The transnacional cinema of Manoel de Oliveira
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.1/13270 |
Resumo: | The cinematography of Manoel de Oliveira (1908-2015) confronted many setbacks before the filmmaker's worldwide consecration. In particular, his biggest difficulties were associated with the absence of financing for productions until the mid-1970s. After that period, from the 1980s, the filmmaker benefited from innumerable foreign investments for his films and, through such context, he enjoyed the internationalization of his work. This trajectory of the filmography of Oliveira led it to the progressive distancing of the notion of "national cinema" and the proportional adherence to aspects of the so-called "transnational cinema". |
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The transnacional cinema of Manoel de OliveiraEl cine transnacional de Manoel de OliveiraThe cinematography of Manoel de Oliveira (1908-2015) confronted many setbacks before the filmmaker's worldwide consecration. In particular, his biggest difficulties were associated with the absence of financing for productions until the mid-1970s. After that period, from the 1980s, the filmmaker benefited from innumerable foreign investments for his films and, through such context, he enjoyed the internationalization of his work. This trajectory of the filmography of Oliveira led it to the progressive distancing of the notion of "national cinema" and the proportional adherence to aspects of the so-called "transnational cinema".Asoc Estudios Ciencias Sociales & HumanidadesSapientiaPianco, Wiliam2019-11-20T15:07:54Z20172017-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.1/13270por1575-2100info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-24T10:25:21Zoai:sapientia.ualg.pt:10400.1/13270Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:04:26.867746Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The transnacional cinema of Manoel de Oliveira El cine transnacional de Manoel de Oliveira |
title |
The transnacional cinema of Manoel de Oliveira |
spellingShingle |
The transnacional cinema of Manoel de Oliveira Pianco, Wiliam |
title_short |
The transnacional cinema of Manoel de Oliveira |
title_full |
The transnacional cinema of Manoel de Oliveira |
title_fullStr |
The transnacional cinema of Manoel de Oliveira |
title_full_unstemmed |
The transnacional cinema of Manoel de Oliveira |
title_sort |
The transnacional cinema of Manoel de Oliveira |
author |
Pianco, Wiliam |
author_facet |
Pianco, Wiliam |
author_role |
author |
dc.contributor.none.fl_str_mv |
Sapientia |
dc.contributor.author.fl_str_mv |
Pianco, Wiliam |
description |
The cinematography of Manoel de Oliveira (1908-2015) confronted many setbacks before the filmmaker's worldwide consecration. In particular, his biggest difficulties were associated with the absence of financing for productions until the mid-1970s. After that period, from the 1980s, the filmmaker benefited from innumerable foreign investments for his films and, through such context, he enjoyed the internationalization of his work. This trajectory of the filmography of Oliveira led it to the progressive distancing of the notion of "national cinema" and the proportional adherence to aspects of the so-called "transnational cinema". |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017 2017-01-01T00:00:00Z 2019-11-20T15:07:54Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.1/13270 |
url |
http://hdl.handle.net/10400.1/13270 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
1575-2100 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Asoc Estudios Ciencias Sociales & Humanidades |
publisher.none.fl_str_mv |
Asoc Estudios Ciencias Sociales & Humanidades |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799133280963919872 |