Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study

Detalhes bibliográficos
Autor(a) principal: Goodman, Ronnie
Data de Publicação: 2024
Outros Autores: Lopes, Eduardo
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25659/rpem.v1i149.22
Resumo: This paper examines non-formal learning of rhythm in the context of an extra-curricular percussion group “Rhythm Wave” that formed at UHI (University of the Highlands and Islands) Perth College, Scotland, UK. Rhythm Wave, that has mutated in the present day into a community music group out with the formal sector, has been in existence for thirty years. And in the formal education context that is the nexus of this research, non-formal learning (NFL) and teaching ran contiguously with the instrumental pedagogy of the college’s popular music curricula. The ensemble started with Brazilian Samba instrumentation and a tiny cell of learners but grew to encompass varied rhythm styles and textures whilst developing a network of alumni mentors who honed their musical and social skills through both peer and musical leadership interactions. Key aspects of rhythm learning that occurred in this ensemble have emerged from semi-structured interviews and observations and the enhancement of formal curricular learning of rhythm is evident in the findings. This includes aspects shared with Green’s (2001, 2008, 2010, 2014) research into popular music practices and with the ongoing development of non-formal world music pedagogy (Murtadza; Walden; in Wright, Beynon, & Younker: 2016).
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spelling Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case StudyNon-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case StudyNon-formal learningRhythm learningNon-formal teachingMusical leadershipPeer learningThis paper examines non-formal learning of rhythm in the context of an extra-curricular percussion group “Rhythm Wave” that formed at UHI (University of the Highlands and Islands) Perth College, Scotland, UK. Rhythm Wave, that has mutated in the present day into a community music group out with the formal sector, has been in existence for thirty years. And in the formal education context that is the nexus of this research, non-formal learning (NFL) and teaching ran contiguously with the instrumental pedagogy of the college’s popular music curricula. The ensemble started with Brazilian Samba instrumentation and a tiny cell of learners but grew to encompass varied rhythm styles and textures whilst developing a network of alumni mentors who honed their musical and social skills through both peer and musical leadership interactions. Key aspects of rhythm learning that occurred in this ensemble have emerged from semi-structured interviews and observations and the enhancement of formal curricular learning of rhythm is evident in the findings. This includes aspects shared with Green’s (2001, 2008, 2010, 2014) research into popular music practices and with the ongoing development of non-formal world music pedagogy (Murtadza; Walden; in Wright, Beynon, & Younker: 2016).This paper examines non-formal learning of rhythm in the context of an extra-curricular percussion group “Rhythm Wave” that formed at UHI (University of the Highlands and Islands) Perth College, Scotland, UK. Rhythm Wave, that has mutated in the present day into a community music group out with the formal sector, has been in existence for thirty years. And in the formal education context that is the nexus of this research, non-formal learning (NFL) and teaching ran contiguously with the instrumental pedagogy of the college’s popular music curricula. The ensemble started with Brazilian Samba instrumentation and a tiny cell of learners but grew to encompass varied rhythm styles and textures whilst developing a network of alumni mentors who honed their musical and social skills through both peer and musical leadership interactions. Key aspects of rhythm learning that occurred in this ensemble have emerged from semi-structured interviews and observations and the enhancement of formal curricular learning of rhythm is evident in the findings. This includes aspects shared with Green’s (2001, 2008, 2010, 2014) research into popular music practices and with the ongoing development of non-formal world music pedagogy (Murtadza; Walden; in Wright, Beynon, & Younker: 2016).Revista Portuguesa de educação MusicalRevista Portuguesa de Educação Musical2024-01-09info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25659/rpem.v1i149.22https://doi.org/10.25659/rpem.v1i149.22Revista Portuguesa de educação Musical; Vol. 1 No. 149 (2023): Revista Portuguesa de Educação Musical; e22Revista Portuguesa de Educação Musical; Vol. 1 N.º 149 (2023): Revista Portuguesa de Educação Musical; e222976-017810.25659/rpem.v1i149reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://rpem.apem.org.pt/index.php/revista/article/view/22https://rpem.apem.org.pt/index.php/revista/article/view/22/5Direitos de Autor (c) 2023 Revista Portuguesa de Educação Musicalinfo:eu-repo/semantics/openAccessGoodman, RonnieLopes, Eduardo2024-05-04T10:45:14Zoai:ojs2.rpem.apem.org.pt:article/22Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-05-04T10:45:14Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
title Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
spellingShingle Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
Goodman, Ronnie
Non-formal learning
Rhythm learning
Non-formal teaching
Musical leadership
Peer learning
title_short Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
title_full Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
title_fullStr Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
title_full_unstemmed Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
title_sort Non-formal Learning as a conduit between students’ social world and Formal Learning: The ‘Rhythm Wave’ Case Study
author Goodman, Ronnie
author_facet Goodman, Ronnie
Lopes, Eduardo
author_role author
author2 Lopes, Eduardo
author2_role author
dc.contributor.author.fl_str_mv Goodman, Ronnie
Lopes, Eduardo
dc.subject.por.fl_str_mv Non-formal learning
Rhythm learning
Non-formal teaching
Musical leadership
Peer learning
topic Non-formal learning
Rhythm learning
Non-formal teaching
Musical leadership
Peer learning
description This paper examines non-formal learning of rhythm in the context of an extra-curricular percussion group “Rhythm Wave” that formed at UHI (University of the Highlands and Islands) Perth College, Scotland, UK. Rhythm Wave, that has mutated in the present day into a community music group out with the formal sector, has been in existence for thirty years. And in the formal education context that is the nexus of this research, non-formal learning (NFL) and teaching ran contiguously with the instrumental pedagogy of the college’s popular music curricula. The ensemble started with Brazilian Samba instrumentation and a tiny cell of learners but grew to encompass varied rhythm styles and textures whilst developing a network of alumni mentors who honed their musical and social skills through both peer and musical leadership interactions. Key aspects of rhythm learning that occurred in this ensemble have emerged from semi-structured interviews and observations and the enhancement of formal curricular learning of rhythm is evident in the findings. This includes aspects shared with Green’s (2001, 2008, 2010, 2014) research into popular music practices and with the ongoing development of non-formal world music pedagogy (Murtadza; Walden; in Wright, Beynon, & Younker: 2016).
publishDate 2024
dc.date.none.fl_str_mv 2024-01-09
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.25659/rpem.v1i149.22
https://doi.org/10.25659/rpem.v1i149.22
url https://doi.org/10.25659/rpem.v1i149.22
dc.language.iso.fl_str_mv eng
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https://rpem.apem.org.pt/index.php/revista/article/view/22/5
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 Revista Portuguesa de Educação Musical
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 Revista Portuguesa de Educação Musical
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Revista Portuguesa de educação Musical
Revista Portuguesa de Educação Musical
publisher.none.fl_str_mv Revista Portuguesa de educação Musical
Revista Portuguesa de Educação Musical
dc.source.none.fl_str_mv Revista Portuguesa de educação Musical; Vol. 1 No. 149 (2023): Revista Portuguesa de Educação Musical; e22
Revista Portuguesa de Educação Musical; Vol. 1 N.º 149 (2023): Revista Portuguesa de Educação Musical; e22
2976-0178
10.25659/rpem.v1i149
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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