Objective and subjective acoustical parameters in catholic churches

Detalhes bibliográficos
Autor(a) principal: António P. O.Carvalho
Data de Publicação: 1997
Outros Autores: António E. J. Morgado
Tipo de documento: Livro
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/611
Resumo: This study reports on subjective and objective acoustical field measurements made in a survey of 36 Catholic churches in Portugal built in the last 14 centuries. Monaural acoustical measurements (C80,D50,EDT, L, RT and TS) were taken at several source/receiver locations in each church and a group of college students was asked to judge the subjective quality of music. The listeners in each church evaluated live music performances at similar locations in each room. Evaluation sheets were used to record the listeners overall impressions of room acoustics qualities and also Loudkess, Reverberance, Intimacy, Envelopment, Directionality, Balance, Clarity, Echoes, and Background Noise. This paper concentrates on the relationships of the subjective parameters with the objective room acoustics measures and with the architectural features of the churches.
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spelling Objective and subjective acoustical parameters in catholic churchesAcústica, Engenharia civilAcoustics, Civil engineeringThis study reports on subjective and objective acoustical field measurements made in a survey of 36 Catholic churches in Portugal built in the last 14 centuries. Monaural acoustical measurements (C80,D50,EDT, L, RT and TS) were taken at several source/receiver locations in each church and a group of college students was asked to judge the subjective quality of music. The listeners in each church evaluated live music performances at similar locations in each room. Evaluation sheets were used to record the listeners overall impressions of room acoustics qualities and also Loudkess, Reverberance, Intimacy, Envelopment, Directionality, Balance, Clarity, Echoes, and Background Noise. This paper concentrates on the relationships of the subjective parameters with the objective room acoustics measures and with the architectural features of the churches.19971997-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/611porAntónio P. O.CarvalhoAntónio E. J. Morgadoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:10:57Zoai:repositorio-aberto.up.pt:10216/611Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:56:33.599781Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Objective and subjective acoustical parameters in catholic churches
title Objective and subjective acoustical parameters in catholic churches
spellingShingle Objective and subjective acoustical parameters in catholic churches
António P. O.Carvalho
Acústica, Engenharia civil
Acoustics, Civil engineering
title_short Objective and subjective acoustical parameters in catholic churches
title_full Objective and subjective acoustical parameters in catholic churches
title_fullStr Objective and subjective acoustical parameters in catholic churches
title_full_unstemmed Objective and subjective acoustical parameters in catholic churches
title_sort Objective and subjective acoustical parameters in catholic churches
author António P. O.Carvalho
author_facet António P. O.Carvalho
António E. J. Morgado
author_role author
author2 António E. J. Morgado
author2_role author
dc.contributor.author.fl_str_mv António P. O.Carvalho
António E. J. Morgado
dc.subject.por.fl_str_mv Acústica, Engenharia civil
Acoustics, Civil engineering
topic Acústica, Engenharia civil
Acoustics, Civil engineering
description This study reports on subjective and objective acoustical field measurements made in a survey of 36 Catholic churches in Portugal built in the last 14 centuries. Monaural acoustical measurements (C80,D50,EDT, L, RT and TS) were taken at several source/receiver locations in each church and a group of college students was asked to judge the subjective quality of music. The listeners in each church evaluated live music performances at similar locations in each room. Evaluation sheets were used to record the listeners overall impressions of room acoustics qualities and also Loudkess, Reverberance, Intimacy, Envelopment, Directionality, Balance, Clarity, Echoes, and Background Noise. This paper concentrates on the relationships of the subjective parameters with the objective room acoustics measures and with the architectural features of the churches.
publishDate 1997
dc.date.none.fl_str_mv 1997
1997-01-01T00:00:00Z
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format book
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/611
url https://hdl.handle.net/10216/611
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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