ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/id.v12i2.17487 |
Resumo: | According to Corredor Romero (2010), there is a tendency to think that, while learning a foreign language, students are more interested in speaking and understanding what people say than actually in writing. Apparently this is because it is more useful in everyday life. This belief made teachers respond to students’ urge and the idea that speaking was more important than writing came along with it. We decided to introduce some changes to the writing approach in Portuguese Foreign Language in order to fight this tendency. Therefore, we chose to privilege an aesthetic and playful perspective in language use. Our aim was to turn the classroom into a place that could overcome lethargic communication and could also pump out ideas that would benefit the development of both general and particular communicative language competences (Iglesias Casal, 2011). Art was chosen as a bridge for writing and this gave rise to ESCRIVARTE project. New didactic activities, adapted to the specific teaching and learning context of each participant institution, were proposed. The paintings of the Portuguese artist Rui Carruço boosted creative written productions. The relationship established between painting and writing stimulated ideas and emotions that contributed to increase motivation, and the use and acquisition of essential learning strategies for written competence. In this article, we intend to present and describe the project, as well as to share strategies, results, and inherent difficulties in the creative writing process, individual or collaborative writing, implemented in the project framework. |
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ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign LanguageESCRIVARTE - Da pintura à escrita: caminhos cruzados entre artes. Uma experiência de escrita criativa em Português Língua EstrangeiraAccording to Corredor Romero (2010), there is a tendency to think that, while learning a foreign language, students are more interested in speaking and understanding what people say than actually in writing. Apparently this is because it is more useful in everyday life. This belief made teachers respond to students’ urge and the idea that speaking was more important than writing came along with it. We decided to introduce some changes to the writing approach in Portuguese Foreign Language in order to fight this tendency. Therefore, we chose to privilege an aesthetic and playful perspective in language use. Our aim was to turn the classroom into a place that could overcome lethargic communication and could also pump out ideas that would benefit the development of both general and particular communicative language competences (Iglesias Casal, 2011). Art was chosen as a bridge for writing and this gave rise to ESCRIVARTE project. New didactic activities, adapted to the specific teaching and learning context of each participant institution, were proposed. The paintings of the Portuguese artist Rui Carruço boosted creative written productions. The relationship established between painting and writing stimulated ideas and emotions that contributed to increase motivation, and the use and acquisition of essential learning strategies for written competence. In this article, we intend to present and describe the project, as well as to share strategies, results, and inherent difficulties in the creative writing process, individual or collaborative writing, implemented in the project framework.Según Corredor Romero (2010), existe una tendencia a pensar que, al aprender un idioma extranjero, los alumnos están más interesados en hablar y comprender lo que se dice, que en escribir, puesto que aparentemente eso les es más útil en su día a día. Esta creencia ha propiciado que algunos docentes, en un intento de dar respuesta a las necesidades de sus estudiantes, hayan dado lugar al mito de que hablar es más importante que escribir. Para contrariar esta tendencia, decidimos introducir algunos cambios en el enfoque de la expresión escrita en Portugués Lengua Extranjera, privilegiando una perspectiva estética y lúdica en el uso del lenguaje. Con el objetivo de convertir el aula en un lugar transgresor de las inercias expresivas y generador de ideas que beneficiaran el desarrollo de la competencia existencial, así como de las diferentes competencias comunicativas (Iglesias Casal, 2011), elegimos el arte como elemento de conexión con la escritura, dando lugar al proyecto ESCRIVARTE. Se crearon distintas propuestas de actividades didácticas, adaptadas al contexto específico de enseñanza-aprendizaje de cada institución participante, para potenciar la producción textual a partir de los cuadros del pintor portugués Rui Carruço. La relación establecida entre la pintura y la escritura estimuló ideas y emociones que contribuyeron a aumentar la motivación de los alumnos y el uso y adquisición de estrategias de aprendizaje esenciales para la competencia escrita. En este artículo, pretendemos presentar y describir el proyecto, además de compartir estrategias, resultados y dificultades inherentes a los procesos de escritura creativa, individual o colaborativa, implementados en el marco del proyecto.De acordo com Corredor Romero (2010), existe uma tendência para pensar que, na aprendizagem de uma língua estrangeira, os alunos se interessam mais por falar e por entender o que se diz oralmente do que por escrever, dado que isso lhes é, supostamente, mais útil no seu dia a dia. Esta crença tem levado alguns docentes a quererem dar resposta a este desejo dos alunos, dando origem ao mito de que falar é mais importante do que escrever. Procurando contrariar esta tendência, decidimos introduzir algumas alterações na forma de abordar a escrita em Português Língua Estrangeira, optando por uma perspetiva na qual os usos lúdicos e estéticos da língua fossem privilegiados. Tendo como objetivo converter a sala de aula num espaço destinado à transgressão de inércias expressivas e de geração de ideias que favorecessem o desenvolvimento conjugado da competência existencial e das diferentes competências comunicativas (Iglesias Casal, 2011), escolhemos a arte como ponte para a escrita, dando origem ao projeto ESCRIVARTE. Nele, fomos criando diferentes propostas didáticas, adaptadas ao contexto específico de ensino-aprendizagem de cada uma das instituições participantes, para potenciar a produção de textos criativos partindo dos quadros do pintor português Rui Carruço. Estabelecendo esta relação com a pintura, suscitámos nos alunos ideias e emoções que contribuíram para aumentar a motivação, o uso e a aquisição de estratégias de aprendizagem essenciais para a competência escrita. Com este artigo, pretendemos descrever e apresentar o projeto, bem como partilhar estratégias, resultados e dificuldades inerentes aos processos de escrita criativa, individual e colaborativa, implementados neste âmbito.Centro de Investigação Didática e Tecnologia na Formação de Formadores (CIDTFF) / Universidade de Aveiro2020-06-09info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/id.v12i2.17487https://doi.org/10.34624/id.v12i2.17487Indagatio Didactica; Vol 12 No 2 (2020); 239-258Indagatio Didactica; Vol. 12 Núm. 2 (2020); 239-258Indagatio Didactica; Vol. 12 No 2 (2020); 239-258Indagatio Didactica; vol. 12 n.º 2 (2020); 239-2581647-3582reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/id/article/view/17487https://proa.ua.pt/index.php/id/article/view/17487/12483Isidoro, Paula Cristina Pessanhade Matos, Ana Catarina CoimbraCarvalho, Ângelainfo:eu-repo/semantics/openAccess2023-09-22T10:18:41Zoai:proa.ua.pt:article/17487Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:30:25.187616Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language ESCRIVARTE - Da pintura à escrita: caminhos cruzados entre artes. Uma experiência de escrita criativa em Português Língua Estrangeira |
title |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language |
spellingShingle |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language Isidoro, Paula Cristina Pessanha |
title_short |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language |
title_full |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language |
title_fullStr |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language |
title_full_unstemmed |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language |
title_sort |
ESCRIVARTE – From painting to writing: intertwined paths between arts. A creative writing experience in Portuguese Foreign Language |
author |
Isidoro, Paula Cristina Pessanha |
author_facet |
Isidoro, Paula Cristina Pessanha de Matos, Ana Catarina Coimbra Carvalho, Ângela |
author_role |
author |
author2 |
de Matos, Ana Catarina Coimbra Carvalho, Ângela |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Isidoro, Paula Cristina Pessanha de Matos, Ana Catarina Coimbra Carvalho, Ângela |
description |
According to Corredor Romero (2010), there is a tendency to think that, while learning a foreign language, students are more interested in speaking and understanding what people say than actually in writing. Apparently this is because it is more useful in everyday life. This belief made teachers respond to students’ urge and the idea that speaking was more important than writing came along with it. We decided to introduce some changes to the writing approach in Portuguese Foreign Language in order to fight this tendency. Therefore, we chose to privilege an aesthetic and playful perspective in language use. Our aim was to turn the classroom into a place that could overcome lethargic communication and could also pump out ideas that would benefit the development of both general and particular communicative language competences (Iglesias Casal, 2011). Art was chosen as a bridge for writing and this gave rise to ESCRIVARTE project. New didactic activities, adapted to the specific teaching and learning context of each participant institution, were proposed. The paintings of the Portuguese artist Rui Carruço boosted creative written productions. The relationship established between painting and writing stimulated ideas and emotions that contributed to increase motivation, and the use and acquisition of essential learning strategies for written competence. In this article, we intend to present and describe the project, as well as to share strategies, results, and inherent difficulties in the creative writing process, individual or collaborative writing, implemented in the project framework. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-09 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
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https://doi.org/10.34624/id.v12i2.17487 https://doi.org/10.34624/id.v12i2.17487 |
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https://doi.org/10.34624/id.v12i2.17487 |
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por |
language |
por |
dc.relation.none.fl_str_mv |
https://proa.ua.pt/index.php/id/article/view/17487 https://proa.ua.pt/index.php/id/article/view/17487/12483 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Centro de Investigação Didática e Tecnologia na Formação de Formadores (CIDTFF) / Universidade de Aveiro |
publisher.none.fl_str_mv |
Centro de Investigação Didática e Tecnologia na Formação de Formadores (CIDTFF) / Universidade de Aveiro |
dc.source.none.fl_str_mv |
Indagatio Didactica; Vol 12 No 2 (2020); 239-258 Indagatio Didactica; Vol. 12 Núm. 2 (2020); 239-258 Indagatio Didactica; Vol. 12 No 2 (2020); 239-258 Indagatio Didactica; vol. 12 n.º 2 (2020); 239-258 1647-3582 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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