Queer representation incorporated at “Him”, character of “The Powerpuff Girls"

Detalhes bibliográficos
Autor(a) principal: Santos, Gustavo
Data de Publicação: 2019
Outros Autores: Mancio, Camila Peres, Maranho, Elisa
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.7559/citarj.v11i1.588
Resumo: In audiovisual's history, minorities as LGBTQ+ people had been excluded or stereotyped, thus, this study has as a guiding question understanding “Him”, character of the classic cartoon series “The Powerpuff Girls”, produced between 1998 and 2005 by Cartoon Network - by the bias of the Queer Theory, which address the questions about non-heteronormative bodies that belong to marginalized groups whose rights are denied and their lives taken. For this, a documentary and exploratory methodology was used, based on the authors researches like: Guacira Louro, Judith Butler, Edgar Morin, besides the analysis of two episodes: Octil Evil and Bash Birthday. Thus, the problematizations arised here refer to: a) How the Queer is related to Him and its possible problems and b) The dialectic between the bodies discourses accepted and excluded from the heteronormative society.  The argumentation of this research is sustained by homophobia and transphobia brazilian datas, which reveals the urge to approach matters about gender and sexuality representations.
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spelling Queer representation incorporated at “Him”, character of “The Powerpuff Girls"In audiovisual's history, minorities as LGBTQ+ people had been excluded or stereotyped, thus, this study has as a guiding question understanding “Him”, character of the classic cartoon series “The Powerpuff Girls”, produced between 1998 and 2005 by Cartoon Network - by the bias of the Queer Theory, which address the questions about non-heteronormative bodies that belong to marginalized groups whose rights are denied and their lives taken. For this, a documentary and exploratory methodology was used, based on the authors researches like: Guacira Louro, Judith Butler, Edgar Morin, besides the analysis of two episodes: Octil Evil and Bash Birthday. Thus, the problematizations arised here refer to: a) How the Queer is related to Him and its possible problems and b) The dialectic between the bodies discourses accepted and excluded from the heteronormative society.  The argumentation of this research is sustained by homophobia and transphobia brazilian datas, which reveals the urge to approach matters about gender and sexuality representations.Universidade Católica Portuguesa2019-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v11i1.588oai:ojs.revistas.ucp.pt:article/7321Journal of Science and Technology of the Arts; Vol 11 No 1 (2019): Marginalized Narratives; 11-21Journal of Science and Technology of the Arts; v. 11 n. 1 (2019): Marginalized Narratives; 11-212183-00881646-979810.34632/citarj.2019.11.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7321https://doi.org/10.7559/citarj.v11i1.588https://revistas.ucp.pt/index.php/jsta/article/view/7321/7101Copyright (c) 2019 Gustavo Santos, Camila Peres Mancio, Elisa Maranhohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSantos, GustavoMancio, Camila PeresMaranho, Elisa2022-09-22T16:19:23Zoai:ojs.revistas.ucp.pt:article/7321Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:03.903536Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
title Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
spellingShingle Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
Santos, Gustavo
title_short Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
title_full Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
title_fullStr Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
title_full_unstemmed Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
title_sort Queer representation incorporated at “Him”, character of “The Powerpuff Girls"
author Santos, Gustavo
author_facet Santos, Gustavo
Mancio, Camila Peres
Maranho, Elisa
author_role author
author2 Mancio, Camila Peres
Maranho, Elisa
author2_role author
author
dc.contributor.author.fl_str_mv Santos, Gustavo
Mancio, Camila Peres
Maranho, Elisa
description In audiovisual's history, minorities as LGBTQ+ people had been excluded or stereotyped, thus, this study has as a guiding question understanding “Him”, character of the classic cartoon series “The Powerpuff Girls”, produced between 1998 and 2005 by Cartoon Network - by the bias of the Queer Theory, which address the questions about non-heteronormative bodies that belong to marginalized groups whose rights are denied and their lives taken. For this, a documentary and exploratory methodology was used, based on the authors researches like: Guacira Louro, Judith Butler, Edgar Morin, besides the analysis of two episodes: Octil Evil and Bash Birthday. Thus, the problematizations arised here refer to: a) How the Queer is related to Him and its possible problems and b) The dialectic between the bodies discourses accepted and excluded from the heteronormative society.  The argumentation of this research is sustained by homophobia and transphobia brazilian datas, which reveals the urge to approach matters about gender and sexuality representations.
publishDate 2019
dc.date.none.fl_str_mv 2019-01-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v11i1.588
oai:ojs.revistas.ucp.pt:article/7321
url https://doi.org/10.7559/citarj.v11i1.588
identifier_str_mv oai:ojs.revistas.ucp.pt:article/7321
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/7321
https://doi.org/10.7559/citarj.v11i1.588
https://revistas.ucp.pt/index.php/jsta/article/view/7321/7101
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gustavo Santos, Camila Peres Mancio, Elisa Maranho
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gustavo Santos, Camila Peres Mancio, Elisa Maranho
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 11 No 1 (2019): Marginalized Narratives; 11-21
Journal of Science and Technology of the Arts; v. 11 n. 1 (2019): Marginalized Narratives; 11-21
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1646-9798
10.34632/citarj.2019.11.1
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