Animated mythologies of tribal India: from tales of origination to multimedia technology
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10437/9319 |
Resumo: | Indigenous cultures worldwide have long held distinctive beliefs that ascribed a living soul or anima to biological and non-biological entities including plants, particular inanimate objects and to natural phenomena. To the people who belonged to these traditional social groups, organic matter was vibrant, sentient and existed in dynamic relationship to Humankind. Anthropological studies seek to decode the nuances of tribal rituals and the traditional practices of ‘other’ cultures; however, the underpinning of objectivity is challenged by indigenous research, to question the underlying authority. For these societies, the merit is present in the interconnections and relationships. In India, liminal local perspectives have been largely excluded from mainstream media and this project investigates ethnographic film and animation as participatory media practice by indigenous storytellers in collaborations with the film-maker. The aim is to also present the contemporary experiences recounted by the participants as we revisit their timeless narratives. In the process this becomes a transformative experience that reconnects us with the social function of the artistic practices that have sustained traditional societies. |
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Animated mythologies of tribal India: from tales of origination to multimedia technologyAUDIOVISUALANIMAÇÃODOCUMENTÁRIOSETNOGRAFIATRIBOSNARRATIVAAUDIOVISUALANIMATIONDOCUMENTARIESETHNOGRAPHYTRIBESNARRATIVEIndigenous cultures worldwide have long held distinctive beliefs that ascribed a living soul or anima to biological and non-biological entities including plants, particular inanimate objects and to natural phenomena. To the people who belonged to these traditional social groups, organic matter was vibrant, sentient and existed in dynamic relationship to Humankind. Anthropological studies seek to decode the nuances of tribal rituals and the traditional practices of ‘other’ cultures; however, the underpinning of objectivity is challenged by indigenous research, to question the underlying authority. For these societies, the merit is present in the interconnections and relationships. In India, liminal local perspectives have been largely excluded from mainstream media and this project investigates ethnographic film and animation as participatory media practice by indigenous storytellers in collaborations with the film-maker. The aim is to also present the contemporary experiences recounted by the participants as we revisit their timeless narratives. In the process this becomes a transformative experience that reconnects us with the social function of the artistic practices that have sustained traditional societies.Edições Universitárias Lusófonas2019-01-14T15:45:59Z2018-01-01T00:00:00Z2018info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/9319eng2183-9271Douglas, Tara Purnimainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:09:35Zoai:recil.ensinolusofona.pt:10437/9319Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:16:32.440456Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Animated mythologies of tribal India: from tales of origination to multimedia technology |
title |
Animated mythologies of tribal India: from tales of origination to multimedia technology |
spellingShingle |
Animated mythologies of tribal India: from tales of origination to multimedia technology Douglas, Tara Purnima AUDIOVISUAL ANIMAÇÃO DOCUMENTÁRIOS ETNOGRAFIA TRIBOS NARRATIVA AUDIOVISUAL ANIMATION DOCUMENTARIES ETHNOGRAPHY TRIBES NARRATIVE |
title_short |
Animated mythologies of tribal India: from tales of origination to multimedia technology |
title_full |
Animated mythologies of tribal India: from tales of origination to multimedia technology |
title_fullStr |
Animated mythologies of tribal India: from tales of origination to multimedia technology |
title_full_unstemmed |
Animated mythologies of tribal India: from tales of origination to multimedia technology |
title_sort |
Animated mythologies of tribal India: from tales of origination to multimedia technology |
author |
Douglas, Tara Purnima |
author_facet |
Douglas, Tara Purnima |
author_role |
author |
dc.contributor.author.fl_str_mv |
Douglas, Tara Purnima |
dc.subject.por.fl_str_mv |
AUDIOVISUAL ANIMAÇÃO DOCUMENTÁRIOS ETNOGRAFIA TRIBOS NARRATIVA AUDIOVISUAL ANIMATION DOCUMENTARIES ETHNOGRAPHY TRIBES NARRATIVE |
topic |
AUDIOVISUAL ANIMAÇÃO DOCUMENTÁRIOS ETNOGRAFIA TRIBOS NARRATIVA AUDIOVISUAL ANIMATION DOCUMENTARIES ETHNOGRAPHY TRIBES NARRATIVE |
description |
Indigenous cultures worldwide have long held distinctive beliefs that ascribed a living soul or anima to biological and non-biological entities including plants, particular inanimate objects and to natural phenomena. To the people who belonged to these traditional social groups, organic matter was vibrant, sentient and existed in dynamic relationship to Humankind. Anthropological studies seek to decode the nuances of tribal rituals and the traditional practices of ‘other’ cultures; however, the underpinning of objectivity is challenged by indigenous research, to question the underlying authority. For these societies, the merit is present in the interconnections and relationships. In India, liminal local perspectives have been largely excluded from mainstream media and this project investigates ethnographic film and animation as participatory media practice by indigenous storytellers in collaborations with the film-maker. The aim is to also present the contemporary experiences recounted by the participants as we revisit their timeless narratives. In the process this becomes a transformative experience that reconnects us with the social function of the artistic practices that have sustained traditional societies. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-01-01T00:00:00Z 2018 2019-01-14T15:45:59Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10437/9319 |
url |
http://hdl.handle.net/10437/9319 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2183-9271 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Edições Universitárias Lusófonas |
publisher.none.fl_str_mv |
Edições Universitárias Lusófonas |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799131262383816704 |