Timeline : indícios de Ecologia, sustentabilidade, e ecologia social na produção artística

• Autor(a) principal: Pinto, Eunice Abreu Pereira Gordon
• Data de Publicação: 2022
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://hdl.handle.net/10451/53975
• topic: Arte multimédia; Ecologia; Sustentabilidade; Ecologia social; Ética ambiental; Instalação (Arte); Arte contemporânea; Domínio/Área Científica::Humanidades::Artes

The dissertation Timeline, of theoretical and practical nature, was developed in the scope of the Master in Multimedia Art at the Faculty of Fine Arts of the University of Lisbon, and proposes to work and highlight the issues associated with the concepts of Ecology, Sustainability, Social Ecology and Environmental Ethics in contemporary art. In the first chapter, the concepts of Ecology (Jaboury Ghazoul, 2020), Sustainability (Jeremy Caradonna, 2014, 2017) (Ulrich Grober, 2007) and Social Ecology (Murray Bookchin, 1978, 1982, 1987, 1999, 2006) (Janet Biehl, 1999) are discussed. An introduction is also given to some works and artists, of which Marcel Duchamp, Arman and Andy Warhol are highlighted. The second chapter relates, in the first subchapter, the works that make use of natural and/or constructed materials through intervention in the territory (Malcolm Miles, 2014) (Sam Solnick, 2019) and Environmental Ethics (Maria José Varandas, 2009). Artists Agnes Denes, Joseph Beuys, Mel Chin, Mark Dion, Francis Alÿs, and the Unknown Fields studio are convened within Ecology, and Richard Long, Robert Smithson, Herman de Vries, Reinhard Reitzenstein, Olafur Eliasson, and Studio Malka Architecture within Sustainability. The second sub-chapter explores the relationship between humans and objects (Jean Baudrillard, 1996), the concept of installation (Claire Bishop, 2005), and object appropriation (John C. Welchman, 2009) (Douglas Crimp, 2009). The artists referenced are Marcel Duchamp, Arman, Chris Jordan and Simon Starling in the context of appropriation, Mark Dion, in the context of cabinets of curiosities, Ilya Kabakov, in the approach to installation, and Andy Warhol, in the analysis of capitalism. The practical aspect of the dissertation consists of an installation in which a Timeline guides the theoretical-practical course taken, through the relationship between images and texts. At key moments of this Timeline, six books expand and cross-reference, in a hypertextual structure, the concepts that inform the entire investigation