The visual and social indeterminacy of pixação:

Detalhes bibliográficos
Autor(a) principal: Juarez, Benjamin
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v2i1.41
Resumo: The visual perceptions of most citizens on pixação have changed in recent years. I tackle the ways in which these inscriptions, São Paulo’s (SP) signature, have remained both omnipresent and unreadable by the majority. The law has attacked unplanned interventions ignoring differences among several styles of expression. 2008 marks a starting point in the process of a germinating definition of pixação (also pixo) with visibility for its social protagonists, and with its corresponding corporeal negotiations –with a high point in Berlin’s Biennial 2012. The above permits an analysis of potentialities: social, material, visual and conceptual. The general social lack of understanding that surrounds pixação allows for an exploration at both the expressive and impressive levels. These considerations aim to ponder these interventions as the search of these still massively unheard citizens to express their legitimate traces.
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spelling The visual and social indeterminacy of pixação:The visual perceptions of most citizens on pixação have changed in recent years. I tackle the ways in which these inscriptions, São Paulo’s (SP) signature, have remained both omnipresent and unreadable by the majority. The law has attacked unplanned interventions ignoring differences among several styles of expression. 2008 marks a starting point in the process of a germinating definition of pixação (also pixo) with visibility for its social protagonists, and with its corresponding corporeal negotiations –with a high point in Berlin’s Biennial 2012. The above permits an analysis of potentialities: social, material, visual and conceptual. The general social lack of understanding that surrounds pixação allows for an exploration at both the expressive and impressive levels. These considerations aim to ponder these interventions as the search of these still massively unheard citizens to express their legitimate traces.AP22016-11-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v2i1.41https://doi.org/10.25765/sauc.v2i1.41SAUC - Street Art and Urban Creativity; Vol 2 No 1 (2016): Center Periphery: Practice; 43 - 532183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/41https://journals.ap2.pt/index.php/sauc/article/view/41/32Juarez, Benjamininfo:eu-repo/semantics/openAccess2024-01-26T14:15:31Zoai:journals.ap2.pt:article/41Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:46.842883Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The visual and social indeterminacy of pixação:
title The visual and social indeterminacy of pixação:
spellingShingle The visual and social indeterminacy of pixação:
Juarez, Benjamin
title_short The visual and social indeterminacy of pixação:
title_full The visual and social indeterminacy of pixação:
title_fullStr The visual and social indeterminacy of pixação:
title_full_unstemmed The visual and social indeterminacy of pixação:
title_sort The visual and social indeterminacy of pixação:
author Juarez, Benjamin
author_facet Juarez, Benjamin
author_role author
dc.contributor.author.fl_str_mv Juarez, Benjamin
description The visual perceptions of most citizens on pixação have changed in recent years. I tackle the ways in which these inscriptions, São Paulo’s (SP) signature, have remained both omnipresent and unreadable by the majority. The law has attacked unplanned interventions ignoring differences among several styles of expression. 2008 marks a starting point in the process of a germinating definition of pixação (also pixo) with visibility for its social protagonists, and with its corresponding corporeal negotiations –with a high point in Berlin’s Biennial 2012. The above permits an analysis of potentialities: social, material, visual and conceptual. The general social lack of understanding that surrounds pixação allows for an exploration at both the expressive and impressive levels. These considerations aim to ponder these interventions as the search of these still massively unheard citizens to express their legitimate traces.
publishDate 2016
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