Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind

Detalhes bibliográficos
Autor(a) principal: Trindade, Carlos Alberto de Matos
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.26/38324
Resumo: In this article, after a general introduction about a brain prosthesis project - a substitute for the hippocampus -, started in 2003 by a team of neuroscientists from the University of Southern California, and experiments started between 2007 and 2009 by scientists of various nationalities, we present in more detail some of the main results of the latter, published in scientific articles, which allow us to predict some potential risks in the future, and pose ethical problems, for worthy intentions that scientists may have. Following this, we discuss films Final Cut (2004) by Omar Naїm and Eternal Sunshine of the Spotless Mind (2004), directed by Michel Gondry, which present multiple points of contact with the aforementioned scientific projects, anticipating some of the foreseeable dangers, and allow us to discuss the future possibility of a manipulation of memory (and of oblivion), through science. Although they are fiction films, much of what is shown in both is compatible (except for some aspects) with real neuroscience research projects that are currently underway.
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spelling Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless MindChips, Scientific experiments, Memory manipulation, Oblivion, Emotion.In this article, after a general introduction about a brain prosthesis project - a substitute for the hippocampus -, started in 2003 by a team of neuroscientists from the University of Southern California, and experiments started between 2007 and 2009 by scientists of various nationalities, we present in more detail some of the main results of the latter, published in scientific articles, which allow us to predict some potential risks in the future, and pose ethical problems, for worthy intentions that scientists may have. Following this, we discuss films Final Cut (2004) by Omar Naїm and Eternal Sunshine of the Spotless Mind (2004), directed by Michel Gondry, which present multiple points of contact with the aforementioned scientific projects, anticipating some of the foreseeable dangers, and allow us to discuss the future possibility of a manipulation of memory (and of oblivion), through science. Although they are fiction films, much of what is shown in both is compatible (except for some aspects) with real neuroscience research projects that are currently underway.TechniumRepositório ComumTrindade, Carlos Alberto de Matos2021-12-20T17:15:27Z2021-05-082021-05-08T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.26/38324engMatos Trindade, C. A. (2021). Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind. Technium Social Sciences Journal, 19(1), 654–667. Retrieved from https://techniumscience.com/index.php/socialsciences/article/view/32272668-7798info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-10T01:48:16Zoai:comum.rcaap.pt:10400.26/38324Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:34:14.013351Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
title Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
spellingShingle Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
Trindade, Carlos Alberto de Matos
Chips, Scientific experiments, Memory manipulation, Oblivion, Emotion.
title_short Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
title_full Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
title_fullStr Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
title_full_unstemmed Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
title_sort Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind
author Trindade, Carlos Alberto de Matos
author_facet Trindade, Carlos Alberto de Matos
author_role author
dc.contributor.none.fl_str_mv Repositório Comum
dc.contributor.author.fl_str_mv Trindade, Carlos Alberto de Matos
dc.subject.por.fl_str_mv Chips, Scientific experiments, Memory manipulation, Oblivion, Emotion.
topic Chips, Scientific experiments, Memory manipulation, Oblivion, Emotion.
description In this article, after a general introduction about a brain prosthesis project - a substitute for the hippocampus -, started in 2003 by a team of neuroscientists from the University of Southern California, and experiments started between 2007 and 2009 by scientists of various nationalities, we present in more detail some of the main results of the latter, published in scientific articles, which allow us to predict some potential risks in the future, and pose ethical problems, for worthy intentions that scientists may have. Following this, we discuss films Final Cut (2004) by Omar Naїm and Eternal Sunshine of the Spotless Mind (2004), directed by Michel Gondry, which present multiple points of contact with the aforementioned scientific projects, anticipating some of the foreseeable dangers, and allow us to discuss the future possibility of a manipulation of memory (and of oblivion), through science. Although they are fiction films, much of what is shown in both is compatible (except for some aspects) with real neuroscience research projects that are currently underway.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-20T17:15:27Z
2021-05-08
2021-05-08T00:00:00Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.26/38324
url http://hdl.handle.net/10400.26/38324
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Matos Trindade, C. A. (2021). Towards a manipulation of memory by science?: a contextualized analysis of the films Final Cut and Eternal Sunshine of the Spotless Mind. Technium Social Sciences Journal, 19(1), 654–667. Retrieved from https://techniumscience.com/index.php/socialsciences/article/view/3227
2668-7798
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