Arquitectura e Imagen. Tensiones entre espacio y fotografia

Detalhes bibliográficos
Autor(a) principal: María Rial Martínez de Alegría
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/131757
Resumo: Establishing the foundations of aesthetics through different philosophical trends, it is possible to analyse the basis of the judgements that are expressed around architecture. The historical perspective allows us to study this analytical behaviour of knowledge and to conclude a series of components that explain the appearance of the urban landscape according to the time and place. On the other hand, the consumer society, guided by the impositions of an industry in continuous evolution, lives in a constant yearning conditioned by the disturbing speed with which products are developed. In this way, they try to touch the customer's sensibility so he does not stop pursuing his new expectations. Since the appearance of photography and its subsequent digitalisation, in the field of architecture it has conditioned the way in which a set of spaces created for the human being are looked at, felt and understood. Moreover, its nature has been altered, to a great extent, by this phenomenon which allows us to reach a wider sample of the population from the two-dimensional. Thus, the infinite access to images provokes the mass diffusion of the projects, making each one create his own image from all of them. In this way, when the individual turns to specialised media, he models his mental image based on the perspective and filter of a photographer who decides and selects what he thinks should be highlighted. For this reason, we analyse the different approaches that have managed to expose the work from a specific perspective, in accordance with the image of the architect that is constructed. In social media and digital publications, a photographic line known as commercial is usually followed, where the importance of the space, its functioning or appropriation is often relegated to a secondary place. The immediacy of the digital revolution does not let make deep analysis beyond the superficial appearance. As a result, the consumer society promotes architectural icons that are visually attractive, with less attention paid to enhancing life within them. Therefore, through the analysis of the current context, where photography is one more component of the architectural project, we try to conclude the influence of photography in the design and thought of new works more focused on the visual than the spatial component, because its knowledge and diffusion is produced through the result of the image selected for it.
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spelling Arquitectura e Imagen. Tensiones entre espacio y fotografiaArtesArtsEstablishing the foundations of aesthetics through different philosophical trends, it is possible to analyse the basis of the judgements that are expressed around architecture. The historical perspective allows us to study this analytical behaviour of knowledge and to conclude a series of components that explain the appearance of the urban landscape according to the time and place. On the other hand, the consumer society, guided by the impositions of an industry in continuous evolution, lives in a constant yearning conditioned by the disturbing speed with which products are developed. In this way, they try to touch the customer's sensibility so he does not stop pursuing his new expectations. Since the appearance of photography and its subsequent digitalisation, in the field of architecture it has conditioned the way in which a set of spaces created for the human being are looked at, felt and understood. Moreover, its nature has been altered, to a great extent, by this phenomenon which allows us to reach a wider sample of the population from the two-dimensional. Thus, the infinite access to images provokes the mass diffusion of the projects, making each one create his own image from all of them. In this way, when the individual turns to specialised media, he models his mental image based on the perspective and filter of a photographer who decides and selects what he thinks should be highlighted. For this reason, we analyse the different approaches that have managed to expose the work from a specific perspective, in accordance with the image of the architect that is constructed. In social media and digital publications, a photographic line known as commercial is usually followed, where the importance of the space, its functioning or appropriation is often relegated to a secondary place. The immediacy of the digital revolution does not let make deep analysis beyond the superficial appearance. As a result, the consumer society promotes architectural icons that are visually attractive, with less attention paid to enhancing life within them. Therefore, through the analysis of the current context, where photography is one more component of the architectural project, we try to conclude the influence of photography in the design and thought of new works more focused on the visual than the spatial component, because its knowledge and diffusion is produced through the result of the image selected for it.2020-12-142020-12-14T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/131757TID:202631699porMaría Rial Martínez de Alegríainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:38:32Zoai:repositorio-aberto.up.pt:10216/131757Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:05:48.508382Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Arquitectura e Imagen. Tensiones entre espacio y fotografia
title Arquitectura e Imagen. Tensiones entre espacio y fotografia
spellingShingle Arquitectura e Imagen. Tensiones entre espacio y fotografia
María Rial Martínez de Alegría
Artes
Arts
title_short Arquitectura e Imagen. Tensiones entre espacio y fotografia
title_full Arquitectura e Imagen. Tensiones entre espacio y fotografia
title_fullStr Arquitectura e Imagen. Tensiones entre espacio y fotografia
title_full_unstemmed Arquitectura e Imagen. Tensiones entre espacio y fotografia
title_sort Arquitectura e Imagen. Tensiones entre espacio y fotografia
author María Rial Martínez de Alegría
author_facet María Rial Martínez de Alegría
author_role author
dc.contributor.author.fl_str_mv María Rial Martínez de Alegría
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description Establishing the foundations of aesthetics through different philosophical trends, it is possible to analyse the basis of the judgements that are expressed around architecture. The historical perspective allows us to study this analytical behaviour of knowledge and to conclude a series of components that explain the appearance of the urban landscape according to the time and place. On the other hand, the consumer society, guided by the impositions of an industry in continuous evolution, lives in a constant yearning conditioned by the disturbing speed with which products are developed. In this way, they try to touch the customer's sensibility so he does not stop pursuing his new expectations. Since the appearance of photography and its subsequent digitalisation, in the field of architecture it has conditioned the way in which a set of spaces created for the human being are looked at, felt and understood. Moreover, its nature has been altered, to a great extent, by this phenomenon which allows us to reach a wider sample of the population from the two-dimensional. Thus, the infinite access to images provokes the mass diffusion of the projects, making each one create his own image from all of them. In this way, when the individual turns to specialised media, he models his mental image based on the perspective and filter of a photographer who decides and selects what he thinks should be highlighted. For this reason, we analyse the different approaches that have managed to expose the work from a specific perspective, in accordance with the image of the architect that is constructed. In social media and digital publications, a photographic line known as commercial is usually followed, where the importance of the space, its functioning or appropriation is often relegated to a secondary place. The immediacy of the digital revolution does not let make deep analysis beyond the superficial appearance. As a result, the consumer society promotes architectural icons that are visually attractive, with less attention paid to enhancing life within them. Therefore, through the analysis of the current context, where photography is one more component of the architectural project, we try to conclude the influence of photography in the design and thought of new works more focused on the visual than the spatial component, because its knowledge and diffusion is produced through the result of the image selected for it.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-14
2020-12-14T00:00:00Z
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