Art, City and Social Bonding: Street Gallery
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v7i2.478 |
Resumo: | Abstract: This work is a discussion on the impact, challenges and ambiguities of artists and makers presence in a community. The purpose is to raise questions on levels of possible, realistic community engagement from passers-by, active makers and sharing partners in the formation of spontaneous, enhanced identity in local neighbourhoods. The art in the street as by-product of care and meaningful engagement, without strong labels or pre-designed, carrier motivated collaborations between artists and communities is in the focus. The case study is the Flagpoles Project (1986 – 1991) initiated by Slobodan Dan Paich which consists of a great number of semi-permanent sculptures built for and with residents of the Golden Gate, Oakland, USA. Reflecting on Flagpoles Project enables this paper to re-ask the artist’s role in a community setting, and how do the artistic sensibilities, vision and cohesive visual language remain while the creative process is shared with community. The paper also focuses on an enquiry on the ambiguities on how a public art project can create a positive impact on diverse segments of a difficult neighbourhood and how can bonding through art transform the experience of public space in urban context. In general, the methodology starts from expressive inception, community context and its development. In this example it is based on interviews, testimonials, also on printed and digital materials concluding with related literature about social inclusion and role of the art in everyday setting. |
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Art, City and Social Bonding: Street Gallery Abstract: This work is a discussion on the impact, challenges and ambiguities of artists and makers presence in a community. The purpose is to raise questions on levels of possible, realistic community engagement from passers-by, active makers and sharing partners in the formation of spontaneous, enhanced identity in local neighbourhoods. The art in the street as by-product of care and meaningful engagement, without strong labels or pre-designed, carrier motivated collaborations between artists and communities is in the focus. The case study is the Flagpoles Project (1986 – 1991) initiated by Slobodan Dan Paich which consists of a great number of semi-permanent sculptures built for and with residents of the Golden Gate, Oakland, USA. Reflecting on Flagpoles Project enables this paper to re-ask the artist’s role in a community setting, and how do the artistic sensibilities, vision and cohesive visual language remain while the creative process is shared with community. The paper also focuses on an enquiry on the ambiguities on how a public art project can create a positive impact on diverse segments of a difficult neighbourhood and how can bonding through art transform the experience of public space in urban context. In general, the methodology starts from expressive inception, community context and its development. In this example it is based on interviews, testimonials, also on printed and digital materials concluding with related literature about social inclusion and role of the art in everyday setting. AP22021-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v7i2.478https://doi.org/10.25765/sauc.v7i2.478SAUC - Street Art and Urban Creativity; Vol 7 No 2 (2021): The Future of Urban Creative Studies; 26 - 332183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/478https://journals.ap2.pt/index.php/sauc/article/view/478/278Cankaya, İpekinfo:eu-repo/semantics/openAccess2024-01-26T14:15:39Zoai:journals.ap2.pt:article/478Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:52.003990Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Art, City and Social Bonding: Street Gallery |
title |
Art, City and Social Bonding: Street Gallery |
spellingShingle |
Art, City and Social Bonding: Street Gallery Cankaya, İpek |
title_short |
Art, City and Social Bonding: Street Gallery |
title_full |
Art, City and Social Bonding: Street Gallery |
title_fullStr |
Art, City and Social Bonding: Street Gallery |
title_full_unstemmed |
Art, City and Social Bonding: Street Gallery |
title_sort |
Art, City and Social Bonding: Street Gallery |
author |
Cankaya, İpek |
author_facet |
Cankaya, İpek |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cankaya, İpek |
description |
Abstract: This work is a discussion on the impact, challenges and ambiguities of artists and makers presence in a community. The purpose is to raise questions on levels of possible, realistic community engagement from passers-by, active makers and sharing partners in the formation of spontaneous, enhanced identity in local neighbourhoods. The art in the street as by-product of care and meaningful engagement, without strong labels or pre-designed, carrier motivated collaborations between artists and communities is in the focus. The case study is the Flagpoles Project (1986 – 1991) initiated by Slobodan Dan Paich which consists of a great number of semi-permanent sculptures built for and with residents of the Golden Gate, Oakland, USA. Reflecting on Flagpoles Project enables this paper to re-ask the artist’s role in a community setting, and how do the artistic sensibilities, vision and cohesive visual language remain while the creative process is shared with community. The paper also focuses on an enquiry on the ambiguities on how a public art project can create a positive impact on diverse segments of a difficult neighbourhood and how can bonding through art transform the experience of public space in urban context. In general, the methodology starts from expressive inception, community context and its development. In this example it is based on interviews, testimonials, also on printed and digital materials concluding with related literature about social inclusion and role of the art in everyday setting. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v7i2.478 https://doi.org/10.25765/sauc.v7i2.478 |
url |
https://doi.org/10.25765/sauc.v7i2.478 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/478 https://journals.ap2.pt/index.php/sauc/article/view/478/278 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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AP2 |
publisher.none.fl_str_mv |
AP2 |
dc.source.none.fl_str_mv |
SAUC - Street Art and Urban Creativity; Vol 7 No 2 (2021): The Future of Urban Creative Studies; 26 - 33 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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