(De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters

Detalhes bibliográficos
Autor(a) principal: Pinheiro, Ricardo
Data de Publicação: 2019
Outros Autores: Diniz, Alexandre H. de Sousa
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.21/11217
Resumo: ABSTRACT - The main goal of this article is to address the problem with the construction of the concept of jazz, through the comparison between Herbie Hancock’s Possibilities (2005) and River: The Joni Letters (2007) albums. While River is commonly accepted by most critics as a ‘jazz album’, Possibilities presents a set of features that places it in a non-consensual territory in terms of labelling.
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spelling (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni LettersJazzPopRepertoireHerbie HancockPossibilitiesJoni MitchellPerformanceMusical processMusic industryMusic recordingsPopular musicABSTRACT - The main goal of this article is to address the problem with the construction of the concept of jazz, through the comparison between Herbie Hancock’s Possibilities (2005) and River: The Joni Letters (2007) albums. While River is commonly accepted by most critics as a ‘jazz album’, Possibilities presents a set of features that places it in a non-consensual territory in terms of labelling.Musikene - Centro Superior de Música del País VascoRCIPLPinheiro, RicardoDiniz, Alexandre H. de Sousa2020-03-10T12:58:24Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/11217eng2605-2555info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T10:02:13Zoai:repositorio.ipl.pt:10400.21/11217Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:19:30.644964Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
title (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
spellingShingle (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
Pinheiro, Ricardo
Jazz
Pop
Repertoire
Herbie Hancock
Possibilities
Joni Mitchell
Performance
Musical process
Music industry
Music recordings
Popular music
title_short (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
title_full (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
title_fullStr (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
title_full_unstemmed (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
title_sort (De)Constructing jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
author Pinheiro, Ricardo
author_facet Pinheiro, Ricardo
Diniz, Alexandre H. de Sousa
author_role author
author2 Diniz, Alexandre H. de Sousa
author2_role author
dc.contributor.none.fl_str_mv RCIPL
dc.contributor.author.fl_str_mv Pinheiro, Ricardo
Diniz, Alexandre H. de Sousa
dc.subject.por.fl_str_mv Jazz
Pop
Repertoire
Herbie Hancock
Possibilities
Joni Mitchell
Performance
Musical process
Music industry
Music recordings
Popular music
topic Jazz
Pop
Repertoire
Herbie Hancock
Possibilities
Joni Mitchell
Performance
Musical process
Music industry
Music recordings
Popular music
description ABSTRACT - The main goal of this article is to address the problem with the construction of the concept of jazz, through the comparison between Herbie Hancock’s Possibilities (2005) and River: The Joni Letters (2007) albums. While River is commonly accepted by most critics as a ‘jazz album’, Possibilities presents a set of features that places it in a non-consensual territory in terms of labelling.
publishDate 2019
dc.date.none.fl_str_mv 2019
2019-01-01T00:00:00Z
2020-03-10T12:58:24Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.21/11217
url http://hdl.handle.net/10400.21/11217
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2605-2555
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dc.publisher.none.fl_str_mv Musikene - Centro Superior de Música del País Vasco
publisher.none.fl_str_mv Musikene - Centro Superior de Música del País Vasco
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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