The italian office desk : ‘mass production and one-off piece’ towards the modernity
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.11/7121 |
Resumo: | In Italy the history of modern equipment design has shitied between ‘mass production and one-off’, as architects Gio Ponti and Antonio Fornaroli wrote in an article in the magazine Domus (1948). Starting from this important reflection by the two Italian architects, the article takes into consideration the case study of office furniture. The aim of the article is to identify the cultural landscape of Italian design during the twentieth century, taking into consideration the example of the office desk as fil rouge of the history of design in Italy. The methodology adopted is deductive: starting from the selection of some case studies (desks designed for some elitist furnishings or, vice versa, for serial reproduction) and in relation to the architectural and cultural context in which they were created, some key concepts are deduced in order to understand the progressive adherence of Italian architects to the idea of modernity, and then to the massification of industrial design. New materials and ancient ‘know-how’ have merged into projects that have distinguished the history of design in Italy as original. The conclusion highlights how in the history of Italian office furniture as a multi-faceted history, where elite furniture can become a democratic product, until it becomes part of the contemporary office. |
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The italian office desk : ‘mass production and one-off piece’ towards the modernityEl escritorio de la oficina italiana : “la producción en masa y la pieza única” hacia la modernidadEquipment designOffice designItalian designInterior designDiseño de equiposDiseño de oficinasDiseño italianoDiseño interiorIn Italy the history of modern equipment design has shitied between ‘mass production and one-off’, as architects Gio Ponti and Antonio Fornaroli wrote in an article in the magazine Domus (1948). Starting from this important reflection by the two Italian architects, the article takes into consideration the case study of office furniture. The aim of the article is to identify the cultural landscape of Italian design during the twentieth century, taking into consideration the example of the office desk as fil rouge of the history of design in Italy. The methodology adopted is deductive: starting from the selection of some case studies (desks designed for some elitist furnishings or, vice versa, for serial reproduction) and in relation to the architectural and cultural context in which they were created, some key concepts are deduced in order to understand the progressive adherence of Italian architects to the idea of modernity, and then to the massification of industrial design. New materials and ancient ‘know-how’ have merged into projects that have distinguished the history of design in Italy as original. The conclusion highlights how in the history of Italian office furniture as a multi-faceted history, where elite furniture can become a democratic product, until it becomes part of the contemporary office.RESUMEN : En Italia, la historia del diseño de equipos modernos se ha movido entre la "producción en masa y la producción única", como escribieron los arquitectos Gio Ponti y Antonio Fornaroli en un articulo en la revista Domus (1948). A partir de esta importante reflexión de los dos arquitectos italianos, el articulo toma en consideración el caso de los muebles de oficina. El objetivo del articulo es identificar el paisaje cultural del diseño italiano durante el siglo XX, tomando en consideración el ejemplo del escritorio de la oficina como fil rouge de la historia del diseño en Italia. La metodología adoptada es deductiva: a partir de la selección de algunos estudios de casos (escritorios diseñados para algunos muebles elitistas o, viceversa, para la reproducción en serie) y en relación con el contexto arquitectónico y cultural en el que fueron creados, se deducen algunos conceptos clave para comprender la progresiva adhesión de los arquitectos italianos a la idea de la modernidad y, posteriormente, a la masificación del diseño industrial. Los nuevos materiales y el antiguo "saber hacer" se han fusionado en proyectos que han distinguido la historia del diseño en Italia como original. La conclusión pone de relieve cómo en la historia del mobiliario de oficina italiano como una historia polifacética, donde el mobiliario de élite puede convertirse en un producto democrático, hasta llegar a formar parte de la oficina contemporánea.IPCB. ESARTRepositório Científico do Instituto Politécnico de Castelo BrancoForino, Imma2020-06-04T11:21:34Z20202020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.11/7121engFORINO, Imma (2020) - The italian office desk : ‘mass production and one-off piece’ towards the modernity. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. Vol. XIII, nº 25, p. 1-11.1646 - 9054info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-16T11:47:24Zoai:repositorio.ipcb.pt:10400.11/7121Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:37:42.514020Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The italian office desk : ‘mass production and one-off piece’ towards the modernity El escritorio de la oficina italiana : “la producción en masa y la pieza única” hacia la modernidad |
title |
The italian office desk : ‘mass production and one-off piece’ towards the modernity |
spellingShingle |
The italian office desk : ‘mass production and one-off piece’ towards the modernity Forino, Imma Equipment design Office design Italian design Interior design Diseño de equipos Diseño de oficinas Diseño italiano Diseño interior |
title_short |
The italian office desk : ‘mass production and one-off piece’ towards the modernity |
title_full |
The italian office desk : ‘mass production and one-off piece’ towards the modernity |
title_fullStr |
The italian office desk : ‘mass production and one-off piece’ towards the modernity |
title_full_unstemmed |
The italian office desk : ‘mass production and one-off piece’ towards the modernity |
title_sort |
The italian office desk : ‘mass production and one-off piece’ towards the modernity |
author |
Forino, Imma |
author_facet |
Forino, Imma |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Científico do Instituto Politécnico de Castelo Branco |
dc.contributor.author.fl_str_mv |
Forino, Imma |
dc.subject.por.fl_str_mv |
Equipment design Office design Italian design Interior design Diseño de equipos Diseño de oficinas Diseño italiano Diseño interior |
topic |
Equipment design Office design Italian design Interior design Diseño de equipos Diseño de oficinas Diseño italiano Diseño interior |
description |
In Italy the history of modern equipment design has shitied between ‘mass production and one-off’, as architects Gio Ponti and Antonio Fornaroli wrote in an article in the magazine Domus (1948). Starting from this important reflection by the two Italian architects, the article takes into consideration the case study of office furniture. The aim of the article is to identify the cultural landscape of Italian design during the twentieth century, taking into consideration the example of the office desk as fil rouge of the history of design in Italy. The methodology adopted is deductive: starting from the selection of some case studies (desks designed for some elitist furnishings or, vice versa, for serial reproduction) and in relation to the architectural and cultural context in which they were created, some key concepts are deduced in order to understand the progressive adherence of Italian architects to the idea of modernity, and then to the massification of industrial design. New materials and ancient ‘know-how’ have merged into projects that have distinguished the history of design in Italy as original. The conclusion highlights how in the history of Italian office furniture as a multi-faceted history, where elite furniture can become a democratic product, until it becomes part of the contemporary office. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-04T11:21:34Z 2020 2020-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.11/7121 |
url |
http://hdl.handle.net/10400.11/7121 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
FORINO, Imma (2020) - The italian office desk : ‘mass production and one-off piece’ towards the modernity. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. Vol. XIII, nº 25, p. 1-11. 1646 - 9054 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
IPCB. ESART |
publisher.none.fl_str_mv |
IPCB. ESART |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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