Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34623/ghjk-mv49 |
Resumo: | This paper aims to carry out a brief analytical approach about the semantic and aesthetic role of the written word and typography between the end of the 19th century and the present moment, paying particular attention to its perception and use in audiovisual and digital systems. Analyzing a wide range of periods, works and artists, the purpose is to understand the potential of typography in the contemporary artistic discourse, mainly exploring the visual, dynamic and interactive components in modern and contemporary typography. The theoretical study described here will support, in part, a project that foresees the artistic creation of multiple audiovisual and digital artifacts, produced from the documental and textual collection of Fernando Gonçalves Lavrador. The objective of this initiative is the dissemination of this same collection through one exhibition, where Fernando Lavrador’s texts – currently preserved by Cine-Clube de Avanca – will be appropriated, transforming them into artifacts that combine textual, imagery and kinetic elements. Until the exhibition takes place, which is expected to happen in 2024, a process of preparation and experimentation with different languages, styles, techniques and materials will be developed. The results obtained so far – three short films – will also be presented in this paper. This preparatory act that precedes the appropriation of the heritage aims to refine the creative processes around this theme and study new possibilities of using typography as an artistic component in a computational and videographic system. |
id |
RCAP_c47a43bc51d5a82427b6ef690e326c4b |
---|---|
oai_identifier_str |
oai:ojs.publicacoes.ciac.pt:article/136 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
|
spelling |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourseWord-Image-Movement: Contributions of typography for modern and contemporary artistic discourseWord-Image-Movement: Contributions of typography for modern and contemporary artistic discoursePalavra-Imagem-Movimento: Subsídios da tipografia para o discurso artístico moderno e contemporâneoTypographyMoving ImageDigital Media-artsHeritageTypographyMoving ImageDigital Media-artsHeritageTypographyMoving ImageDigital Media-artsHeritageTipografiaImagem em MovimentoMédia-arte DigitalEspólioThis paper aims to carry out a brief analytical approach about the semantic and aesthetic role of the written word and typography between the end of the 19th century and the present moment, paying particular attention to its perception and use in audiovisual and digital systems. Analyzing a wide range of periods, works and artists, the purpose is to understand the potential of typography in the contemporary artistic discourse, mainly exploring the visual, dynamic and interactive components in modern and contemporary typography. The theoretical study described here will support, in part, a project that foresees the artistic creation of multiple audiovisual and digital artifacts, produced from the documental and textual collection of Fernando Gonçalves Lavrador. The objective of this initiative is the dissemination of this same collection through one exhibition, where Fernando Lavrador’s texts – currently preserved by Cine-Clube de Avanca – will be appropriated, transforming them into artifacts that combine textual, imagery and kinetic elements. Until the exhibition takes place, which is expected to happen in 2024, a process of preparation and experimentation with different languages, styles, techniques and materials will be developed. The results obtained so far – three short films – will also be presented in this paper. This preparatory act that precedes the appropriation of the heritage aims to refine the creative processes around this theme and study new possibilities of using typography as an artistic component in a computational and videographic system.This paper aims to carry out a brief analytical approach about the semantic and aesthetic role of the written word and typography between the end of the 19th century and the present moment, paying particular attention to its perception and use in audiovisual and digital systems. Analyzing a wide range of periods, works and artists, the purpose is to understand the potential of typography in the contemporary artistic discourse, mainly exploring the visual, dynamic and interactive components in modern and contemporary typography. The theoretical study described here will support, in part, a project that foresees the artistic creation of multiple audiovisual and digital artifacts, produced from the documental and textual collection of Fernando Gonçalves Lavrador. The objective of this initiative is the dissemination of this same collection through one exhibition, where Fernando Lavrador’s texts – currently preserved by Cine-Clube de Avanca – will be appropriated, transforming them into artifacts that combine textual, imagery and kinetic elements. Until the exhibition takes place, which is expected to happen in 2024, a process of preparation and experimentation with different languages, styles, techniques and materials will be developed. The results obtained so far – three short films – will also be presented in this paper. This preparatory act that precedes the appropriation of the heritage aims to refine the creative processes around this theme and study new possibilities of using typography as an artistic component in a computational and videographic system.This paper aims to carry out a brief analytical approach about the semantic and aesthetic role of the written word and typography between the end of the 19th century and the present moment, paying particular attention to its perception and use in audiovisual and digital systems. Analyzing a wide range of periods, works and artists, the purpose is to understand the potential of typography in the contemporary artistic discourse, mainly exploring the visual, dynamic and interactive components in modern and contemporary typography. The theoretical study described here will support, in part, a project that foresees the artistic creation of multiple audiovisual and digital artifacts, produced from the documental and textual collection of Fernando Gonçalves Lavrador. The objective of this initiative is the dissemination of this same collection through one exhibition, where Fernando Lavrador’s texts – currently preserved by Cine-Clube de Avanca – will be appropriated, transforming them into artifacts that combine textual, imagery and kinetic elements. Until the exhibition takes place, which is expected to happen in 2024, a process of preparation and experimentation with different languages, styles, techniques and materials will be developed. The results obtained so far – three short films – will also be presented in this paper. This preparatory act that precedes the appropriation of the heritage aims to refine the creative processes around this theme and study new possibilities of using typography as an artistic component in a computational and videographic system.O presente artigo objetiva realizar uma breve abordagem analítica sobre o papel semântico e estético da palavra escrita e da tipografia entre finais do século XIX e a atualidade, dando particular atenção à sua perceção e utilização em sistemas audiovisuais e digitais. Analisando um conjunto lato de períodos, obras e artistas, pretende-se perceber o potencial da tipografia no discurso artístico contemporâneo, explorando, principalmente, as componentes visual, dinâmica e interativa na tipografia moderna e contemporânea. O estudo teórico aqui descrito sustentará, em parte, um projeto que prevê a criação artística de múltiplos artefactos audiovisuais e digitais, produzidos a partir do espólio documental e textual de Fernando Gonçalves Lavrador. O propósito desta iniciativa assenta na divulgação deste mesmo acervo através de uma exposição, onde serão apropriados os textos de Fernando Lavrador – atualmente preservados pelo Cine-Clube de Avanca – transformando-os em artefactos em que confluam elementos textuais, imagéticos e cinéticos. Até à realização da exposição, que se prevê acontecer em 2024, será desenvolvido um processo de preparação e experimentação de diferentes linguagens, estilos, técnicas e materiais. Os resultados obtidos até ao momento – três curtas-metragens – serão igualmente apresentados neste artigo. Este ato preparatório que antecede a apropriação do espólio tem como objetivo refinar os processos criativos em torno desta temática e estudar novas possibilidades de utilizar a tipografia como componente artística num sistema computacional e videográfico.CIAC – Centro de Investigação em Artes e Comunicação2023-02-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/epub+ziphttps://doi.org/10.34623/ghjk-mv49https://doi.org/10.34623/ghjk-mv49Rotura – Revista de Comunicação, Cultura e Artes; v. 3 n. 1 (2023): Média-Arte Digital; 58-732184-8661reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://publicacoes.ciac.pt/index.php/rotura/article/view/136https://publicacoes.ciac.pt/index.php/rotura/article/view/136/116https://publicacoes.ciac.pt/index.php/rotura/article/view/136/117Direitos de Autor (c) 2023 Alexandre Martins, Bruno Mendes da Silvainfo:eu-repo/semantics/openAccessMartins, AlexandreMendes de Silva, Bruno2023-03-28T04:00:46ZPortal AgregadorONG |
dc.title.none.fl_str_mv |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse Palavra-Imagem-Movimento: Subsídios da tipografia para o discurso artístico moderno e contemporâneo |
title |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse |
spellingShingle |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse Martins, Alexandre Typography Moving Image Digital Media-arts Heritage Typography Moving Image Digital Media-arts Heritage Typography Moving Image Digital Media-arts Heritage Tipografia Imagem em Movimento Média-arte Digital Espólio |
title_short |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse |
title_full |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse |
title_fullStr |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse |
title_full_unstemmed |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse |
title_sort |
Word-Image-Movement: Contributions of typography for modern and contemporary artistic discourse |
author |
Martins, Alexandre |
author_facet |
Martins, Alexandre Mendes de Silva, Bruno |
author_role |
author |
author2 |
Mendes de Silva, Bruno |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Martins, Alexandre Mendes de Silva, Bruno |
dc.subject.por.fl_str_mv |
Typography Moving Image Digital Media-arts Heritage Typography Moving Image Digital Media-arts Heritage Typography Moving Image Digital Media-arts Heritage Tipografia Imagem em Movimento Média-arte Digital Espólio |
topic |
Typography Moving Image Digital Media-arts Heritage Typography Moving Image Digital Media-arts Heritage Typography Moving Image Digital Media-arts Heritage Tipografia Imagem em Movimento Média-arte Digital Espólio |
description |
This paper aims to carry out a brief analytical approach about the semantic and aesthetic role of the written word and typography between the end of the 19th century and the present moment, paying particular attention to its perception and use in audiovisual and digital systems. Analyzing a wide range of periods, works and artists, the purpose is to understand the potential of typography in the contemporary artistic discourse, mainly exploring the visual, dynamic and interactive components in modern and contemporary typography. The theoretical study described here will support, in part, a project that foresees the artistic creation of multiple audiovisual and digital artifacts, produced from the documental and textual collection of Fernando Gonçalves Lavrador. The objective of this initiative is the dissemination of this same collection through one exhibition, where Fernando Lavrador’s texts – currently preserved by Cine-Clube de Avanca – will be appropriated, transforming them into artifacts that combine textual, imagery and kinetic elements. Until the exhibition takes place, which is expected to happen in 2024, a process of preparation and experimentation with different languages, styles, techniques and materials will be developed. The results obtained so far – three short films – will also be presented in this paper. This preparatory act that precedes the appropriation of the heritage aims to refine the creative processes around this theme and study new possibilities of using typography as an artistic component in a computational and videographic system. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-02-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34623/ghjk-mv49 https://doi.org/10.34623/ghjk-mv49 |
url |
https://doi.org/10.34623/ghjk-mv49 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://publicacoes.ciac.pt/index.php/rotura/article/view/136 https://publicacoes.ciac.pt/index.php/rotura/article/view/136/116 https://publicacoes.ciac.pt/index.php/rotura/article/view/136/117 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2023 Alexandre Martins, Bruno Mendes da Silva info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2023 Alexandre Martins, Bruno Mendes da Silva |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/epub+zip |
dc.publisher.none.fl_str_mv |
CIAC – Centro de Investigação em Artes e Comunicação |
publisher.none.fl_str_mv |
CIAC – Centro de Investigação em Artes e Comunicação |
dc.source.none.fl_str_mv |
Rotura – Revista de Comunicação, Cultura e Artes; v. 3 n. 1 (2023): Média-Arte Digital; 58-73 2184-8661 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
|
repository.mail.fl_str_mv |
|
_version_ |
1777302208241467392 |