Fascinating museological audiences, or the cinematic appeal

Detalhes bibliográficos
Autor(a) principal: Chinita, Fátima
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.21/15696
Resumo: This review of Elisa Mandelli’s book The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (2019) explains how, according to the author, several viewing dispositifs, understood as a rather flexible assemblage of elements, are increasingly being used in museums to combine education with entertainment. Thus, museums are becoming “cinematic spaces” with an ideological perspective. Mandelli’s approach to the projection technologies of moving images in museological venues is not only chronological but also phenomenological. A three-way interest is recognizable in the alignment of chapters, encompassing the educational value of the dispositifs, their artistic nature, and the experiential factor. As the book provides an interesting overview of two fields that usually are not taken together and contains an assortment of case studies described in detail, it should make a good addition to the fields of Museum and Film Studies.
id RCAP_e159eca52b079727f2d703532ecf1ff6
oai_identifier_str oai:repositorio.ipl.pt:10400.21/15696
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Fascinating museological audiences, or the cinematic appealIntermedialityCinemaDispositifExhibitionApparatusMuseumMoving imageThis review of Elisa Mandelli’s book The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (2019) explains how, according to the author, several viewing dispositifs, understood as a rather flexible assemblage of elements, are increasingly being used in museums to combine education with entertainment. Thus, museums are becoming “cinematic spaces” with an ideological perspective. Mandelli’s approach to the projection technologies of moving images in museological venues is not only chronological but also phenomenological. A three-way interest is recognizable in the alignment of chapters, encompassing the educational value of the dispositifs, their artistic nature, and the experiential factor. As the book provides an interesting overview of two fields that usually are not taken together and contains an assortment of case studies described in detail, it should make a good addition to the fields of Museum and Film Studies.Universidade Católica PortuguesaRCIPLChinita, Fátima2023-02-23T09:07:53Z2022-12-302022-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/15696engChinita, F. (2022). Fascinating Museological Audiences, or the Cinematic Appeal. Journal of Science and Technology of the Arts, 14(3), 83-89. https://doi.org/10.34632/jsta.2022.11757https://doi.org/10.34632/jsta.2022.117572183-0088info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T10:13:31Zoai:repositorio.ipl.pt:10400.21/15696Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:23:19.529556Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Fascinating museological audiences, or the cinematic appeal
title Fascinating museological audiences, or the cinematic appeal
spellingShingle Fascinating museological audiences, or the cinematic appeal
Chinita, Fátima
Intermediality
Cinema
Dispositif
Exhibition
Apparatus
Museum
Moving image
title_short Fascinating museological audiences, or the cinematic appeal
title_full Fascinating museological audiences, or the cinematic appeal
title_fullStr Fascinating museological audiences, or the cinematic appeal
title_full_unstemmed Fascinating museological audiences, or the cinematic appeal
title_sort Fascinating museological audiences, or the cinematic appeal
author Chinita, Fátima
author_facet Chinita, Fátima
author_role author
dc.contributor.none.fl_str_mv RCIPL
dc.contributor.author.fl_str_mv Chinita, Fátima
dc.subject.por.fl_str_mv Intermediality
Cinema
Dispositif
Exhibition
Apparatus
Museum
Moving image
topic Intermediality
Cinema
Dispositif
Exhibition
Apparatus
Museum
Moving image
description This review of Elisa Mandelli’s book The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (2019) explains how, according to the author, several viewing dispositifs, understood as a rather flexible assemblage of elements, are increasingly being used in museums to combine education with entertainment. Thus, museums are becoming “cinematic spaces” with an ideological perspective. Mandelli’s approach to the projection technologies of moving images in museological venues is not only chronological but also phenomenological. A three-way interest is recognizable in the alignment of chapters, encompassing the educational value of the dispositifs, their artistic nature, and the experiential factor. As the book provides an interesting overview of two fields that usually are not taken together and contains an assortment of case studies described in detail, it should make a good addition to the fields of Museum and Film Studies.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
2022-12-30T00:00:00Z
2023-02-23T09:07:53Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.21/15696
url http://hdl.handle.net/10400.21/15696
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Chinita, F. (2022). Fascinating Museological Audiences, or the Cinematic Appeal. Journal of Science and Technology of the Arts, 14(3), 83-89. https://doi.org/10.34632/jsta.2022.11757
https://doi.org/10.34632/jsta.2022.11757
2183-0088
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799133506009300992

Registros relacionados