Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme"
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.21/15177 |
Resumo: | This essay is a theoretical account of the convergence between cinematic self-reflexivity and intermediality, both being considered for these purposes as self-constructed and self-revealing. Lucien Dallenbach's conception of mise en abyme - a combination of the enunciative surplus at the level of enunciation (whereby intradiegetic creators and spectators are revealed at their activities) with a fictional mirroring at the level of the story itself - is deemed a frame-breaking device that also enables the appropriation of other art forms by cinema. Adapting Gilles Deleuze's theory of the crystal-image (1985) to this intermedial context, I argue in favour of an "inter-media image", consisting of a perpetual flux of qualified media in which the mise en abyme generates a true constellation of ever-new inter-art combinations. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme"IntermedialitySelf-reflexivityCinemaMise en abymeInter-media imageThis essay is a theoretical account of the convergence between cinematic self-reflexivity and intermediality, both being considered for these purposes as self-constructed and self-revealing. Lucien Dallenbach's conception of mise en abyme - a combination of the enunciative surplus at the level of enunciation (whereby intradiegetic creators and spectators are revealed at their activities) with a fictional mirroring at the level of the story itself - is deemed a frame-breaking device that also enables the appropriation of other art forms by cinema. Adapting Gilles Deleuze's theory of the crystal-image (1985) to this intermedial context, I argue in favour of an "inter-media image", consisting of a perpetual flux of qualified media in which the mise en abyme generates a true constellation of ever-new inter-art combinations.Scientia Publishing HouseRCIPLChinita, Fátima2022-12-19T10:13:03Z20222022-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/15177eng978-606-975-073-5info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T10:12:23Zoai:repositorio.ipl.pt:10400.21/15177Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:22:53.583245Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" |
title |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" |
spellingShingle |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" Chinita, Fátima Intermediality Self-reflexivity Cinema Mise en abyme Inter-media image |
title_short |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" |
title_full |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" |
title_fullStr |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" |
title_full_unstemmed |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" |
title_sort |
Specular affinities: from (self-)reflexivity to intermediality via "mise en abyme" |
author |
Chinita, Fátima |
author_facet |
Chinita, Fátima |
author_role |
author |
dc.contributor.none.fl_str_mv |
RCIPL |
dc.contributor.author.fl_str_mv |
Chinita, Fátima |
dc.subject.por.fl_str_mv |
Intermediality Self-reflexivity Cinema Mise en abyme Inter-media image |
topic |
Intermediality Self-reflexivity Cinema Mise en abyme Inter-media image |
description |
This essay is a theoretical account of the convergence between cinematic self-reflexivity and intermediality, both being considered for these purposes as self-constructed and self-revealing. Lucien Dallenbach's conception of mise en abyme - a combination of the enunciative surplus at the level of enunciation (whereby intradiegetic creators and spectators are revealed at their activities) with a fictional mirroring at the level of the story itself - is deemed a frame-breaking device that also enables the appropriation of other art forms by cinema. Adapting Gilles Deleuze's theory of the crystal-image (1985) to this intermedial context, I argue in favour of an "inter-media image", consisting of a perpetual flux of qualified media in which the mise en abyme generates a true constellation of ever-new inter-art combinations. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-19T10:13:03Z 2022 2022-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.21/15177 |
url |
http://hdl.handle.net/10400.21/15177 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
978-606-975-073-5 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Scientia Publishing House |
publisher.none.fl_str_mv |
Scientia Publishing House |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799133501438558208 |