The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY

Detalhes bibliográficos
Autor(a) principal: Santos, Paula Mota
Data de Publicação: 2015
Outros Autores: Alzetta, Roberto
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10284/6674
Resumo: This paper discuss issues related to the use of film in social science research. A documentary made within TRESEGY, a three year EU-funded research project, is the basis of this paper. TRESEGY focused on the experiences of inclusion and exclusion in the public sphere among second generation migrated European teenagers. The final documentary was made by two film crews from two different universities that divided among themselves nine European cities where filming took place. Issues of the negotiation of meaning involved in the different stages of film-making, between a) the researchers consortium and the filmmakers b) the youths filmed and the filmmakers/researchers from each terrain are discussed.
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spelling The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGYSocial sciencesDocumentaryColective filmakingMethodologyCiências sociaisDocumentárioRealização coletivaMetodologiaThis paper discuss issues related to the use of film in social science research. A documentary made within TRESEGY, a three year EU-funded research project, is the basis of this paper. TRESEGY focused on the experiences of inclusion and exclusion in the public sphere among second generation migrated European teenagers. The final documentary was made by two film crews from two different universities that divided among themselves nine European cities where filming took place. Issues of the negotiation of meaning involved in the different stages of film-making, between a) the researchers consortium and the filmmakers b) the youths filmed and the filmmakers/researchers from each terrain are discussed.O artigo trabalha questões relacionadas com o uso do filme na investigação em ciências sociais. Um documentário feito no âmbito do projecto TRESEGY, projecto financiado pela EU, é a base deste artigo. TRESEGY focalizou questões de inclusão e exclusão na esfera pública de jovens europeus de ascendência imigrante. O documentário final foi realizado por duas equipas diferentes de duas universidades diferentes que dividiram entre si as nove cidades a filmar. São apresentadas e discutidas questões de negociação de sentido envolvidas nos vários estádios da produção entre a) consórcio de investigadores e realizadores e b) entre os jovens filmados e os investigadores de cada terreno/cidade.Edições Universidade Fernando PessoaRepositório Institucional da Universidade Fernando PessoaSantos, Paula MotaAlzetta, Roberto2018-05-21T14:27:29Z2015-01-01T00:00:00Z2015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10284/6674engAntropológicas. Porto: Edições Universidade Fernando Pessoa. ISSN 0873-819X. 13 (2015) 17-220873-819Xinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-09-06T02:06:03Zoai:bdigital.ufp.pt:10284/6674Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:43:34.439659Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
title The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
spellingShingle The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
Santos, Paula Mota
Social sciences
Documentary
Colective filmaking
Methodology
Ciências sociais
Documentário
Realização coletiva
Metodologia
title_short The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
title_full The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
title_fullStr The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
title_full_unstemmed The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
title_sort The camera tends to lie and the audience tends to believe”. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
author Santos, Paula Mota
author_facet Santos, Paula Mota
Alzetta, Roberto
author_role author
author2 Alzetta, Roberto
author2_role author
dc.contributor.none.fl_str_mv Repositório Institucional da Universidade Fernando Pessoa
dc.contributor.author.fl_str_mv Santos, Paula Mota
Alzetta, Roberto
dc.subject.por.fl_str_mv Social sciences
Documentary
Colective filmaking
Methodology
Ciências sociais
Documentário
Realização coletiva
Metodologia
topic Social sciences
Documentary
Colective filmaking
Methodology
Ciências sociais
Documentário
Realização coletiva
Metodologia
description This paper discuss issues related to the use of film in social science research. A documentary made within TRESEGY, a three year EU-funded research project, is the basis of this paper. TRESEGY focused on the experiences of inclusion and exclusion in the public sphere among second generation migrated European teenagers. The final documentary was made by two film crews from two different universities that divided among themselves nine European cities where filming took place. Issues of the negotiation of meaning involved in the different stages of film-making, between a) the researchers consortium and the filmmakers b) the youths filmed and the filmmakers/researchers from each terrain are discussed.
publishDate 2015
dc.date.none.fl_str_mv 2015-01-01T00:00:00Z
2015-01-01T00:00:00Z
2018-05-21T14:27:29Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10284/6674
url http://hdl.handle.net/10284/6674
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Antropológicas. Porto: Edições Universidade Fernando Pessoa. ISSN 0873-819X. 13 (2015) 17-22
0873-819X
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edições Universidade Fernando Pessoa
publisher.none.fl_str_mv Edições Universidade Fernando Pessoa
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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