Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.51427/cet.sdc.2020.0004 |
Resumo: | The focus of this article is the individuation of choreographic knowledge in the context of the project Double Skin/Double Mind, developed by the research group Artistic Practice and Development at the Amsterdam School of the Arts around the joint work of choreographer and dancer Emio Greco and dramaturgist Pieter Scholten. The article exposes some problems associated with the conception and design of a series of multimedia objects, created with the intention of transmitting the choreographic knowledge of these artists through structures analogous to the organising concepts of the dances themselves. These concepts respond to principles of movement whose transmission occurs through transduction, both between bodies and between different media. Transduction is proposed here as an operation adequate to the thought of choreographic transmission, encompassing both the intensive and extensive expressions of dance and the abstract and concrete processes through which the associated knowledge emerges. The problems discussed here are concerned above all with the disparity between dance and choreographic writing as seen from the perspective of the difference between qualitative multiplicities and quantitative multiplicities. The research project Double Skin/Double Mind dealt with this set of problems regarding the transmission of choreographic knowledge in times of digital multimodality, not without having to deal with the diagrammatic and linguistic constraints necessary for the determination of a continuity of choreographic ideas through discontinuous bodies and media. |
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Choreographic transductions across media: problems and objects in the Double Skin/Double Mind projectTransduções coreográficas através de meios de comunicação: problemas e objectos no Projecto Double Skin/Double MindDanceChoreographyKnowledgeTransductionMultimediaDançaCoreografiaConhecimentoTransduçãoMultimédiaThe focus of this article is the individuation of choreographic knowledge in the context of the project Double Skin/Double Mind, developed by the research group Artistic Practice and Development at the Amsterdam School of the Arts around the joint work of choreographer and dancer Emio Greco and dramaturgist Pieter Scholten. The article exposes some problems associated with the conception and design of a series of multimedia objects, created with the intention of transmitting the choreographic knowledge of these artists through structures analogous to the organising concepts of the dances themselves. These concepts respond to principles of movement whose transmission occurs through transduction, both between bodies and between different media. Transduction is proposed here as an operation adequate to the thought of choreographic transmission, encompassing both the intensive and extensive expressions of dance and the abstract and concrete processes through which the associated knowledge emerges. The problems discussed here are concerned above all with the disparity between dance and choreographic writing as seen from the perspective of the difference between qualitative multiplicities and quantitative multiplicities. The research project Double Skin/Double Mind dealt with this set of problems regarding the transmission of choreographic knowledge in times of digital multimodality, not without having to deal with the diagrammatic and linguistic constraints necessary for the determination of a continuity of choreographic ideas through discontinuous bodies and media.O foco deste artigo é a individuação de conhecimento coreográfico no contexto do projecto Double Skin/Double Mind, desenvolvido pelo grupo de investigação Prática e Desenvolvimento Artístico, da Escola das Artes de Amesterdão, em torno do trabalho conjunto do coreógrafo e bailarino Emio Greco e do drama‑ turgista Pieter Scholten. O artigo expõe alguns problemas associados à concepção e ao desenho de uma série de objectos multimédia, criados com o intuito de transmitir o conhecimento coreográfico destes artistas através de estruturas análogas aos conceitos organizadores das próprias danças. Estes conceitos cor‑ respondem a princípios de movimento cuja transmissão se dá por meio de transducções, tanto entre corpos como entre diferentes média. A transducção é aqui proposta como uma operação adequada ao pensamento da transmissão coreográfica, abrangendo tanto as expressões intensivas e extensivas da dança como os processos abstractos e concretos pelos quais o conhecimento que lhe está associado emerge. Os problemas abordados referem‑se sobretudo à disparidade entre a dança e a escrita coreográfica, vista da perspectiva da diferença entre multiplicidades qualitativas e multiplicidades quantitativas. O projecto de investigação Double Skin/Double Mind debruçou‑se sobre este conjunto de problemas no que respeita à transmissão de conhecimento coreográfico em tempos de multimodalidade digital, não sem ter de lidar com as restrições diagramáticas e linguísticas necessárias à determinação de uma continuidade de ideias coreográficas através de corpos e média descontínuos.Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2020-01-06info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2020.0004https://doi.org/10.51427/cet.sdc.2020.0004Sinais de Cena; 2nd series, nr. 4 (2020); 26-39Sinais de Cena; 2e série, n°4 (2020); 26-39Sinais de Cena; 2.ª série, n.º 4 (2020); 26-392184-95521646-071510.51427/sdc.vi4reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/sdc/article/view/21855https://revistas.rcaap.pt/sdc/article/view/21855/18016Direitos de Autor (c) 2020 Carlos Manuel Oliveirainfo:eu-repo/semantics/openAccessOliveira , Carlos Manuel2024-01-13T05:16:10Zoai:ojs.revistas.rcaap.pt:article/21855Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:37:59.694707Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project Transduções coreográficas através de meios de comunicação: problemas e objectos no Projecto Double Skin/Double Mind |
title |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project |
spellingShingle |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project Oliveira , Carlos Manuel Dance Choreography Knowledge Transduction Multimedia Dança Coreografia Conhecimento Transdução Multimédia |
title_short |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project |
title_full |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project |
title_fullStr |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project |
title_full_unstemmed |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project |
title_sort |
Choreographic transductions across media: problems and objects in the Double Skin/Double Mind project |
author |
Oliveira , Carlos Manuel |
author_facet |
Oliveira , Carlos Manuel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira , Carlos Manuel |
dc.subject.por.fl_str_mv |
Dance Choreography Knowledge Transduction Multimedia Dança Coreografia Conhecimento Transdução Multimédia |
topic |
Dance Choreography Knowledge Transduction Multimedia Dança Coreografia Conhecimento Transdução Multimédia |
description |
The focus of this article is the individuation of choreographic knowledge in the context of the project Double Skin/Double Mind, developed by the research group Artistic Practice and Development at the Amsterdam School of the Arts around the joint work of choreographer and dancer Emio Greco and dramaturgist Pieter Scholten. The article exposes some problems associated with the conception and design of a series of multimedia objects, created with the intention of transmitting the choreographic knowledge of these artists through structures analogous to the organising concepts of the dances themselves. These concepts respond to principles of movement whose transmission occurs through transduction, both between bodies and between different media. Transduction is proposed here as an operation adequate to the thought of choreographic transmission, encompassing both the intensive and extensive expressions of dance and the abstract and concrete processes through which the associated knowledge emerges. The problems discussed here are concerned above all with the disparity between dance and choreographic writing as seen from the perspective of the difference between qualitative multiplicities and quantitative multiplicities. The research project Double Skin/Double Mind dealt with this set of problems regarding the transmission of choreographic knowledge in times of digital multimodality, not without having to deal with the diagrammatic and linguistic constraints necessary for the determination of a continuity of choreographic ideas through discontinuous bodies and media. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-06 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.51427/cet.sdc.2020.0004 https://doi.org/10.51427/cet.sdc.2020.0004 |
url |
https://doi.org/10.51427/cet.sdc.2020.0004 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.rcaap.pt/sdc/article/view/21855 https://revistas.rcaap.pt/sdc/article/view/21855/18016 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2020 Carlos Manuel Oliveira info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2020 Carlos Manuel Oliveira |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa |
publisher.none.fl_str_mv |
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa |
dc.source.none.fl_str_mv |
Sinais de Cena; 2nd series, nr. 4 (2020); 26-39 Sinais de Cena; 2e série, n°4 (2020); 26-39 Sinais de Cena; 2.ª série, n.º 4 (2020); 26-39 2184-9552 1646-0715 10.51427/sdc.vi4 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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