Condição vegetal : narrativa, vulnerabilidade e natureza

Detalhes bibliográficos
Autor(a) principal: Lourenço, Francisco Adelino Neves
Data de Publicação: 2022
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/54494
Resumo: This artistic research project arises from a reflection on my video work carried out in the last four years. I try to reflect on three main forces that guide my artistic practice, narrative, vulnerability, and nature, through a fluid personal discourse, assuming throughout the text my partiality on the subject. In a first phase, the problem of narrative is explored in relation to the videographic practice specific to my work. Two narrative typologies will be outlined based on Michael Marder's thought regarding the intelligence of plants: the plant narrative and the mnemic narrative. These reflections on narrative are indicative of an approach to the present in the aesthetic experience. Then, this approach will be expanded through the description of a process of predisposition of the artist to his own vulnerability as a source for his artistic creation. Finally, an alternative relationship between human and nature will be established, where the human is an integral part of the natural world and loses its position as an outside observer in the face of the unfolding of nature's activity. Through these three forces, I try to establish starting points for the understanding of a need to establish a relationship of presence in relation to nature and art, through a temporality that privileges the present.
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spelling Condição vegetal : narrativa, vulnerabilidade e naturezaPinturaArte vídeoNarrativasVulnerabilidadeNaturezaTemporalidadeDomínio/Área Científica::Humanidades::ArtesThis artistic research project arises from a reflection on my video work carried out in the last four years. I try to reflect on three main forces that guide my artistic practice, narrative, vulnerability, and nature, through a fluid personal discourse, assuming throughout the text my partiality on the subject. In a first phase, the problem of narrative is explored in relation to the videographic practice specific to my work. Two narrative typologies will be outlined based on Michael Marder's thought regarding the intelligence of plants: the plant narrative and the mnemic narrative. These reflections on narrative are indicative of an approach to the present in the aesthetic experience. Then, this approach will be expanded through the description of a process of predisposition of the artist to his own vulnerability as a source for his artistic creation. Finally, an alternative relationship between human and nature will be established, where the human is an integral part of the natural world and loses its position as an outside observer in the face of the unfolding of nature's activity. Through these three forces, I try to establish starting points for the understanding of a need to establish a relationship of presence in relation to nature and art, through a temporality that privileges the present.Sabino, IsabelRepositório da Universidade de LisboaLourenço, Francisco Adelino Neves2022-09-19T11:37:43Z2022-05-182022-05-18T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/54494TID:203048229porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T17:00:54Zoai:repositorio.ul.pt:10451/54494Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:05:19.113595Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Condição vegetal : narrativa, vulnerabilidade e natureza
title Condição vegetal : narrativa, vulnerabilidade e natureza
spellingShingle Condição vegetal : narrativa, vulnerabilidade e natureza
Lourenço, Francisco Adelino Neves
Pintura
Arte vídeo
Narrativas
Vulnerabilidade
Natureza
Temporalidade
Domínio/Área Científica::Humanidades::Artes
title_short Condição vegetal : narrativa, vulnerabilidade e natureza
title_full Condição vegetal : narrativa, vulnerabilidade e natureza
title_fullStr Condição vegetal : narrativa, vulnerabilidade e natureza
title_full_unstemmed Condição vegetal : narrativa, vulnerabilidade e natureza
title_sort Condição vegetal : narrativa, vulnerabilidade e natureza
author Lourenço, Francisco Adelino Neves
author_facet Lourenço, Francisco Adelino Neves
author_role author
dc.contributor.none.fl_str_mv Sabino, Isabel
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Lourenço, Francisco Adelino Neves
dc.subject.por.fl_str_mv Pintura
Arte vídeo
Narrativas
Vulnerabilidade
Natureza
Temporalidade
Domínio/Área Científica::Humanidades::Artes
topic Pintura
Arte vídeo
Narrativas
Vulnerabilidade
Natureza
Temporalidade
Domínio/Área Científica::Humanidades::Artes
description This artistic research project arises from a reflection on my video work carried out in the last four years. I try to reflect on three main forces that guide my artistic practice, narrative, vulnerability, and nature, through a fluid personal discourse, assuming throughout the text my partiality on the subject. In a first phase, the problem of narrative is explored in relation to the videographic practice specific to my work. Two narrative typologies will be outlined based on Michael Marder's thought regarding the intelligence of plants: the plant narrative and the mnemic narrative. These reflections on narrative are indicative of an approach to the present in the aesthetic experience. Then, this approach will be expanded through the description of a process of predisposition of the artist to his own vulnerability as a source for his artistic creation. Finally, an alternative relationship between human and nature will be established, where the human is an integral part of the natural world and loses its position as an outside observer in the face of the unfolding of nature's activity. Through these three forces, I try to establish starting points for the understanding of a need to establish a relationship of presence in relation to nature and art, through a temporality that privileges the present.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-19T11:37:43Z
2022-05-18
2022-05-18T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/54494
TID:203048229
url http://hdl.handle.net/10451/54494
identifier_str_mv TID:203048229
dc.language.iso.fl_str_mv por
language por
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application/pdf
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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