Knowledge through montage: Georges Didi-Huberman's montage of image and time

Detalhes bibliográficos
Autor(a) principal: Queiroz Campos, Daniela
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.14591/aniki.v4n2.299
Resumo: This paper discusses the prospect of montage in the work of the French art historian and philosopher Georges Didi-Huberman. His solid and great work insists that the image is a true problem and stresses the need of the researcher’s knowledge when looking at it. For it, he believes that we must put them into relationships, put them next to the other, because images do not speak alone. This knowledge by montage insisted by Didi-Huberman has a solid theoretical basis. In this short paper one tried to discuss the theoretical perspectives of the didi-hubermanian montage by the writings and theories of montage of three major intellectuals: Walter Benjamin, Aby Warburg and Sergei Eisenstein. For all montage and dis-montage are of particular importance in the conception of both image and time.
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spelling Knowledge through montage: Georges Didi-Huberman's montage of image and timeUm saber montado: Georges Didi-Huberman a montar imagem e tempoMontageImageGeorges Didi-HubermanMontagemImagemGeorges Didi-HubermanThis paper discusses the prospect of montage in the work of the French art historian and philosopher Georges Didi-Huberman. His solid and great work insists that the image is a true problem and stresses the need of the researcher’s knowledge when looking at it. For it, he believes that we must put them into relationships, put them next to the other, because images do not speak alone. This knowledge by montage insisted by Didi-Huberman has a solid theoretical basis. In this short paper one tried to discuss the theoretical perspectives of the didi-hubermanian montage by the writings and theories of montage of three major intellectuals: Walter Benjamin, Aby Warburg and Sergei Eisenstein. For all montage and dis-montage are of particular importance in the conception of both image and time.O presente artigo aborda a perspectiva da montagem na obra do historiador da arte e filósofo francês Georges Didi-Huberman. Sua sólida e grande obra insiste na imagem como verídico problema e na necessidade do pesquisador em saber olhá-la, para tal acredita que devemos colocá-las em relação. Colocá-las uma ao lado das outras, pois imagens não falam de forma isolada.  Esse conhecimento por montagem insistido por Didi-Huberman têm sólidas bases teóricas. Neste breve artigo buscou-se problematizar a perspectivas teórica da montagem didi-hubermaniana através dos escritos e das teorias acerca da montagem de três grandes intelectuais: Walter Benjamin, Aby Warburg e Serguei Eisenstein. Para tais, a montagem e a desmontagem são de singular relevância na concepção de imagem e tempo.AIM - Associação de Investigadores da Imagem em Movimento2017-05-08info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.14591/aniki.v4n2.299https://doi.org/10.14591/aniki.v4n2.299Aniki: Portuguese Journal of the Moving Image; Vol 4 No 2 (2017): Long duration; 269-288Aniki: Revista Portuguesa da Imagem em Movimento; v. 4 n. 2 (2017): A longa duração; 269-2882183-1750reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttp://aim.org.pt/ojs/index.php/revista/article/view/299http://aim.org.pt/ojs/index.php/revista/article/view/299/pdfQueiroz Campos, Danielainfo:eu-repo/semantics/openAccess2024-01-26T02:03:04Zoai:aim.org.pt/ojs/:article/299Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:14.363003Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Knowledge through montage: Georges Didi-Huberman's montage of image and time
Um saber montado: Georges Didi-Huberman a montar imagem e tempo
title Knowledge through montage: Georges Didi-Huberman's montage of image and time
spellingShingle Knowledge through montage: Georges Didi-Huberman's montage of image and time
Queiroz Campos, Daniela
Montage
Image
Georges Didi-Huberman
Montagem
Imagem
Georges Didi-Huberman
title_short Knowledge through montage: Georges Didi-Huberman's montage of image and time
title_full Knowledge through montage: Georges Didi-Huberman's montage of image and time
title_fullStr Knowledge through montage: Georges Didi-Huberman's montage of image and time
title_full_unstemmed Knowledge through montage: Georges Didi-Huberman's montage of image and time
title_sort Knowledge through montage: Georges Didi-Huberman's montage of image and time
author Queiroz Campos, Daniela
author_facet Queiroz Campos, Daniela
author_role author
dc.contributor.author.fl_str_mv Queiroz Campos, Daniela
dc.subject.por.fl_str_mv Montage
Image
Georges Didi-Huberman
Montagem
Imagem
Georges Didi-Huberman
topic Montage
Image
Georges Didi-Huberman
Montagem
Imagem
Georges Didi-Huberman
description This paper discusses the prospect of montage in the work of the French art historian and philosopher Georges Didi-Huberman. His solid and great work insists that the image is a true problem and stresses the need of the researcher’s knowledge when looking at it. For it, he believes that we must put them into relationships, put them next to the other, because images do not speak alone. This knowledge by montage insisted by Didi-Huberman has a solid theoretical basis. In this short paper one tried to discuss the theoretical perspectives of the didi-hubermanian montage by the writings and theories of montage of three major intellectuals: Walter Benjamin, Aby Warburg and Sergei Eisenstein. For all montage and dis-montage are of particular importance in the conception of both image and time.
publishDate 2017
dc.date.none.fl_str_mv 2017-05-08
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.14591/aniki.v4n2.299
https://doi.org/10.14591/aniki.v4n2.299
url https://doi.org/10.14591/aniki.v4n2.299
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://aim.org.pt/ojs/index.php/revista/article/view/299
http://aim.org.pt/ojs/index.php/revista/article/view/299/pdf
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
dc.source.none.fl_str_mv Aniki: Portuguese Journal of the Moving Image; Vol 4 No 2 (2017): Long duration; 269-288
Aniki: Revista Portuguesa da Imagem em Movimento; v. 4 n. 2 (2017): A longa duração; 269-288
2183-1750
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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