Terra onde nunca estive : inconsciente e criação

Detalhes bibliográficos
Autor(a) principal: Carmo, Lúcia Orlanda Andrade do, 1993-
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/34825
Resumo: In this dissertation I took as a guiding principle the anti-objectuality to investigate the conceptual and plastic motivations of my artistic work. Earth where I have never been: Unconscious and creation is the starting point for an investigation of the Point as the absence / presence of language, as well as the immateriality of the sound that the point causes: silence. The space, real or fictional where the point materializes, through thought, the creation of a new (inner) world. I analyze the inexistence of logic, narrative, irritability, melancholy in the contemporary artistic context, aiming at its transdiciplinarity that goes not only through painting, but also through literature, installation, theater and even music; and its relevance, reflecting on the anxiety, disorganization, and creative awakening of these three events: unconscious, creation, and fiction. My plastic work is a reflection of these concerns and is the materialization of an imaginary / primary / ritualistic space, becoming real through my installation
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spelling Terra onde nunca estive : inconsciente e criaçãoPinturaPontoCriaçãoSagradoAnti-objectualidadePinturaIn this dissertation I took as a guiding principle the anti-objectuality to investigate the conceptual and plastic motivations of my artistic work. Earth where I have never been: Unconscious and creation is the starting point for an investigation of the Point as the absence / presence of language, as well as the immateriality of the sound that the point causes: silence. The space, real or fictional where the point materializes, through thought, the creation of a new (inner) world. I analyze the inexistence of logic, narrative, irritability, melancholy in the contemporary artistic context, aiming at its transdiciplinarity that goes not only through painting, but also through literature, installation, theater and even music; and its relevance, reflecting on the anxiety, disorganization, and creative awakening of these three events: unconscious, creation, and fiction. My plastic work is a reflection of these concerns and is the materialization of an imaginary / primary / ritualistic space, becoming real through my installationVidal, Carlos, 1964-Repositório da Universidade de LisboaCarmo, Lúcia Orlanda Andrade do, 1993-2018-09-20T11:23:19Z2018-07-072018-09-202018-07-07T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/34825TID:201950774porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:30:23Zoai:repositorio.ul.pt:10451/34825Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:49:27.324726Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Terra onde nunca estive : inconsciente e criação
title Terra onde nunca estive : inconsciente e criação
spellingShingle Terra onde nunca estive : inconsciente e criação
Carmo, Lúcia Orlanda Andrade do, 1993-
Pintura
Ponto
Criação
Sagrado
Anti-objectualidade
Pintura
title_short Terra onde nunca estive : inconsciente e criação
title_full Terra onde nunca estive : inconsciente e criação
title_fullStr Terra onde nunca estive : inconsciente e criação
title_full_unstemmed Terra onde nunca estive : inconsciente e criação
title_sort Terra onde nunca estive : inconsciente e criação
author Carmo, Lúcia Orlanda Andrade do, 1993-
author_facet Carmo, Lúcia Orlanda Andrade do, 1993-
author_role author
dc.contributor.none.fl_str_mv Vidal, Carlos, 1964-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Carmo, Lúcia Orlanda Andrade do, 1993-
dc.subject.por.fl_str_mv Pintura
Ponto
Criação
Sagrado
Anti-objectualidade
Pintura
topic Pintura
Ponto
Criação
Sagrado
Anti-objectualidade
Pintura
description In this dissertation I took as a guiding principle the anti-objectuality to investigate the conceptual and plastic motivations of my artistic work. Earth where I have never been: Unconscious and creation is the starting point for an investigation of the Point as the absence / presence of language, as well as the immateriality of the sound that the point causes: silence. The space, real or fictional where the point materializes, through thought, the creation of a new (inner) world. I analyze the inexistence of logic, narrative, irritability, melancholy in the contemporary artistic context, aiming at its transdiciplinarity that goes not only through painting, but also through literature, installation, theater and even music; and its relevance, reflecting on the anxiety, disorganization, and creative awakening of these three events: unconscious, creation, and fiction. My plastic work is a reflection of these concerns and is the materialization of an imaginary / primary / ritualistic space, becoming real through my installation
publishDate 2018
dc.date.none.fl_str_mv 2018-09-20T11:23:19Z
2018-07-07
2018-09-20
2018-07-07T00:00:00Z
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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