Arquitectura e Personalização. O impacto das tecnologias CAD/CAM

Detalhes bibliográficos
Autor(a) principal: Manuel António de Carvalho Oliveira
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/76928
Resumo: Today, the use of digital design and fabrication technologies is challenging the architectural practice at many levels. Its most visible impacts seems to be related with expanding the geometric and constructive possibilities in the design and allowing the exploration of non-standard modes of production. In this context, digital technologies are promoting a new degree of customization that can affect the way architects think and build their designs. The present thesis looks to investigate this condition in order to uncover its potentials and limitations. It starts by framing the different modes of production that have ruled the history of architecture, and surveying the state of the art of digital technologies that support new conditions for customization in architecture. In order to evaluate such opportunity, a critical analysis of the subject is conducted. Based in examples from contemporary architecture (eg. works by Frank Gehry, Zaha Hadid, UN Studio, etc.), it discusses the emerging customization possibilities at three levels: the form, the structure and the building component. To complement this study, the author presents three works from his own experience developed in both the academic and research contexts. The overall conclusion of this investigation tends to realize that technologically, architects face nowadays an endless world of design and constructive strategies to engage with full customization. However, considering the old constraints that still define the practice of architecture (eg. economy or building logistics) architects tend in most of the cases to negotiate the implementation of the digital possibilities with more traditional approaches to design and construction. The present thesis thus aims to illustrate this spectrum of variation in the discipline in the current digital era.
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spelling Arquitectura e Personalização. O impacto das tecnologias CAD/CAMArtesArtsToday, the use of digital design and fabrication technologies is challenging the architectural practice at many levels. Its most visible impacts seems to be related with expanding the geometric and constructive possibilities in the design and allowing the exploration of non-standard modes of production. In this context, digital technologies are promoting a new degree of customization that can affect the way architects think and build their designs. The present thesis looks to investigate this condition in order to uncover its potentials and limitations. It starts by framing the different modes of production that have ruled the history of architecture, and surveying the state of the art of digital technologies that support new conditions for customization in architecture. In order to evaluate such opportunity, a critical analysis of the subject is conducted. Based in examples from contemporary architecture (eg. works by Frank Gehry, Zaha Hadid, UN Studio, etc.), it discusses the emerging customization possibilities at three levels: the form, the structure and the building component. To complement this study, the author presents three works from his own experience developed in both the academic and research contexts. The overall conclusion of this investigation tends to realize that technologically, architects face nowadays an endless world of design and constructive strategies to engage with full customization. However, considering the old constraints that still define the practice of architecture (eg. economy or building logistics) architects tend in most of the cases to negotiate the implementation of the digital possibilities with more traditional approaches to design and construction. The present thesis thus aims to illustrate this spectrum of variation in the discipline in the current digital era.2014-11-052014-11-05T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/76928TID:201545306porManuel António de Carvalho Oliveirainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T15:04:15Zoai:repositorio-aberto.up.pt:10216/76928Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:14:55.824161Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
title Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
spellingShingle Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
Manuel António de Carvalho Oliveira
Artes
Arts
title_short Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
title_full Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
title_fullStr Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
title_full_unstemmed Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
title_sort Arquitectura e Personalização. O impacto das tecnologias CAD/CAM
author Manuel António de Carvalho Oliveira
author_facet Manuel António de Carvalho Oliveira
author_role author
dc.contributor.author.fl_str_mv Manuel António de Carvalho Oliveira
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description Today, the use of digital design and fabrication technologies is challenging the architectural practice at many levels. Its most visible impacts seems to be related with expanding the geometric and constructive possibilities in the design and allowing the exploration of non-standard modes of production. In this context, digital technologies are promoting a new degree of customization that can affect the way architects think and build their designs. The present thesis looks to investigate this condition in order to uncover its potentials and limitations. It starts by framing the different modes of production that have ruled the history of architecture, and surveying the state of the art of digital technologies that support new conditions for customization in architecture. In order to evaluate such opportunity, a critical analysis of the subject is conducted. Based in examples from contemporary architecture (eg. works by Frank Gehry, Zaha Hadid, UN Studio, etc.), it discusses the emerging customization possibilities at three levels: the form, the structure and the building component. To complement this study, the author presents three works from his own experience developed in both the academic and research contexts. The overall conclusion of this investigation tends to realize that technologically, architects face nowadays an endless world of design and constructive strategies to engage with full customization. However, considering the old constraints that still define the practice of architecture (eg. economy or building logistics) architects tend in most of the cases to negotiate the implementation of the digital possibilities with more traditional approaches to design and construction. The present thesis thus aims to illustrate this spectrum of variation in the discipline in the current digital era.
publishDate 2014
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