Minimalism in the context of Portuguese architecture
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10071/22824 |
Resumo: | The study carried out within this presentation focuses on minimalist Portuguese architecture. The concept of minimal art, comprehensive movement to the different artistic areas, emerged in the twentieth century, more specifically from 1960s. This artistic movement, characterised by the absence of ornaments and focused on the essence of the form, its purity and its simplicity, became to be called minimalism in the late 1960s. The intention to renounce ornamentation and begin to admire the simplicity of the form, manifested itself long before the appearance of the minimalist architecture, namely from the 1920s having as major drivers Adolf Loos, Le Corbusier and Mies van der Rohe. It was only in the early 1970s that the appearance of minimalist architecture was officially considered. This architectural style results from the application of the minimal art principles in the conceptual thinking of spaces. It can be considered that second half of the twentieth century was considerably marked by the presence of minimalist architecture, and it remains to this day. In this way, the main theme of this presentation has as primary purpose to analyse the impact that the minimalist architecture has had and has in the national context, trying to determine if can be considered that exists a Portuguese minimalist architecture. For this, a framework will be made based on the contextualization and historical evolution of the concept of minimalism, followed by a brief study of twentieth century architecture, relating them to the Portuguese architecture of that same century. After the awareness of the minimalist context and its relationship with Portuguese architecture will be made, based on its characteristics, a study of several cases in which minimalism is present in the works of Portuguese architects. |
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Minimalism in the context of Portuguese architectureMinimalismMinimalist architectureMinimalist portuguese architecture20th century architectureMinimalist architectsThe study carried out within this presentation focuses on minimalist Portuguese architecture. The concept of minimal art, comprehensive movement to the different artistic areas, emerged in the twentieth century, more specifically from 1960s. This artistic movement, characterised by the absence of ornaments and focused on the essence of the form, its purity and its simplicity, became to be called minimalism in the late 1960s. The intention to renounce ornamentation and begin to admire the simplicity of the form, manifested itself long before the appearance of the minimalist architecture, namely from the 1920s having as major drivers Adolf Loos, Le Corbusier and Mies van der Rohe. It was only in the early 1970s that the appearance of minimalist architecture was officially considered. This architectural style results from the application of the minimal art principles in the conceptual thinking of spaces. It can be considered that second half of the twentieth century was considerably marked by the presence of minimalist architecture, and it remains to this day. In this way, the main theme of this presentation has as primary purpose to analyse the impact that the minimalist architecture has had and has in the national context, trying to determine if can be considered that exists a Portuguese minimalist architecture. For this, a framework will be made based on the contextualization and historical evolution of the concept of minimalism, followed by a brief study of twentieth century architecture, relating them to the Portuguese architecture of that same century. After the awareness of the minimalist context and its relationship with Portuguese architecture will be made, based on its characteristics, a study of several cases in which minimalism is present in the works of Portuguese architects.CIES-IUL2021-06-29T09:25:10Z2018-01-01T00:00:00Z20182021-06-29T10:22:44Zconference objectinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10071/22824por978-972-8048-34-1Silva, T. M.Vale, C. M.info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-07-07T03:05:13Zoai:repositorio.iscte-iul.pt:10071/22824Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-07-07T03:05:13Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Minimalism in the context of Portuguese architecture |
title |
Minimalism in the context of Portuguese architecture |
spellingShingle |
Minimalism in the context of Portuguese architecture Silva, T. M. Minimalism Minimalist architecture Minimalist portuguese architecture 20th century architecture Minimalist architects |
title_short |
Minimalism in the context of Portuguese architecture |
title_full |
Minimalism in the context of Portuguese architecture |
title_fullStr |
Minimalism in the context of Portuguese architecture |
title_full_unstemmed |
Minimalism in the context of Portuguese architecture |
title_sort |
Minimalism in the context of Portuguese architecture |
author |
Silva, T. M. |
author_facet |
Silva, T. M. Vale, C. M. |
author_role |
author |
author2 |
Vale, C. M. |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, T. M. Vale, C. M. |
dc.subject.por.fl_str_mv |
Minimalism Minimalist architecture Minimalist portuguese architecture 20th century architecture Minimalist architects |
topic |
Minimalism Minimalist architecture Minimalist portuguese architecture 20th century architecture Minimalist architects |
description |
The study carried out within this presentation focuses on minimalist Portuguese architecture. The concept of minimal art, comprehensive movement to the different artistic areas, emerged in the twentieth century, more specifically from 1960s. This artistic movement, characterised by the absence of ornaments and focused on the essence of the form, its purity and its simplicity, became to be called minimalism in the late 1960s. The intention to renounce ornamentation and begin to admire the simplicity of the form, manifested itself long before the appearance of the minimalist architecture, namely from the 1920s having as major drivers Adolf Loos, Le Corbusier and Mies van der Rohe. It was only in the early 1970s that the appearance of minimalist architecture was officially considered. This architectural style results from the application of the minimal art principles in the conceptual thinking of spaces. It can be considered that second half of the twentieth century was considerably marked by the presence of minimalist architecture, and it remains to this day. In this way, the main theme of this presentation has as primary purpose to analyse the impact that the minimalist architecture has had and has in the national context, trying to determine if can be considered that exists a Portuguese minimalist architecture. For this, a framework will be made based on the contextualization and historical evolution of the concept of minimalism, followed by a brief study of twentieth century architecture, relating them to the Portuguese architecture of that same century. After the awareness of the minimalist context and its relationship with Portuguese architecture will be made, based on its characteristics, a study of several cases in which minimalism is present in the works of Portuguese architects. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-01-01T00:00:00Z 2018 2021-06-29T09:25:10Z 2021-06-29T10:22:44Z |
dc.type.driver.fl_str_mv |
conference object |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10071/22824 |
url |
http://hdl.handle.net/10071/22824 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
978-972-8048-34-1 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CIES-IUL |
publisher.none.fl_str_mv |
CIES-IUL |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
mluisa.alvim@gmail.com |
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1817546394915831808 |