Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection

Detalhes bibliográficos
Autor(a) principal: Faria, Pedro Miguel
Data de Publicação: 2020
Outros Autores: Cardoso, Sandra, Morais, Roberto, Moreira, Pedro Miguel, Moura, Anabela, Marques, Gonçalo Maia, Silva, Alexandre, Almeida, Carlos, Araújo, Isabel
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/jdmi.v3i7.16698
Resumo: New media, such as projections using the video mapping technique, are increasingly used in public spectacles, attracting many viewers. However, most video mapping spectacles are highly focused on special effects and visual appeal, rarely focusing on the visual narrative with the aim of communicating and diffusing historical knowledge. Interested in the unexplored potential of using this technique, the project was established for the development of an audiovisual production for a video mapping projection that took place in May 2019, as part of the NMSPCAM project. The current article reveals the research and consequent method for storytelling and communicating cultural heritage, in the real context of the project. Starting by analyzing cases of relevant audiovisual productions and immersive exhibitions, the video mapping technique is studied on its ability to convey facts and information, exploring its potential to discover and enhance culture to a wider audience. The present article investigates the narrative facet of the production using the results of the NMSPCAM project’s audiovisual production as example. The visual narrative, as a central topic, is explored on the different facets of production, from the medium, to the character design, historical elements and sound design.
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spelling Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping ProjectionNew media, such as projections using the video mapping technique, are increasingly used in public spectacles, attracting many viewers. However, most video mapping spectacles are highly focused on special effects and visual appeal, rarely focusing on the visual narrative with the aim of communicating and diffusing historical knowledge. Interested in the unexplored potential of using this technique, the project was established for the development of an audiovisual production for a video mapping projection that took place in May 2019, as part of the NMSPCAM project. The current article reveals the research and consequent method for storytelling and communicating cultural heritage, in the real context of the project. Starting by analyzing cases of relevant audiovisual productions and immersive exhibitions, the video mapping technique is studied on its ability to convey facts and information, exploring its potential to discover and enhance culture to a wider audience. The present article investigates the narrative facet of the production using the results of the NMSPCAM project’s audiovisual production as example. The visual narrative, as a central topic, is explored on the different facets of production, from the medium, to the character design, historical elements and sound design.DigiMedia | University of Aveiro2020-07-27T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34624/jdmi.v3i7.16698oai:proa.ua.pt:article/16698Journal of Digital Media & Interaction; Vol 3 No 7 (2020): Special Issue on Cultural Heritage and Digital Media; 124-144Journal of Digital Media & Interaction; vol. 3 n.º 7 (2020): Special Issue on Cultural Heritage and Digital Media; 124-1442184-3120reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://proa.ua.pt/index.php/jdmi/article/view/16698https://doi.org/10.34624/jdmi.v3i7.16698https://proa.ua.pt/index.php/jdmi/article/view/16698/14253Copyright (c) 2020 Pedro Miguel Fariahttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessFaria, Pedro MiguelCardoso, SandraMorais, RobertoMoreira, Pedro MiguelMoura, AnabelaMarques, Gonçalo MaiaSilva, AlexandreAlmeida, CarlosAraújo, Isabel2022-09-08T22:15:39Zoai:proa.ua.pt:article/16698Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:27:10.002451Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
title Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
spellingShingle Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
Faria, Pedro Miguel
title_short Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
title_full Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
title_fullStr Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
title_full_unstemmed Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
title_sort Enhancing Cultural Heritage of a Region Through Visual and Auditory Engagement in a Video Mapping Projection
author Faria, Pedro Miguel
author_facet Faria, Pedro Miguel
Cardoso, Sandra
Morais, Roberto
Moreira, Pedro Miguel
Moura, Anabela
Marques, Gonçalo Maia
Silva, Alexandre
Almeida, Carlos
Araújo, Isabel
author_role author
author2 Cardoso, Sandra
Morais, Roberto
Moreira, Pedro Miguel
Moura, Anabela
Marques, Gonçalo Maia
Silva, Alexandre
Almeida, Carlos
Araújo, Isabel
author2_role author
author
author
author
author
author
author
author
dc.contributor.author.fl_str_mv Faria, Pedro Miguel
Cardoso, Sandra
Morais, Roberto
Moreira, Pedro Miguel
Moura, Anabela
Marques, Gonçalo Maia
Silva, Alexandre
Almeida, Carlos
Araújo, Isabel
description New media, such as projections using the video mapping technique, are increasingly used in public spectacles, attracting many viewers. However, most video mapping spectacles are highly focused on special effects and visual appeal, rarely focusing on the visual narrative with the aim of communicating and diffusing historical knowledge. Interested in the unexplored potential of using this technique, the project was established for the development of an audiovisual production for a video mapping projection that took place in May 2019, as part of the NMSPCAM project. The current article reveals the research and consequent method for storytelling and communicating cultural heritage, in the real context of the project. Starting by analyzing cases of relevant audiovisual productions and immersive exhibitions, the video mapping technique is studied on its ability to convey facts and information, exploring its potential to discover and enhance culture to a wider audience. The present article investigates the narrative facet of the production using the results of the NMSPCAM project’s audiovisual production as example. The visual narrative, as a central topic, is explored on the different facets of production, from the medium, to the character design, historical elements and sound design.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-27T00:00:00Z
dc.type.driver.fl_str_mv journal article
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dc.identifier.uri.fl_str_mv https://doi.org/10.34624/jdmi.v3i7.16698
oai:proa.ua.pt:article/16698
url https://doi.org/10.34624/jdmi.v3i7.16698
identifier_str_mv oai:proa.ua.pt:article/16698
dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv https://proa.ua.pt/index.php/jdmi/article/view/16698
https://doi.org/10.34624/jdmi.v3i7.16698
https://proa.ua.pt/index.php/jdmi/article/view/16698/14253
dc.rights.driver.fl_str_mv Copyright (c) 2020 Pedro Miguel Faria
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Pedro Miguel Faria
http://creativecommons.org/licenses/by-nc-nd/4.0
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dc.publisher.none.fl_str_mv DigiMedia | University of Aveiro
publisher.none.fl_str_mv DigiMedia | University of Aveiro
dc.source.none.fl_str_mv Journal of Digital Media & Interaction; Vol 3 No 7 (2020): Special Issue on Cultural Heritage and Digital Media; 124-144
Journal of Digital Media & Interaction; vol. 3 n.º 7 (2020): Special Issue on Cultural Heritage and Digital Media; 124-144
2184-3120
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