Introduction: Post-Photographic Truths: Poetics vs Politics
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34632/jsta.2022.11644 |
Resumo: | Devoted to contemporary photography artistic practices, under the motto “Post-Photographic Truths: Poetics vs Politics”, this text aims to question and discuss the drifts of contemporary photographic practices in our post-truth era. Rooted in the historiography of the medium, the poetics and the political are hypothetical boundaries that prevail in current photographic artistic practices. If the reoccurrence of the poetics beautiful image could be understood as a counter-reaction to the vulnerability of the myth of representation. Hence, the exhaustion of the mechanisms of representation and the political stance could be correlated with the photographic endeavour to represent the complexity of the outer world. The invited authors’ essays, reviewed papers and visual essays published on this issue aim to contribute to the critical discussion of this hypothetical quarrel, merging the notions of poetics and politics, while reaffirming the polysemy of photographs. |
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7160 |
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Introduction: Post-Photographic Truths: Poetics vs PoliticsDevoted to contemporary photography artistic practices, under the motto “Post-Photographic Truths: Poetics vs Politics”, this text aims to question and discuss the drifts of contemporary photographic practices in our post-truth era. Rooted in the historiography of the medium, the poetics and the political are hypothetical boundaries that prevail in current photographic artistic practices. If the reoccurrence of the poetics beautiful image could be understood as a counter-reaction to the vulnerability of the myth of representation. Hence, the exhaustion of the mechanisms of representation and the political stance could be correlated with the photographic endeavour to represent the complexity of the outer world. The invited authors’ essays, reviewed papers and visual essays published on this issue aim to contribute to the critical discussion of this hypothetical quarrel, merging the notions of poetics and politics, while reaffirming the polysemy of photographs. Universidade Católica Portuguesa2022-07-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2022.11644https://doi.org/10.34632/jsta.2022.11644Journal of Science and Technology of the Arts; Vol 14 No 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 8-9Journal of Science and Technology of the Arts; v. 14 n. 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 8-92183-00881646-979810.34632/jsta.2022.14.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/11644https://revistas.ucp.pt/index.php/jsta/article/view/11644/11244Copyright (c) 2022 Carlos Lobo, Paulo Catricahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLobo, CarlosCatrica, Paulo2023-02-17T07:15:15Zoai:ojs.revistas.ucp.pt:article/11644Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:13:22.110905Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Introduction: Post-Photographic Truths: Poetics vs Politics |
title |
Introduction: Post-Photographic Truths: Poetics vs Politics |
spellingShingle |
Introduction: Post-Photographic Truths: Poetics vs Politics Lobo, Carlos |
title_short |
Introduction: Post-Photographic Truths: Poetics vs Politics |
title_full |
Introduction: Post-Photographic Truths: Poetics vs Politics |
title_fullStr |
Introduction: Post-Photographic Truths: Poetics vs Politics |
title_full_unstemmed |
Introduction: Post-Photographic Truths: Poetics vs Politics |
title_sort |
Introduction: Post-Photographic Truths: Poetics vs Politics |
author |
Lobo, Carlos |
author_facet |
Lobo, Carlos Catrica, Paulo |
author_role |
author |
author2 |
Catrica, Paulo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Lobo, Carlos Catrica, Paulo |
description |
Devoted to contemporary photography artistic practices, under the motto “Post-Photographic Truths: Poetics vs Politics”, this text aims to question and discuss the drifts of contemporary photographic practices in our post-truth era. Rooted in the historiography of the medium, the poetics and the political are hypothetical boundaries that prevail in current photographic artistic practices. If the reoccurrence of the poetics beautiful image could be understood as a counter-reaction to the vulnerability of the myth of representation. Hence, the exhaustion of the mechanisms of representation and the political stance could be correlated with the photographic endeavour to represent the complexity of the outer world. The invited authors’ essays, reviewed papers and visual essays published on this issue aim to contribute to the critical discussion of this hypothetical quarrel, merging the notions of poetics and politics, while reaffirming the polysemy of photographs. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34632/jsta.2022.11644 https://doi.org/10.34632/jsta.2022.11644 |
url |
https://doi.org/10.34632/jsta.2022.11644 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/11644 https://revistas.ucp.pt/index.php/jsta/article/view/11644/11244 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Carlos Lobo, Paulo Catrica http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Carlos Lobo, Paulo Catrica http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 14 No 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 8-9 Journal of Science and Technology of the Arts; v. 14 n. 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 8-9 2183-0088 1646-9798 10.34632/jsta.2022.14.2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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