"For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Pedro
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10773/35695
Resumo: Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of symbolist literature for guitar but also as the first work written for guitar by a Portuguese non-guitarist composer. So far, however, it has remained in relative obscurity. In this article, I first explore the suite’s context and history: its origin in meetings and correspondence between Lacerda and the work’s dedicatee, Andrés Segovia; its place among new works commissioned by Segovia from non-guitarist composers; and available manuscript sources for the work. I then argue for the work’s importance as music, highlighting its innovative features, from Lacerda’s use of the guitar to his incorporation of musical symbolist elements. This analysis has enabled a modern performance edition of the suite, allowing it to take its place in the concert repertoire.
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spelling "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)Francisco de LacerdaAndrés SegoviaGuitarSymbolismSuite GoivosSuite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of symbolist literature for guitar but also as the first work written for guitar by a Portuguese non-guitarist composer. So far, however, it has remained in relative obscurity. In this article, I first explore the suite’s context and history: its origin in meetings and correspondence between Lacerda and the work’s dedicatee, Andrés Segovia; its place among new works commissioned by Segovia from non-guitarist composers; and available manuscript sources for the work. I then argue for the work’s importance as music, highlighting its innovative features, from Lacerda’s use of the guitar to his incorporation of musical symbolist elements. This analysis has enabled a modern performance edition of the suite, allowing it to take its place in the concert repertoire.Guitar Foundation of America2023-01-10T11:10:29Z2022-02-15T00:00:00Z2022-02-15info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10773/35695eng2380-2235Rodrigues, Pedroinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-22T12:09:01Zoai:ria.ua.pt:10773/35695Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:06:46.054477Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
title "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
spellingShingle "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
Rodrigues, Pedro
Francisco de Lacerda
Andrés Segovia
Guitar
Symbolism
Suite Goivos
title_short "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
title_full "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
title_fullStr "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
title_full_unstemmed "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
title_sort "For Andrés Segovia": Francisco de Lacerda’s Suite goivos (1924)
author Rodrigues, Pedro
author_facet Rodrigues, Pedro
author_role author
dc.contributor.author.fl_str_mv Rodrigues, Pedro
dc.subject.por.fl_str_mv Francisco de Lacerda
Andrés Segovia
Guitar
Symbolism
Suite Goivos
topic Francisco de Lacerda
Andrés Segovia
Guitar
Symbolism
Suite Goivos
description Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of symbolist literature for guitar but also as the first work written for guitar by a Portuguese non-guitarist composer. So far, however, it has remained in relative obscurity. In this article, I first explore the suite’s context and history: its origin in meetings and correspondence between Lacerda and the work’s dedicatee, Andrés Segovia; its place among new works commissioned by Segovia from non-guitarist composers; and available manuscript sources for the work. I then argue for the work’s importance as music, highlighting its innovative features, from Lacerda’s use of the guitar to his incorporation of musical symbolist elements. This analysis has enabled a modern performance edition of the suite, allowing it to take its place in the concert repertoire.
publishDate 2022
dc.date.none.fl_str_mv 2022-02-15T00:00:00Z
2022-02-15
2023-01-10T11:10:29Z
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url http://hdl.handle.net/10773/35695
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dc.publisher.none.fl_str_mv Guitar Foundation of America
publisher.none.fl_str_mv Guitar Foundation of America
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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