Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany

Detalhes bibliográficos
Autor(a) principal: Mikos, Lothar
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.17645/mac.v4i3.542
Resumo: The advancing digitalization and media convergence demands TV broadcasting companies to adjust their content to various platforms and distribution channels. The internet, as convergent carrier medium, is increasingly taking on a central role for additional media. Classical linear TV is still important, but for some audiences it has been developing from a primary medium to a secondary medium. Owing to the growing melding of classical-linear TV contents with online offerings (e.g. video-on-demand platforms or Web–TV), a great dynamic can be seen which has triggered numerous discussions about the future of TV for some time now. This article will summarize the results of two different audience studies. Film and television shows are meanwhile distributed online via Video-on-Demand platforms such as Netflix or Amazon Prime Video. The first audience study has dealt with the use of VoD-platforms in Germany investigating user rituals, user motivation to watch films and TV shows on these platforms, and the meaning of VoD in everyday life. Most of the participants in this study reported that they mainly watch TV drama series at Netflix or Amazon Prime. Therefore, the second audience study focused the online use of television drama series of individuals and couples elaborating the phenomenon of binge watching. In relating the audience practice to the new structures of the television market the article will shed light on the future of television.
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spelling Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germanyaudiences; binge watching; convergence; digitalization; television, television culture; television series; video-on-demandThe advancing digitalization and media convergence demands TV broadcasting companies to adjust their content to various platforms and distribution channels. The internet, as convergent carrier medium, is increasingly taking on a central role for additional media. Classical linear TV is still important, but for some audiences it has been developing from a primary medium to a secondary medium. Owing to the growing melding of classical-linear TV contents with online offerings (e.g. video-on-demand platforms or Web–TV), a great dynamic can be seen which has triggered numerous discussions about the future of TV for some time now. This article will summarize the results of two different audience studies. Film and television shows are meanwhile distributed online via Video-on-Demand platforms such as Netflix or Amazon Prime Video. The first audience study has dealt with the use of VoD-platforms in Germany investigating user rituals, user motivation to watch films and TV shows on these platforms, and the meaning of VoD in everyday life. Most of the participants in this study reported that they mainly watch TV drama series at Netflix or Amazon Prime. Therefore, the second audience study focused the online use of television drama series of individuals and couples elaborating the phenomenon of binge watching. In relating the audience practice to the new structures of the television market the article will shed light on the future of television.Cogitatio2016-07-14info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.17645/mac.v4i3.542oai:ojs.cogitatiopress.com:article/542Media and Communication; Vol 4, No 3 (2016): (Not Yet) the End of Television; 154-1612183-2439reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.cogitatiopress.com/mediaandcommunication/article/view/542https://doi.org/10.17645/mac.v4i3.542https://www.cogitatiopress.com/mediaandcommunication/article/view/542/542Copyright (c) 2016 Lothar Mikoshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMikos, Lothar2022-12-20T10:58:48Zoai:ojs.cogitatiopress.com:article/542Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:21:08.555133Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
title Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
spellingShingle Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
Mikos, Lothar
audiences; binge watching; convergence; digitalization; television, television culture; television series; video-on-demand
title_short Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
title_full Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
title_fullStr Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
title_full_unstemmed Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
title_sort Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany
author Mikos, Lothar
author_facet Mikos, Lothar
author_role author
dc.contributor.author.fl_str_mv Mikos, Lothar
dc.subject.por.fl_str_mv audiences; binge watching; convergence; digitalization; television, television culture; television series; video-on-demand
topic audiences; binge watching; convergence; digitalization; television, television culture; television series; video-on-demand
description The advancing digitalization and media convergence demands TV broadcasting companies to adjust their content to various platforms and distribution channels. The internet, as convergent carrier medium, is increasingly taking on a central role for additional media. Classical linear TV is still important, but for some audiences it has been developing from a primary medium to a secondary medium. Owing to the growing melding of classical-linear TV contents with online offerings (e.g. video-on-demand platforms or Web–TV), a great dynamic can be seen which has triggered numerous discussions about the future of TV for some time now. This article will summarize the results of two different audience studies. Film and television shows are meanwhile distributed online via Video-on-Demand platforms such as Netflix or Amazon Prime Video. The first audience study has dealt with the use of VoD-platforms in Germany investigating user rituals, user motivation to watch films and TV shows on these platforms, and the meaning of VoD in everyday life. Most of the participants in this study reported that they mainly watch TV drama series at Netflix or Amazon Prime. Therefore, the second audience study focused the online use of television drama series of individuals and couples elaborating the phenomenon of binge watching. In relating the audience practice to the new structures of the television market the article will shed light on the future of television.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-14
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url https://doi.org/10.17645/mac.v4i3.542
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dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://www.cogitatiopress.com/mediaandcommunication/article/view/542
https://doi.org/10.17645/mac.v4i3.542
https://www.cogitatiopress.com/mediaandcommunication/article/view/542/542
dc.rights.driver.fl_str_mv Copyright (c) 2016 Lothar Mikos
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info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Lothar Mikos
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dc.publisher.none.fl_str_mv Cogitatio
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dc.source.none.fl_str_mv Media and Communication; Vol 4, No 3 (2016): (Not Yet) the End of Television; 154-161
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