Some Visual Thoughts About Perception in 'Rebecca'

Detalhes bibliográficos
Autor(a) principal: Lisboa, Ricardo Vieira
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2020.9410
Resumo: Alfred Hitchcock's Rebecca is part of the series of 1940s gothic films. In this essay, one of the most common tropes of this subgenre of the psychological thriller is identified and analysed: perceptual ambiguity. Based on this element, I justify the formal choices of an (audio)visual essay - "Some Visual Thought about Perception in Rebecca" - made with images and sound from that film, which explores the gothic dimensions of the video-essayistic practice itself: research, contradiction, quotation and evocation.
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spelling Some Visual Thoughts About Perception in 'Rebecca'Alfred Hitchcock's Rebecca is part of the series of 1940s gothic films. In this essay, one of the most common tropes of this subgenre of the psychological thriller is identified and analysed: perceptual ambiguity. Based on this element, I justify the formal choices of an (audio)visual essay - "Some Visual Thought about Perception in Rebecca" - made with images and sound from that film, which explores the gothic dimensions of the video-essayistic practice itself: research, contradiction, quotation and evocation.Universidade Católica Portuguesa2020-07-24T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlevideo/quicktimeapplication/pdftext/htmlhttps://doi.org/10.34632/jsta.2020.9410oai:ojs.revistas.ucp.pt:article/9410Journal of Science and Technology of the Arts; Vol 12 No 2 (2020): On Cinema; 124-137Journal of Science and Technology of the Arts; v. 12 n. 2 (2020): On Cinema; 124-1372183-00881646-979810.34632/jsta.2020.12.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9410https://doi.org/10.34632/jsta.2020.9410https://revistas.ucp.pt/index.php/jsta/article/view/9410/9262https://revistas.ucp.pt/index.php/jsta/article/view/9410/9263https://revistas.ucp.pt/index.php/jsta/article/view/9410/9284Copyright (c) 2020 Ricardo Vieira Lisboahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLisboa, Ricardo Vieira2022-09-22T16:19:27Zoai:ojs.revistas.ucp.pt:article/9410Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:06.188010Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Some Visual Thoughts About Perception in 'Rebecca'
title Some Visual Thoughts About Perception in 'Rebecca'
spellingShingle Some Visual Thoughts About Perception in 'Rebecca'
Lisboa, Ricardo Vieira
title_short Some Visual Thoughts About Perception in 'Rebecca'
title_full Some Visual Thoughts About Perception in 'Rebecca'
title_fullStr Some Visual Thoughts About Perception in 'Rebecca'
title_full_unstemmed Some Visual Thoughts About Perception in 'Rebecca'
title_sort Some Visual Thoughts About Perception in 'Rebecca'
author Lisboa, Ricardo Vieira
author_facet Lisboa, Ricardo Vieira
author_role author
dc.contributor.author.fl_str_mv Lisboa, Ricardo Vieira
description Alfred Hitchcock's Rebecca is part of the series of 1940s gothic films. In this essay, one of the most common tropes of this subgenre of the psychological thriller is identified and analysed: perceptual ambiguity. Based on this element, I justify the formal choices of an (audio)visual essay - "Some Visual Thought about Perception in Rebecca" - made with images and sound from that film, which explores the gothic dimensions of the video-essayistic practice itself: research, contradiction, quotation and evocation.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-24T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2020.9410
oai:ojs.revistas.ucp.pt:article/9410
url https://doi.org/10.34632/jsta.2020.9410
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9410
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9410
https://doi.org/10.34632/jsta.2020.9410
https://revistas.ucp.pt/index.php/jsta/article/view/9410/9262
https://revistas.ucp.pt/index.php/jsta/article/view/9410/9263
https://revistas.ucp.pt/index.php/jsta/article/view/9410/9284
dc.rights.driver.fl_str_mv Copyright (c) 2020 Ricardo Vieira Lisboa
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Ricardo Vieira Lisboa
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv video/quicktime
application/pdf
text/html
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 12 No 2 (2020): On Cinema; 124-137
Journal of Science and Technology of the Arts; v. 12 n. 2 (2020): On Cinema; 124-137
2183-0088
1646-9798
10.34632/jsta.2020.12.2
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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