Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition

Detalhes bibliográficos
Autor(a) principal: Fontanella, Lee
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10437/13540
Resumo: Charles Thurston Thompson’s work in Santiago de Compostela has occupied stage-front among all of his photographs. Probably for this reason, it is much less known that the Portuguese royal collections and a few Portuguese locations were the primary purpose for his travelling to Iberia. Santiago was an unforeseen interruption. John Charles Robinson, as principal voice behind acquisitions in the South Kensington Museum, was the background Eminence in these enterprises. Here, I piece together the sojourn in Portugal and interrelate – technically, methodologically, and stylistically – the Iberian photographic work with the broader corpus by Thurston Thompson.
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spelling Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibitionFOTOGRAFIAFOTÓGRAFOSPORTUGALPHOTOGRAPHYPHOTOGRAPHERSCharles Thurston Thompson’s work in Santiago de Compostela has occupied stage-front among all of his photographs. Probably for this reason, it is much less known that the Portuguese royal collections and a few Portuguese locations were the primary purpose for his travelling to Iberia. Santiago was an unforeseen interruption. John Charles Robinson, as principal voice behind acquisitions in the South Kensington Museum, was the background Eminence in these enterprises. Here, I piece together the sojourn in Portugal and interrelate – technically, methodologically, and stylistically – the Iberian photographic work with the broader corpus by Thurston Thompson.CICANT2023-01-30T16:02:50Z2022-01-01T00:00:00Z2022info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/13540eng2184-1241Fontanella, Leeinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:03:26Zoai:recil.ensinolusofona.pt:10437/13540Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:11:39.081908Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
title Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
spellingShingle Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
Fontanella, Lee
FOTOGRAFIA
FOTÓGRAFOS
PORTUGAL
PHOTOGRAPHY
PHOTOGRAPHERS
title_short Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
title_full Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
title_fullStr Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
title_full_unstemmed Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
title_sort Charles Thurston Thompson and his Portuguese Project : the real world understood as material for exhibition
author Fontanella, Lee
author_facet Fontanella, Lee
author_role author
dc.contributor.author.fl_str_mv Fontanella, Lee
dc.subject.por.fl_str_mv FOTOGRAFIA
FOTÓGRAFOS
PORTUGAL
PHOTOGRAPHY
PHOTOGRAPHERS
topic FOTOGRAFIA
FOTÓGRAFOS
PORTUGAL
PHOTOGRAPHY
PHOTOGRAPHERS
description Charles Thurston Thompson’s work in Santiago de Compostela has occupied stage-front among all of his photographs. Probably for this reason, it is much less known that the Portuguese royal collections and a few Portuguese locations were the primary purpose for his travelling to Iberia. Santiago was an unforeseen interruption. John Charles Robinson, as principal voice behind acquisitions in the South Kensington Museum, was the background Eminence in these enterprises. Here, I piece together the sojourn in Portugal and interrelate – technically, methodologically, and stylistically – the Iberian photographic work with the broader corpus by Thurston Thompson.
publishDate 2022
dc.date.none.fl_str_mv 2022-01-01T00:00:00Z
2022
2023-01-30T16:02:50Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10437/13540
url http://hdl.handle.net/10437/13540
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2184-1241
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv CICANT
publisher.none.fl_str_mv CICANT
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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