Venho das estrelas : o impresentificável no azul

Detalhes bibliográficos
Autor(a) principal: Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/31991
Resumo: The theoretical-practical dissertation was developed with the main aspiration to establish links of connection between the blue, the invisible and the sublime. The inherent challenged of approaching intangible concepts was conquered by leading the study through concrete paths, that eventually ended up in a sustainable materialization of the invisible in the blue. In an initial phase, there was a deepening in the act of seeing, for the comprehension of the visual perception intrinsic processes and the understanding of the colour theory. In a following moment, the presence and significance of the blue were investigated in time and the mystical root of the ultramarine blue was researched. The invisible forces that inhabit blue are felt in their absente presence and it is the impossibility of their apprehension, what makes the blue colour object of the sublime. This philosophical concept was developed, as the singularities that evoke it and after, refined in the work of artists of the sublime. In the practice were explored the symbolic potential of shades of blue, close to the Yves Klein’s blue and the expression of the colour profoundness, immateriality and sublime feeling, in the “unpresentable” described by Lyotard. Venho das Estrelas offers an experience of colour perception, with a growing intensification of its effect that ends with the immersion of the viewer in the colour, inviting to go beyond it and to enter an invisible universe, the extrasensory and in a movement towards the infinite, of a primordial blue
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spelling Venho das estrelas : o impresentificável no azulRibeiro, Ana Francisca Cerdeira Rodrigues, 1981-AzulSublimeEstéticaInvisívelColour-fieldPrimordialPercepção visualArte multimédia, Especialização em FotografiaThe theoretical-practical dissertation was developed with the main aspiration to establish links of connection between the blue, the invisible and the sublime. The inherent challenged of approaching intangible concepts was conquered by leading the study through concrete paths, that eventually ended up in a sustainable materialization of the invisible in the blue. In an initial phase, there was a deepening in the act of seeing, for the comprehension of the visual perception intrinsic processes and the understanding of the colour theory. In a following moment, the presence and significance of the blue were investigated in time and the mystical root of the ultramarine blue was researched. The invisible forces that inhabit blue are felt in their absente presence and it is the impossibility of their apprehension, what makes the blue colour object of the sublime. This philosophical concept was developed, as the singularities that evoke it and after, refined in the work of artists of the sublime. In the practice were explored the symbolic potential of shades of blue, close to the Yves Klein’s blue and the expression of the colour profoundness, immateriality and sublime feeling, in the “unpresentable” described by Lyotard. Venho das Estrelas offers an experience of colour perception, with a growing intensification of its effect that ends with the immersion of the viewer in the colour, inviting to go beyond it and to enter an invisible universe, the extrasensory and in a movement towards the infinite, of a primordial blueTaveira, Rogério, 1966-Repositório da Universidade de LisboaRibeiro, Ana Francisca Cerdeira Rodrigues, 1981-2018-02-26T18:05:30Z2017-10-182018-02-262017-10-18T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/31991TID:201740834porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:25:55Zoai:repositorio.ul.pt:10451/31991Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:47:19.929546Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Venho das estrelas : o impresentificável no azul
title Venho das estrelas : o impresentificável no azul
spellingShingle Venho das estrelas : o impresentificável no azul
Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
Azul
Sublime
Estética
Invisível
Colour-field
Primordial
Percepção visual
Arte multimédia, Especialização em Fotografia
title_short Venho das estrelas : o impresentificável no azul
title_full Venho das estrelas : o impresentificável no azul
title_fullStr Venho das estrelas : o impresentificável no azul
title_full_unstemmed Venho das estrelas : o impresentificável no azul
title_sort Venho das estrelas : o impresentificável no azul
author Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
author_facet Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
author_role author
dc.contributor.none.fl_str_mv Taveira, Rogério, 1966-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
dc.subject.por.fl_str_mv Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
Azul
Sublime
Estética
Invisível
Colour-field
Primordial
Percepção visual
Arte multimédia, Especialização em Fotografia
topic Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981-
Azul
Sublime
Estética
Invisível
Colour-field
Primordial
Percepção visual
Arte multimédia, Especialização em Fotografia
description The theoretical-practical dissertation was developed with the main aspiration to establish links of connection between the blue, the invisible and the sublime. The inherent challenged of approaching intangible concepts was conquered by leading the study through concrete paths, that eventually ended up in a sustainable materialization of the invisible in the blue. In an initial phase, there was a deepening in the act of seeing, for the comprehension of the visual perception intrinsic processes and the understanding of the colour theory. In a following moment, the presence and significance of the blue were investigated in time and the mystical root of the ultramarine blue was researched. The invisible forces that inhabit blue are felt in their absente presence and it is the impossibility of their apprehension, what makes the blue colour object of the sublime. This philosophical concept was developed, as the singularities that evoke it and after, refined in the work of artists of the sublime. In the practice were explored the symbolic potential of shades of blue, close to the Yves Klein’s blue and the expression of the colour profoundness, immateriality and sublime feeling, in the “unpresentable” described by Lyotard. Venho das Estrelas offers an experience of colour perception, with a growing intensification of its effect that ends with the immersion of the viewer in the colour, inviting to go beyond it and to enter an invisible universe, the extrasensory and in a movement towards the infinite, of a primordial blue
publishDate 2017
dc.date.none.fl_str_mv 2017-10-18
2017-10-18T00:00:00Z
2018-02-26T18:05:30Z
2018-02-26
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