Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project

Detalhes bibliográficos
Autor(a) principal: Oliveira , Carlos Manuel
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.51427/cet.sdc.2020.0004
Resumo: The focus of this article is the individuation of choreographic knowledge in the context of the project Double Skin/Double Mind, developed by the research group Artistic Practice and Development at the Amsterdam School of the Arts around the joint work of choreographer and dancer Emio Greco and dramaturgist Pieter Scholten. The article exposes some problems associated with the conception and design of a series of multimedia objects, created with the intention of transmitting the choreographic knowledge of these artists through structures analogous to the organising concepts of the dances themselves. These concepts respond to principles of movement whose transmission occurs through transduction, both between bodies and between different media. Transduction is proposed here as an operation adequate to the thought of choreographic transmission, encompassing both the intensive and extensive expressions of dance and the abstract and concrete processes through which the associated knowledge emerges. The problems discussed here are concerned above all with the disparity between dance and choreographic writing as seen from the perspective of the difference between qualitative multiplicities and quantitative multiplicities. The research project Double Skin/Double Mind dealt with this set of problems regarding the transmission of choreographic knowledge in times of digital multimodality, not without having to deal with the diagrammatic and linguistic constraints necessary for the determination of a continuity of choreographic ideas through discontinuous bodies and media.
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spelling Choreographic transductions across media: problems and objects in the Double Skin/Double Mind projectTransduções coreográficas através de meios de comunicação: problemas e objectos no Projecto Double Skin/Double MindDanceChoreographyKnowledgeTransductionMultimediaDançaCoreografiaConhecimentoTransduçãoMultimédiaThe focus of this article is the individuation of choreographic knowledge in the context of the project Double Skin/Double Mind, developed by the research group Artistic Practice and Development at the Amsterdam School of the Arts around the joint work of choreographer and dancer Emio Greco and dramaturgist Pieter Scholten. The article exposes some problems associated with the conception and design of a series of multimedia objects, created with the intention of transmitting the choreographic knowledge of these artists through structures analogous to the organising concepts of the dances themselves. These concepts respond to principles of movement whose transmission occurs through transduction, both between bodies and between different media. Transduction is proposed here as an operation adequate to the thought of choreographic transmission, encompassing both the intensive and extensive expressions of dance and the abstract and concrete processes through which the associated knowledge emerges. The problems discussed here are concerned above all with the disparity between dance and choreographic writing as seen from the perspective of the difference between qualitative multiplicities and quantitative multiplicities. The research project Double Skin/Double Mind dealt with this set of problems regarding the transmission of choreographic knowledge in times of digital multimodality, not without having to deal with the diagrammatic and linguistic constraints necessary for the determination of a continuity of choreographic ideas through discontinuous bodies and media.O foco deste artigo é a individuação de conhecimento coreográfico no contexto do projecto Double Skin/Double Mind, desenvolvido pelo grupo de investigação Prática e Desenvolvimento Artístico, da Escola das Artes de Amesterdão, em torno do trabalho conjunto do coreógrafo e bailarino Emio Greco e do drama‑ turgista Pieter Scholten. O artigo expõe alguns problemas associados à concepção e ao desenho de uma série de objectos multimédia, criados com o intuito de transmitir o conhecimento coreográfico destes artistas através de estruturas análogas aos conceitos organizadores das próprias danças. Estes conceitos cor‑ respondem a princípios de movimento cuja transmissão se dá por meio de transducções, tanto entre corpos como entre diferentes média. A transducção é aqui proposta como uma operação adequada ao pensamento da transmissão coreográfica, abrangendo tanto as expressões intensivas e extensivas da dança como os processos abstractos e concretos pelos quais o conhecimento que lhe está associado emerge. Os problemas abordados referem‑se sobretudo à disparidade entre a dança e a escrita coreográfica, vista da perspectiva da diferença entre multiplicidades qualitativas e multiplicidades quantitativas. O projecto de investigação Double Skin/Double Mind debruçou‑se sobre este conjunto de problemas no que respeita à transmissão de conhecimento coreográfico em tempos de multimodalidade digital, não sem ter de lidar com as restrições diagramáticas e linguísticas necessárias à determinação de uma continuidade de ideias coreográficas através de corpos e média descontínuos.Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2020-01-06info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2020.0004https://doi.org/10.51427/cet.sdc.2020.0004Sinais de Cena; 2nd series, nr. 4 (2020); 26-39Sinais de Cena; 2e série, n°4 (2020); 26-39Sinais de Cena; 2.ª série, n.º 4 (2020); 26-392184-95521646-071510.51427/sdc.vi4reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/sdc/article/view/21855https://revistas.rcaap.pt/sdc/article/view/21855/18016Direitos de Autor (c) 2020 Carlos Manuel Oliveirainfo:eu-repo/semantics/openAccessOliveira , Carlos Manuel2024-01-13T05:16:10Zoai:ojs.revistas.rcaap.pt:article/21855Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:37:59.694707Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
Transduções coreográficas através de meios de comunicação: problemas e objectos no Projecto Double Skin/Double Mind
title Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
spellingShingle Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
Oliveira , Carlos Manuel
Dance
Choreography
Knowledge
Transduction
Multimedia
Dança
Coreografia
Conhecimento
Transdução
Multimédia
title_short Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
title_full Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
title_fullStr Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
title_full_unstemmed Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
title_sort Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
author Oliveira , Carlos Manuel
author_facet Oliveira , Carlos Manuel
author_role author
dc.contributor.author.fl_str_mv Oliveira , Carlos Manuel
dc.subject.por.fl_str_mv Dance
Choreography
Knowledge
Transduction
Multimedia
Dança
Coreografia
Conhecimento
Transdução
Multimédia
topic Dance
Choreography
Knowledge
Transduction
Multimedia
Dança
Coreografia
Conhecimento
Transdução
Multimédia
description The focus of this article is the individuation of choreographic knowledge in the context of the project Double Skin/Double Mind, developed by the research group Artistic Practice and Development at the Amsterdam School of the Arts around the joint work of choreographer and dancer Emio Greco and dramaturgist Pieter Scholten. The article exposes some problems associated with the conception and design of a series of multimedia objects, created with the intention of transmitting the choreographic knowledge of these artists through structures analogous to the organising concepts of the dances themselves. These concepts respond to principles of movement whose transmission occurs through transduction, both between bodies and between different media. Transduction is proposed here as an operation adequate to the thought of choreographic transmission, encompassing both the intensive and extensive expressions of dance and the abstract and concrete processes through which the associated knowledge emerges. The problems discussed here are concerned above all with the disparity between dance and choreographic writing as seen from the perspective of the difference between qualitative multiplicities and quantitative multiplicities. The research project Double Skin/Double Mind dealt with this set of problems regarding the transmission of choreographic knowledge in times of digital multimodality, not without having to deal with the diagrammatic and linguistic constraints necessary for the determination of a continuity of choreographic ideas through discontinuous bodies and media.
publishDate 2020
dc.date.none.fl_str_mv 2020-01-06
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.51427/cet.sdc.2020.0004
https://doi.org/10.51427/cet.sdc.2020.0004
url https://doi.org/10.51427/cet.sdc.2020.0004
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.rcaap.pt/sdc/article/view/21855
https://revistas.rcaap.pt/sdc/article/view/21855/18016
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2020 Carlos Manuel Oliveira
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2020 Carlos Manuel Oliveira
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
dc.source.none.fl_str_mv Sinais de Cena; 2nd series, nr. 4 (2020); 26-39
Sinais de Cena; 2e série, n°4 (2020); 26-39
Sinais de Cena; 2.ª série, n.º 4 (2020); 26-39
2184-9552
1646-0715
10.51427/sdc.vi4
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instacron_str RCAAP
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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