-1993reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/impar/article/view/2296https://doi.org/10.34624/impar.v2i2.2296https://proa.ua.pt/index.php/impar/article/view/2296/1807https://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessTeixeira, WilliamFerraz, Silvio2022-09-05T15:22:16Zoai:proa.ua.pt:article/2296Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:13:41.860013Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A ética da performance musical
title A ética da performance musical
spellingShingle A ética da performance musical
Teixeira, William
title_short A ética da performance musical
title_full A ética da performance musical
title_fullStr A ética da performance musical
title_full_unstemmed A ética da performance musical
title_sort A ética da performance musical
author Teixeira, William
author_facet Teixeira, William
Ferraz, Silvio
author_role author
author2 Ferraz, Silvio
author2_role author
dc.contributor.author.fl_str_mv Teixeira, William
Ferraz, Silvio
description This paper proposes a reflection on the ethical dimension of musical performance. In this sense, ethics is taken as the practice of a set of values that constitutes an ethos. After Aristotelian postulates, it will be punctuated the unfolding that the philosopher gave to the rhetorical ethos, that are object of reflection here within the musical discourse. Ethics is, therefore, the study and the action of constituting an ethos, more than a science of pointing out right and wrong in absolute senses. This overcoming makes Ethics less as a moral standard and more a relationship of responsibilities, giving space to the proposition of levels of responsibility, subsidized by the thought of Kierkegaard. Finally, means are proposed to put these values into practice in a manner appropriate to the established assumptions, residing in the concept of musical gesture a synthesis of these singularities, here taken by the term of Greek origin phronesis.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-17T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.34624/impar.v2i2.2296
oai:proa.ua.pt:article/2296
url https://doi.org/10.34624/impar.v2i2.2296
identifier_str_mv oai:proa.ua.pt:article/2296
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://proa.ua.pt/index.php/impar/article/view/2296
https://doi.org/10.34624/impar.v2i2.2296
https://proa.ua.pt/index.php/impar/article/view/2296/1807
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publisher.none.fl_str_mv UA Editora
dc.source.none.fl_str_mv ÍMPAR: Online Journal for Artistic Research; Vol 2 No 2 (2018); 59-67
ÍMPAR: Online Journal for Artistic Research; Vol. 2 Núm. 2 (2018); 59-67
ÍMPAR: Online Journal for Artistic Research; Vol. 2 No 2 (2018); 59-67
ÍMPAR: Online Journal for Artistic Research; vol. 2 n.º 2 (2018); 59-67
2184-1993
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