Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias

Detalhes bibliográficos
Autor(a) principal: Alexander Gonçalves da Silva
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/139910
Resumo: Starting with the objective of characterizing and highlighting the project practise and consequent architectonic production of the Portuguese architect Manuel Graça Dias, this research finds in the Municipal Theatre Joaquim Benite, in Almada, a central 'object' of study capable of stimulating the intended reflections. As if it were a genealogical analysis, this study starts with a tool that was considered essential to the design process of Manuel Graça Dias: the croquis. The drawings are understood as an instrument subordinate to the project practice and a fundamental mediator between the idealized and the materialized. It is understood that the DNA of this architecture is also diluted in its author's own genetics. Thus, we considered the analysis of various geographical contexts and some 'characters' that have changed the history of Manuel Graça Dias, as an important subject for the understanding and characterization of the central theme of this study. From the spatial experiences gathered during the visit to the central 'object' of the dissertation, we built a series of chronicles or narratives of Architecture, from which six readings were selected and refined that were considered essential to answer the central objective established here. The documentary collection built up during the production of this study, which should be understood as the crucial basis of the work, from which the words for the formulation of the synthesis presented here were found, will remain available as an open field of study on which to pursue new questions.
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spelling Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça DiasArtesArtsStarting with the objective of characterizing and highlighting the project practise and consequent architectonic production of the Portuguese architect Manuel Graça Dias, this research finds in the Municipal Theatre Joaquim Benite, in Almada, a central 'object' of study capable of stimulating the intended reflections. As if it were a genealogical analysis, this study starts with a tool that was considered essential to the design process of Manuel Graça Dias: the croquis. The drawings are understood as an instrument subordinate to the project practice and a fundamental mediator between the idealized and the materialized. It is understood that the DNA of this architecture is also diluted in its author's own genetics. Thus, we considered the analysis of various geographical contexts and some 'characters' that have changed the history of Manuel Graça Dias, as an important subject for the understanding and characterization of the central theme of this study. From the spatial experiences gathered during the visit to the central 'object' of the dissertation, we built a series of chronicles or narratives of Architecture, from which six readings were selected and refined that were considered essential to answer the central objective established here. The documentary collection built up during the production of this study, which should be understood as the crucial basis of the work, from which the words for the formulation of the synthesis presented here were found, will remain available as an open field of study on which to pursue new questions.2021-11-172021-11-17T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/139910TID:202939057porAlexander Gonçalves da Silvainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T16:08:51Zoai:repositorio-aberto.up.pt:10216/139910Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:38:17.879447Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
title Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
spellingShingle Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
Alexander Gonçalves da Silva
Artes
Arts
title_short Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
title_full Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
title_fullStr Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
title_full_unstemmed Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
title_sort Crónicas do Azul. Uma viagem através de um projecto de arquitetura de Manuel Graça Dias
author Alexander Gonçalves da Silva
author_facet Alexander Gonçalves da Silva
author_role author
dc.contributor.author.fl_str_mv Alexander Gonçalves da Silva
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description Starting with the objective of characterizing and highlighting the project practise and consequent architectonic production of the Portuguese architect Manuel Graça Dias, this research finds in the Municipal Theatre Joaquim Benite, in Almada, a central 'object' of study capable of stimulating the intended reflections. As if it were a genealogical analysis, this study starts with a tool that was considered essential to the design process of Manuel Graça Dias: the croquis. The drawings are understood as an instrument subordinate to the project practice and a fundamental mediator between the idealized and the materialized. It is understood that the DNA of this architecture is also diluted in its author's own genetics. Thus, we considered the analysis of various geographical contexts and some 'characters' that have changed the history of Manuel Graça Dias, as an important subject for the understanding and characterization of the central theme of this study. From the spatial experiences gathered during the visit to the central 'object' of the dissertation, we built a series of chronicles or narratives of Architecture, from which six readings were selected and refined that were considered essential to answer the central objective established here. The documentary collection built up during the production of this study, which should be understood as the crucial basis of the work, from which the words for the formulation of the synthesis presented here were found, will remain available as an open field of study on which to pursue new questions.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-17
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