Direzioni Coraggiose - Brave Paths

Detalhes bibliográficos
Autor(a) principal: Casella, Costantino
Data de Publicação: 2018
Outros Autores: Schiavottiello, Nicola
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v4i1.134
Resumo: In order to renew the subversive gesture of the first writers (such as Zephyr, Lee, Taki 109,  Dondi )  it is crucial to develop the one’s practice within a constructive discourse of the common (Pani et al., 2008). Sometimes it becomes essential to intervene, to redevelop and to implement decorating paths in places where the old modules have evidently failed. Since street art has been legally recognized, the artist-spectator relationship has become more intimate; direct, free from filters and rules imposed by society and the dominant cultures (Galal, 2009), also this can represented a great change.
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spelling Direzioni Coraggiose - Brave PathsIn order to renew the subversive gesture of the first writers (such as Zephyr, Lee, Taki 109,  Dondi )  it is crucial to develop the one’s practice within a constructive discourse of the common (Pani et al., 2008). Sometimes it becomes essential to intervene, to redevelop and to implement decorating paths in places where the old modules have evidently failed. Since street art has been legally recognized, the artist-spectator relationship has become more intimate; direct, free from filters and rules imposed by society and the dominant cultures (Galal, 2009), also this can represented a great change.AP22018-12-09info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.25765/sauc.v4i1.134https://doi.org/10.25765/sauc.v4i1.134SAUC - Street Art and Urban Creativity; Vol 4 No 1 (2018): Changing times: Tactics; 137 - 1412183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/134https://journals.ap2.pt/index.php/sauc/article/view/134/91Casella, CostantinoSchiavottiello, Nicolainfo:eu-repo/semantics/openAccess2024-01-26T14:15:34Zoai:journals.ap2.pt:article/134Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:49.258734Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Direzioni Coraggiose - Brave Paths
title Direzioni Coraggiose - Brave Paths
spellingShingle Direzioni Coraggiose - Brave Paths
Casella, Costantino
title_short Direzioni Coraggiose - Brave Paths
title_full Direzioni Coraggiose - Brave Paths
title_fullStr Direzioni Coraggiose - Brave Paths
title_full_unstemmed Direzioni Coraggiose - Brave Paths
title_sort Direzioni Coraggiose - Brave Paths
author Casella, Costantino
author_facet Casella, Costantino
Schiavottiello, Nicola
author_role author
author2 Schiavottiello, Nicola
author2_role author
dc.contributor.author.fl_str_mv Casella, Costantino
Schiavottiello, Nicola
description In order to renew the subversive gesture of the first writers (such as Zephyr, Lee, Taki 109,  Dondi )  it is crucial to develop the one’s practice within a constructive discourse of the common (Pani et al., 2008). Sometimes it becomes essential to intervene, to redevelop and to implement decorating paths in places where the old modules have evidently failed. Since street art has been legally recognized, the artist-spectator relationship has become more intimate; direct, free from filters and rules imposed by society and the dominant cultures (Galal, 2009), also this can represented a great change.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-09
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url https://doi.org/10.25765/sauc.v4i1.134
dc.language.iso.fl_str_mv eng
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dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 4 No 1 (2018): Changing times: Tactics; 137 - 141
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