Animated mythologies of tribal India: from tales of origination to multimedia technology

Detalhes bibliográficos
Autor(a) principal: Douglas, Tara Purnima
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10437/9319
Resumo: Indigenous cultures worldwide have long held distinctive beliefs that ascribed a living soul or anima to biological and non-biological entities including plants, particular inanimate objects and to natural phenomena. To the people who belonged to these traditional social groups, organic matter was vibrant, sentient and existed in dynamic relationship to Humankind. Anthropological studies seek to decode the nuances of tribal rituals and the traditional practices of ‘other’ cultures; however, the underpinning of objectivity is challenged by indigenous research, to question the underlying authority. For these societies, the merit is present in the interconnections and relationships. In India, liminal local perspectives have been largely excluded from mainstream media and this project investigates ethnographic film and animation as participatory media practice by indigenous storytellers in collaborations with the film-maker. The aim is to also present the contemporary experiences recounted by the participants as we revisit their timeless narratives. In the process this becomes a transformative experience that reconnects us with the social function of the artistic practices that have sustained traditional societies.
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spelling Animated mythologies of tribal India: from tales of origination to multimedia technologyAUDIOVISUALANIMAÇÃODOCUMENTÁRIOSETNOGRAFIATRIBOSNARRATIVAAUDIOVISUALANIMATIONDOCUMENTARIESETHNOGRAPHYTRIBESNARRATIVEIndigenous cultures worldwide have long held distinctive beliefs that ascribed a living soul or anima to biological and non-biological entities including plants, particular inanimate objects and to natural phenomena. To the people who belonged to these traditional social groups, organic matter was vibrant, sentient and existed in dynamic relationship to Humankind. Anthropological studies seek to decode the nuances of tribal rituals and the traditional practices of ‘other’ cultures; however, the underpinning of objectivity is challenged by indigenous research, to question the underlying authority. For these societies, the merit is present in the interconnections and relationships. In India, liminal local perspectives have been largely excluded from mainstream media and this project investigates ethnographic film and animation as participatory media practice by indigenous storytellers in collaborations with the film-maker. The aim is to also present the contemporary experiences recounted by the participants as we revisit their timeless narratives. In the process this becomes a transformative experience that reconnects us with the social function of the artistic practices that have sustained traditional societies.Edições Universitárias Lusófonas2019-01-14T15:45:59Z2018-01-01T00:00:00Z2018info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/9319eng2183-9271Douglas, Tara Purnimainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:09:35Zoai:recil.ensinolusofona.pt:10437/9319Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:16:32.440456Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Animated mythologies of tribal India: from tales of origination to multimedia technology
title Animated mythologies of tribal India: from tales of origination to multimedia technology
spellingShingle Animated mythologies of tribal India: from tales of origination to multimedia technology
Douglas, Tara Purnima
AUDIOVISUAL
ANIMAÇÃO
DOCUMENTÁRIOS
ETNOGRAFIA
TRIBOS
NARRATIVA
AUDIOVISUAL
ANIMATION
DOCUMENTARIES
ETHNOGRAPHY
TRIBES
NARRATIVE
title_short Animated mythologies of tribal India: from tales of origination to multimedia technology
title_full Animated mythologies of tribal India: from tales of origination to multimedia technology
title_fullStr Animated mythologies of tribal India: from tales of origination to multimedia technology
title_full_unstemmed Animated mythologies of tribal India: from tales of origination to multimedia technology
title_sort Animated mythologies of tribal India: from tales of origination to multimedia technology
author Douglas, Tara Purnima
author_facet Douglas, Tara Purnima
author_role author
dc.contributor.author.fl_str_mv Douglas, Tara Purnima
dc.subject.por.fl_str_mv AUDIOVISUAL
ANIMAÇÃO
DOCUMENTÁRIOS
ETNOGRAFIA
TRIBOS
NARRATIVA
AUDIOVISUAL
ANIMATION
DOCUMENTARIES
ETHNOGRAPHY
TRIBES
NARRATIVE
topic AUDIOVISUAL
ANIMAÇÃO
DOCUMENTÁRIOS
ETNOGRAFIA
TRIBOS
NARRATIVA
AUDIOVISUAL
ANIMATION
DOCUMENTARIES
ETHNOGRAPHY
TRIBES
NARRATIVE
description Indigenous cultures worldwide have long held distinctive beliefs that ascribed a living soul or anima to biological and non-biological entities including plants, particular inanimate objects and to natural phenomena. To the people who belonged to these traditional social groups, organic matter was vibrant, sentient and existed in dynamic relationship to Humankind. Anthropological studies seek to decode the nuances of tribal rituals and the traditional practices of ‘other’ cultures; however, the underpinning of objectivity is challenged by indigenous research, to question the underlying authority. For these societies, the merit is present in the interconnections and relationships. In India, liminal local perspectives have been largely excluded from mainstream media and this project investigates ethnographic film and animation as participatory media practice by indigenous storytellers in collaborations with the film-maker. The aim is to also present the contemporary experiences recounted by the participants as we revisit their timeless narratives. In the process this becomes a transformative experience that reconnects us with the social function of the artistic practices that have sustained traditional societies.
publishDate 2018
dc.date.none.fl_str_mv 2018-01-01T00:00:00Z
2018
2019-01-14T15:45:59Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10437/9319
url http://hdl.handle.net/10437/9319
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2183-9271
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edições Universitárias Lusófonas
publisher.none.fl_str_mv Edições Universitárias Lusófonas
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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