Um Mirante ao Vale do Mondego: 'Construção de um Ninho'

Detalhes bibliográficos
Autor(a) principal: Marta Góis Figueira Pereira Faustino
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/131800
Resumo: To make architecture is to seek rethoric. Whitout it a building is just a building. To intervene on pre-exhistent architecture thus mean to recognize its rethoric, in order to adapt it to a new meaning - capable of adjusting both to predicates of the past and to contemporary dynamics. This dissertation is the result of an organic and methodical quest for the rethoric and narratives of a building upon wish one intends to intervene, the "Mirante" of the 'Casa de Formoselha', in the Mondego Valley, and it's assemblage and overlap, according to a proccess of synthesis - the design of a house-shelter able to absorb the qualities of a home. The image of a nest is positioned in the intersection of these two intentions: to get to know this 'mirante' tower and to give it a sense of 'home'. Making it simultaneously the object-idea and the objective - narrative to be rehearsed. A 'Mirante' at the Mondego Valley: 'Building a Nest' celebrates a journey (that became methodical) about the knowledge that sustains the unutterable spectrum of the criative process, one's intuition. Questioning, under the purview of history and theory, the object's 'raison d'être', its social, cultural and political context, but also the imaginary and principles (sometimes of a phenomenologycal sort) that arise from it and that allow to expand the intervention's meaning, confirming, at last, that the impulses of the intuition are as desordered as they are rigorous.
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spelling Um Mirante ao Vale do Mondego: 'Construção de um Ninho'ArtesArtsTo make architecture is to seek rethoric. Whitout it a building is just a building. To intervene on pre-exhistent architecture thus mean to recognize its rethoric, in order to adapt it to a new meaning - capable of adjusting both to predicates of the past and to contemporary dynamics. This dissertation is the result of an organic and methodical quest for the rethoric and narratives of a building upon wish one intends to intervene, the "Mirante" of the 'Casa de Formoselha', in the Mondego Valley, and it's assemblage and overlap, according to a proccess of synthesis - the design of a house-shelter able to absorb the qualities of a home. The image of a nest is positioned in the intersection of these two intentions: to get to know this 'mirante' tower and to give it a sense of 'home'. Making it simultaneously the object-idea and the objective - narrative to be rehearsed. A 'Mirante' at the Mondego Valley: 'Building a Nest' celebrates a journey (that became methodical) about the knowledge that sustains the unutterable spectrum of the criative process, one's intuition. Questioning, under the purview of history and theory, the object's 'raison d'être', its social, cultural and political context, but also the imaginary and principles (sometimes of a phenomenologycal sort) that arise from it and that allow to expand the intervention's meaning, confirming, at last, that the impulses of the intuition are as desordered as they are rigorous.2020-12-172020-12-17T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/131800TID:202631818porMarta Góis Figueira Pereira Faustinoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:13:09Zoai:repositorio-aberto.up.pt:10216/131800Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:36:05.888519Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
title Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
spellingShingle Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
Marta Góis Figueira Pereira Faustino
Artes
Arts
title_short Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
title_full Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
title_fullStr Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
title_full_unstemmed Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
title_sort Um Mirante ao Vale do Mondego: 'Construção de um Ninho'
author Marta Góis Figueira Pereira Faustino
author_facet Marta Góis Figueira Pereira Faustino
author_role author
dc.contributor.author.fl_str_mv Marta Góis Figueira Pereira Faustino
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description To make architecture is to seek rethoric. Whitout it a building is just a building. To intervene on pre-exhistent architecture thus mean to recognize its rethoric, in order to adapt it to a new meaning - capable of adjusting both to predicates of the past and to contemporary dynamics. This dissertation is the result of an organic and methodical quest for the rethoric and narratives of a building upon wish one intends to intervene, the "Mirante" of the 'Casa de Formoselha', in the Mondego Valley, and it's assemblage and overlap, according to a proccess of synthesis - the design of a house-shelter able to absorb the qualities of a home. The image of a nest is positioned in the intersection of these two intentions: to get to know this 'mirante' tower and to give it a sense of 'home'. Making it simultaneously the object-idea and the objective - narrative to be rehearsed. A 'Mirante' at the Mondego Valley: 'Building a Nest' celebrates a journey (that became methodical) about the knowledge that sustains the unutterable spectrum of the criative process, one's intuition. Questioning, under the purview of history and theory, the object's 'raison d'être', its social, cultural and political context, but also the imaginary and principles (sometimes of a phenomenologycal sort) that arise from it and that allow to expand the intervention's meaning, confirming, at last, that the impulses of the intuition are as desordered as they are rigorous.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-17
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