Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10071/31287 |
Resumo: | Post World War II European modern housing often exhibited a Corbusian influence, but Le Corbusier was not embraced to the same extent everywhere, as noticed during exchanges between the University of Lisbon and the University of Antwerp in the ambit of the COST-Action 18137 on MCMH. While Belgium has several 1950s social housing projects, strongly indebted in its Unité d’habitation in Marseilles, Portugal does not. There, social housing architecture remained rather conservative, even though Corbusian features manifested themselves in some middle-class mass housing projects, such as the complex on Avenida Estados Unidos da América in Lisbon (1954-1966) designed by Lucínio Cruz, Alberto Ayres de Sousa and Mário Oliveira. While the housing blocks are on pilotis, they also have notable Art-Deco elements. In Belgium, free-standing modernist housing on pilotis with Art-Deco features also appears, such as the housing project at the Jan De Voslei in Antwerp designed by Jos Smolderen (1952-1967). These Modernist/Art-Deco hybrids have never been explored in depth because they are considered not radical enough. However, these cases shed light on how (older) architects mediated between traditional architecture and Modernism, between their own preferences and those of the state or housing company. They illuminate the political, social, and urban context in which these buildings were created. This paper explains why the principles Belgian architects applied to social housing were closer to Lisbon’s middle-class housing than their similar buildings for low-income housing. Based on cross-referencing archival material, legislation, on-site observations, and a study of the political, urban and social context, this paper posits a re-reading of Le Corbusier’s legacy in middle-class housing in Lisbon versus Antwerp. |
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Post-WWII modernism with a glaze: A comparison between Antwerp and LisbonMiddle-class mass housingLocal modernismLucínio CruzJos SmolderenHigh-riseArt-DecoPost World War II European modern housing often exhibited a Corbusian influence, but Le Corbusier was not embraced to the same extent everywhere, as noticed during exchanges between the University of Lisbon and the University of Antwerp in the ambit of the COST-Action 18137 on MCMH. While Belgium has several 1950s social housing projects, strongly indebted in its Unité d’habitation in Marseilles, Portugal does not. There, social housing architecture remained rather conservative, even though Corbusian features manifested themselves in some middle-class mass housing projects, such as the complex on Avenida Estados Unidos da América in Lisbon (1954-1966) designed by Lucínio Cruz, Alberto Ayres de Sousa and Mário Oliveira. While the housing blocks are on pilotis, they also have notable Art-Deco elements. In Belgium, free-standing modernist housing on pilotis with Art-Deco features also appears, such as the housing project at the Jan De Voslei in Antwerp designed by Jos Smolderen (1952-1967). These Modernist/Art-Deco hybrids have never been explored in depth because they are considered not radical enough. However, these cases shed light on how (older) architects mediated between traditional architecture and Modernism, between their own preferences and those of the state or housing company. They illuminate the political, social, and urban context in which these buildings were created. This paper explains why the principles Belgian architects applied to social housing were closer to Lisbon’s middle-class housing than their similar buildings for low-income housing. Based on cross-referencing archival material, legislation, on-site observations, and a study of the political, urban and social context, this paper posits a re-reading of Le Corbusier’s legacy in middle-class housing in Lisbon versus Antwerp.Docomomo Internacional2024-03-11T10:53:11Z2023-01-01T00:00:00Z20232024-03-11T10:52:45Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10071/31287eng1380-320410.52200/docomomo.68Vos, E.Geerinckx, S.Rodrigues, I. L.Milheiro, A. V.info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-17T01:17:16Zoai:repositorio.iscte-iul.pt:10071/31287Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T04:01:42.520767Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon |
title |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon |
spellingShingle |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon Vos, E. Middle-class mass housing Local modernism Lucínio Cruz Jos Smolderen High-rise Art-Deco |
title_short |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon |
title_full |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon |
title_fullStr |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon |
title_full_unstemmed |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon |
title_sort |
Post-WWII modernism with a glaze: A comparison between Antwerp and Lisbon |
author |
Vos, E. |
author_facet |
Vos, E. Geerinckx, S. Rodrigues, I. L. Milheiro, A. V. |
author_role |
author |
author2 |
Geerinckx, S. Rodrigues, I. L. Milheiro, A. V. |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Vos, E. Geerinckx, S. Rodrigues, I. L. Milheiro, A. V. |
dc.subject.por.fl_str_mv |
Middle-class mass housing Local modernism Lucínio Cruz Jos Smolderen High-rise Art-Deco |
topic |
Middle-class mass housing Local modernism Lucínio Cruz Jos Smolderen High-rise Art-Deco |
description |
Post World War II European modern housing often exhibited a Corbusian influence, but Le Corbusier was not embraced to the same extent everywhere, as noticed during exchanges between the University of Lisbon and the University of Antwerp in the ambit of the COST-Action 18137 on MCMH. While Belgium has several 1950s social housing projects, strongly indebted in its Unité d’habitation in Marseilles, Portugal does not. There, social housing architecture remained rather conservative, even though Corbusian features manifested themselves in some middle-class mass housing projects, such as the complex on Avenida Estados Unidos da América in Lisbon (1954-1966) designed by Lucínio Cruz, Alberto Ayres de Sousa and Mário Oliveira. While the housing blocks are on pilotis, they also have notable Art-Deco elements. In Belgium, free-standing modernist housing on pilotis with Art-Deco features also appears, such as the housing project at the Jan De Voslei in Antwerp designed by Jos Smolderen (1952-1967). These Modernist/Art-Deco hybrids have never been explored in depth because they are considered not radical enough. However, these cases shed light on how (older) architects mediated between traditional architecture and Modernism, between their own preferences and those of the state or housing company. They illuminate the political, social, and urban context in which these buildings were created. This paper explains why the principles Belgian architects applied to social housing were closer to Lisbon’s middle-class housing than their similar buildings for low-income housing. Based on cross-referencing archival material, legislation, on-site observations, and a study of the political, urban and social context, this paper posits a re-reading of Le Corbusier’s legacy in middle-class housing in Lisbon versus Antwerp. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-01-01T00:00:00Z 2023 2024-03-11T10:53:11Z 2024-03-11T10:52:45Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10071/31287 |
url |
http://hdl.handle.net/10071/31287 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1380-3204 10.52200/docomomo.68 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Docomomo Internacional |
publisher.none.fl_str_mv |
Docomomo Internacional |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799138190142996480 |