Qualities of Diegesis in Conceptual Curatorial Projects
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34632/jsta.2020.9451 |
Resumo: | Many phenomena of modern culture may be perceived as analogous to text, but curatorial projects are spectacular in this regard, as their conceptions are available for reception and interpretation in the context of narrative analysis. Diegetic aspects of an exhibition help to clarify its idea and meaning. It is remarkable, that exhibitions of conceptualism, which are almost completely devoid of a coherent visual component (as demonstrated, for example, the exhibition Voids: A Retrospective (2009) at the Centre Pompidou in Paris, dedicated to interpretation of the category of “nothing” in contemporary art), could not avoid using text in form of comments, labels, catalogues, mediation services for the public. This article discusses the significant role of text in conceptual curatorial projects, and considers the relevant aspects of text: context, narrative, deconstruction, renaming, thesauration. Diegetic features which are distinctly present in the contemporary creative process, are undergoing metamorphosis, associated primarily with a change of attitude to the text from the 1960s: exaggeration of the text’s role, logocentrism of contemporary art, the need for context in art, and, at the same time, the reduction of semantic, meaningful content of text in the era of triumph of media simulacra. |
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Qualities of Diegesis in Conceptual Curatorial ProjectsMany phenomena of modern culture may be perceived as analogous to text, but curatorial projects are spectacular in this regard, as their conceptions are available for reception and interpretation in the context of narrative analysis. Diegetic aspects of an exhibition help to clarify its idea and meaning. It is remarkable, that exhibitions of conceptualism, which are almost completely devoid of a coherent visual component (as demonstrated, for example, the exhibition Voids: A Retrospective (2009) at the Centre Pompidou in Paris, dedicated to interpretation of the category of “nothing” in contemporary art), could not avoid using text in form of comments, labels, catalogues, mediation services for the public. This article discusses the significant role of text in conceptual curatorial projects, and considers the relevant aspects of text: context, narrative, deconstruction, renaming, thesauration. Diegetic features which are distinctly present in the contemporary creative process, are undergoing metamorphosis, associated primarily with a change of attitude to the text from the 1960s: exaggeration of the text’s role, logocentrism of contemporary art, the need for context in art, and, at the same time, the reduction of semantic, meaningful content of text in the era of triumph of media simulacra.Universidade Católica Portuguesa2020-12-10T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/jsta.2020.9451oai:ojs.revistas.ucp.pt:article/9451Journal of Science and Technology of the Arts; Vol 12 No 3 (2020): xCoAx 2020Journal of Science and Technology of the Arts; v. 12 n. 3 (2020): xCoAx 20202183-00881646-979810.34632/jsta.2020.12.3reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9451https://doi.org/10.34632/jsta.2020.9451https://revistas.ucp.pt/index.php/jsta/article/view/9451/9417Copyright (c) 2020 Marina Biryukova, Jan Dolákhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBiryukova, MarinaDolák, Jan2022-09-22T16:19:27Zoai:ojs.revistas.ucp.pt:article/9451Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:06.289299Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Qualities of Diegesis in Conceptual Curatorial Projects |
title |
Qualities of Diegesis in Conceptual Curatorial Projects |
spellingShingle |
Qualities of Diegesis in Conceptual Curatorial Projects Biryukova, Marina |
title_short |
Qualities of Diegesis in Conceptual Curatorial Projects |
title_full |
Qualities of Diegesis in Conceptual Curatorial Projects |
title_fullStr |
Qualities of Diegesis in Conceptual Curatorial Projects |
title_full_unstemmed |
Qualities of Diegesis in Conceptual Curatorial Projects |
title_sort |
Qualities of Diegesis in Conceptual Curatorial Projects |
author |
Biryukova, Marina |
author_facet |
Biryukova, Marina Dolák, Jan |
author_role |
author |
author2 |
Dolák, Jan |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Biryukova, Marina Dolák, Jan |
description |
Many phenomena of modern culture may be perceived as analogous to text, but curatorial projects are spectacular in this regard, as their conceptions are available for reception and interpretation in the context of narrative analysis. Diegetic aspects of an exhibition help to clarify its idea and meaning. It is remarkable, that exhibitions of conceptualism, which are almost completely devoid of a coherent visual component (as demonstrated, for example, the exhibition Voids: A Retrospective (2009) at the Centre Pompidou in Paris, dedicated to interpretation of the category of “nothing” in contemporary art), could not avoid using text in form of comments, labels, catalogues, mediation services for the public. This article discusses the significant role of text in conceptual curatorial projects, and considers the relevant aspects of text: context, narrative, deconstruction, renaming, thesauration. Diegetic features which are distinctly present in the contemporary creative process, are undergoing metamorphosis, associated primarily with a change of attitude to the text from the 1960s: exaggeration of the text’s role, logocentrism of contemporary art, the need for context in art, and, at the same time, the reduction of semantic, meaningful content of text in the era of triumph of media simulacra. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-10T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34632/jsta.2020.9451 oai:ojs.revistas.ucp.pt:article/9451 |
url |
https://doi.org/10.34632/jsta.2020.9451 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/9451 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/9451 https://doi.org/10.34632/jsta.2020.9451 https://revistas.ucp.pt/index.php/jsta/article/view/9451/9417 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Marina Biryukova, Jan Dolák http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Marina Biryukova, Jan Dolák http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 12 No 3 (2020): xCoAx 2020 Journal of Science and Technology of the Arts; v. 12 n. 3 (2020): xCoAx 2020 2183-0088 1646-9798 10.34632/jsta.2020.12.3 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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